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  • Endless Joke
    Endless Joke
    by David Antrobus

    Here's that writers' manual you were reaching and scrambling for. You know the one: filled with juicy writing tidbits and dripping with pop cultural snark and smartassery. Ew. Not an attractive look. But effective. And by the end, you'll either want to kiss me or kill me. With extreme prejudice. Go on. You know you want to.

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    Dissolute Kinship: A 9/11 Road Trip
    by David Antrobus

    Please click on the above thumbnail to buy my short, intense nonfiction book featuring 9/11 and trauma. It's less than the price of a cup of coffee... and contains fewer calories. Although, unlike most caffeine boosts, it might make you cry.

  • Music Speaks
    Music Speaks
    by LB Clark

    My story "Solo" appears in this excellent music charity anthology, Music Speaks. It is an odd hybrid of the darkly comic and the eerily apocalyptic... with a musical theme. Aw, rather than me explain it, just read it. Okay, uh, please?

  • First Time Dead 3 (Volume 3)
    First Time Dead 3 (Volume 3)
    by Sybil Wilen, P. J. Ruce, Jeffrey McDonald, John Page, Susan Burdorf, Christina Gavi, David Alexander, Joanna Parypinski, Jack Flynn, Graeme Edwardson, David Antrobus, Jason Bailey, Xavier Axelson

    My story "Unquiet Slumbers" appears in the zombie anthology First Time Dead, Volume 3. It spills blood, gore and genuine tears of sorrow. Anyway, buy this stellar anthology and judge for yourself.

  • Seasons
    Seasons
    by David Antrobus, Edward Lorn, JD Mader, Jo-Anne Teal

    Four stories, four writers, four seasons. Characters broken by life, although not necessarily beaten. Are the seasons reminders of our growth or a glimpse of our slow decay?

  • Indies Unlimited: 2012 Flash Fiction Anthology
    Indies Unlimited: 2012 Flash Fiction Anthology
    Indies Unlimited

    I have two stories in this delightful compendium of every 2012 winner of their Flash Fiction Challenge—one a nasty little horror short, the other an amusing misadventure of Og the caveman, his first appearance.

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Entries in Violence (6)

Saturday
May192018

Attend to All the Tales

© Jame T. McArdleBright. So many thoughts and moments gusted like wrappings on the shoulder of a highway in the wake of a thousand passing trucks. 

(Those boxes of books, like steps. Like buildings.)

This was the time when he fell partway down an embankment and came to rest within a meter of a passing freight whose sparks on the tight steel curve burned new tattoos into his arms, and he crawled back to a semblance of a man and climbed his way up into a bright morning in some western city and started to walk. 

(Cascading guts, some kind of release.)

Girlfriend sported metal in her septum, navel, and clitoris; she raged about as much as she laughed, which made her more than tolerable. She left her nipples unmolested thanks to unexpected motherhood. Answer this. Is rank, dire poverty ever fine? It's awkward and wrong and it hurts. We lived a good half-lifetime raising kids inside a house that seemed like kids themselves had drawn it. Some rooms were sketched in plaster and lath. We could break them open and let our yearnings out, considered that sustainable.

(Staircase built from words. Librarian meets architect.)

She was a target of my new approach, my sense that facts rode shotgun to the rest of things. Slunk fast and slick beyond the fury boiled in femininity. Distilled. Clean water from myriad shed tears.

Which makes rage.

We clashed impossibly within the town she called her temporary home, me having drove (I having driven) a weeklong trail, blessed and uninformed, oblivious to the sirens, the insect scratch and clamber of pursuit, the unspooling horizon behind.

(Language itself will abandon us.)

Our unique wine released by spigots, dark oak barrels creaking in dusty dim cellars while bloodred gouts spooled into buckets made from human skin.

It's emerald. Agate. Hematite. Some geode. Maybe let's meet at noon, after the shaded herds are teased, before we climb the brightest trail again, orient ourselves to up again. The woman I know, the woman I knew, would never kowtow to any of this. She lifted herself in segments above the fray, arched her aggregated vertebrae, a silent arc assemblage like a dim makeshift rainbow made of female.

(Friendship. Why so hard to get right?)

In secret, against a desert wind that pushed her words back down her throat, she said this: "Pass me a margarita, Papi. I lust for and loathe Mexicana. My bleached American guts see nothing but banalities. Cholos, cholas. Stupid boys and girls. Stupid drama. Estúpida. That scar? That's where they cut the baby out of me. Tráfico? Sí. Please yourself and crave the Caribbean sprinter, that liquid effortless longshanks, my forgotten hope, mi esperanza."

(Climb and reach the top. And gasp.) 

Accept my sculpted facial hair and gray skull toques. This impotent clench. Where is death? She leered at me the best part of a decade ago, but nowhere since have I glimpsed her foolproof perversity. No doubt she waits. Tawny grasses shimmer, silos dance, a shifting flutter of fata morganas. Broad daylight. Hawk tails, catamounts, latrans, ragged busted fence lines. Shadow things lope and glimmer. Ranks of afternoon sunflowers wagging dreamlike faces hour upon hour. Time to branch out. Maggie runs the place up on the hill; please, let's join her. Tiny black flies. A donkey brays. Sunrays spread between the slats.

(Look. Listen. Attend to all the tales.) 

May you never misplace the romance of the world. The glorious weight of its glamour. The sheer ferocity of its ardor. May its plucked strings accompany your heart's arpeggio forever. 

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