Hugging Barefoot Shapes
Friday, August 7, 2015 at 8:31PM
David Antrobus in 9/11, Bluebird, Canyonville, Cheerleaders, David Antrobus, King Creosote, Love, Nikki Minaj, Stars of the Lid, Unemployed Imagination

There's a place where even sadness dies. Sadness, that vampiric immortal. Think. What kind of a world would make sorrow so inextinguishable while joy is a fleeting bluebird on a cartoon shoulder? 

We watched the plane as it approached, flying far too low, its angle all wrong, toward the lights of the city. It seemed to be listing, like something shouldering deep waters. Natalie was crying. This hushed, cool April night, we were all recalling a blue-sky September morning long ago. Tyrone was moaning, "No, no, no, no …" into the scattered firefly darkness, while we waited for the detonation.

Who closes their fucking gas station? Running almost empty, I pulled off the interstate on some lonely exit (gas but no food and definitely no lodging) somewhere north of Canyonville, and the only building I could see was dark and deserted. There my engine coughed twice and died. I considered theft, but how do you unlock a gas pump? That one's beyond me. Likely as not I'd blow my baffled soul to kingdom come. By the faintest glow in the sky I knew there had to be some kind of burg to the east, so I grabbed the jerrycan and headed that way on foot, figuring there had to be another gas station, if only for the locals.

Which was when I was set upon. They came from all directions, from pastures and alpine meadows, from slugtrail creeks and glowering forests, broken barns and stagnant ponds, silhouettes suggestive of things with elongated skulls so massive and weighty they hung lower than their broad, pustular chests, impossible gator jaws slack with dripping rows of rotted shark teeth, reeking of things long buried and festering, long-derelict mucus throats rattling wetly. Hungry and misbegotten as outcasts in a pestilence.

I awake to my iTunes playing in a loop, and in between Nikki Minaj and Stars of the Lid, the same groundhog chorus begins each morning while I feel my lifeblood drip from three bullet wounds and cool, and find sluggish channels over this thrift store chair that's become a part of me, getting sticky with it, fusing me to a nightmare place I never thought I'd be, ever dreamed I'd be glued helpless. Hurts like a thousand fire ants too. Burns like a hundred motherfuckers. Oh. Let this pass.

Unmoored, discarded, enfeebled. Forsaken as the house whose dry gerontic bones creak around me, forgotten in the hills, without hope of rescue. Only one visitor expected now, as yet too distant to hear his slow, crafty shuffle.

Oh, and look, we see a free girl. An American girl. Perhaps her name is Natalie too. No, Naomi. Wait, no: Norma. Eagle dreams and square shoulders, cutoff blue jean jacket and a black mini skirt. Concocting secret thrills while unshoeing a gelding's hoof. Tracing the outer edges of R&B urges, caressing moist kelp frills and ketamine truths.

Hugging barefoot shapes.

Hurry now, I'm most assuredly ready.

But that place, the one where desolation goes to die? Where all aches are soothed? It exists. It does. Some of us have seen it. Only, no one is allowed to reveal its location, for fear the rest will down tools, quit living. Quit striving. A bluebird on your shoulder is fine for a short while. Pleasant and cute, no doubt. But a lifetime of its incessant twittering is a whole new holy type of hell. Smiling cheerleaders will drive you to atrocities. Skies without clouds eventually become banal. There's a hell of a fine reason we're not cartoons.

Article originally appeared on The Migrant Type (http://www.the-migrant-type.com/).
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