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  • Endless Joke
    Endless Joke
    by David Antrobus

    Here's that writers' manual you were reaching and scrambling for. You know the one: filled with juicy writing tidbits and dripping with pop cultural snark and smartassery. Ew. Not an attractive look. But effective. And by the end, you'll either want to kiss me or kill me. With extreme prejudice. Go on. You know you want to.

  • Dissolute Kinship: A 9/11 Road Trip
    Dissolute Kinship: A 9/11 Road Trip
    by David Antrobus

    Please click on the above thumbnail to buy my short, intense nonfiction book featuring 9/11 and trauma. It's less than the price of a cup of coffee... and contains fewer calories. Although, unlike most caffeine boosts, it might make you cry.

  • Music Speaks
    Music Speaks
    by LB Clark

    My story "Solo" appears in this excellent music charity anthology, Music Speaks. It is an odd hybrid of the darkly comic and the eerily apocalyptic... with a musical theme. Aw, rather than me explain it, just read it. Okay, uh, please?

  • First Time Dead 3 (Volume 3)
    First Time Dead 3 (Volume 3)
    by Sybil Wilen, P. J. Ruce, Jeffrey McDonald, John Page, Susan Burdorf, Christina Gavi, David Alexander, Joanna Parypinski, Jack Flynn, Graeme Edwardson, David Antrobus, Jason Bailey, Xavier Axelson

    My story "Unquiet Slumbers" appears in the zombie anthology First Time Dead, Volume 3. It spills blood, gore and genuine tears of sorrow. Anyway, buy this stellar anthology and judge for yourself.

  • Seasons
    Seasons
    by David Antrobus, Edward Lorn, JD Mader, Jo-Anne Teal

    Four stories, four writers, four seasons. Characters broken by life, although not necessarily beaten. Are the seasons reminders of our growth or a glimpse of our slow decay?

  • Indies Unlimited: 2012 Flash Fiction Anthology
    Indies Unlimited: 2012 Flash Fiction Anthology
    Indies Unlimited

    I have two stories in this delightful compendium of every 2012 winner of their Flash Fiction Challenge—one a nasty little horror short, the other an amusing misadventure of Og the caveman, his first appearance.

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Sunday
Sep162012

Summer Long

Summer decided that summer had gone on far too long.

The kids were back in school, the university halls packed with the heady pheromones of possibility. Labour Day already a waning memory. Yet someone had forgotten to inform the actual seasons. Achingly blue skies still dominated, the city's abandoned splash parks and outdoor pools turquoise daubs of melancholia beneath the bright gold of an endless late summer.

Unlike the season, however, Summer—for her part—did not intend to overstay her welcome. This had been a summer that only reinforced her belief that such a stark world was not, nor ever had been, designed for one so fragile as she. The name bestowed upon her at birth by a sympathetic nurse now doubled as an ironic millstone around her metaphorical throat. A cosmic joke.

As befits someone abandoned as a newborn in an alleyway somewhere between Chinatown and the Downtown Eastside, her story had followed a sadly predictable script. Foster care and group homes. Occasional violations from clammy fingers. Or foreign objects. Alternate schools, petty crime, counseling, addiction, an adolescent eating disorder surprisingly conquered in adulthood, a rare and welcome rainbow in otherwise stormy skies. Summer's twenties were a grey blur between polarities. She was still only twenty-seven, although she felt seventy-two.

Nothing had worked. Friends—all gone, via indifference or betrayal. Boys—pretty much the same script. Losing herself in drugs, booze, loveless sex. Sometimes cleaning up. Transplanting her various addictions onto the narcissistic rows of ellipticals and stationary bicycles, smeared wall-length mirrors as tawdry witnesses. First World problems. Trapping her nonetheless. McJobs, unemployment, McJobs. Leaving any one of these dull shifts, she would walk the evening streets toward her bleak one-bedroom apartment and wonder how many others felt this same emptiness tinged with horror at an approaching future that apparently bore only more heartbreak. How many other heads contained nothing but one vast, endless scream.

Now, she sat on a bench on the waterfront, overlooking the deep blue inlet and the north shore mountains. Sapphire and teal, azure and jade. This wasn't her turf, never would be; this was a pretty land of wealth and poise, of audacious cocktails on sunset balconies, of condos, candelabras and Cadillacs. Wheeling overhead, a gull laughed harshly, as if in agreement. There were days when she didn't see the beauty. Couldn't, even. Or saw it, yet didn't absorb it. She tried now. The dog walkers, the cyclists, the tourists, the floatplanes gunning their takeoff roars, the cruise ships and barges slicing the sparkling waters, the container ships massive and rusted silent in the deeper waters, watching. The slick, wet terrier heads of harbour seals, bobbing like buoys. Surface-skimming cormorants. An SUV behind her, blasting hip-hop beats, or dubstep. Nothing. She felt nothing. Except a trickle of sweat down her side, an ineffable sadness like a lodestone in her heart.

"So unhappy." A voice, approaching her. She started. And saw a man, a plain man with rodent-brown hair, possibly in his mid-30s. Uninvited, he sat beside her.

"I'm fine." She shifted away from him.

"If you are fine, then I too am fine, sister."

To which there was no sensible reply, so she sat Centurion-straight and stared out at the waters, counted sailboat masts in an effort to slow the odd sense of panic fluttering in her chest.

At length, he spoke again, his voice marble cool.

"A beautiful day. This city..." A sigh and a shake of his head, sensed more than seen. She kept her eyes on the inlet. "Later today, I'm going to jump from the bridge to my death."

Automatically, her gaze shifted beyond the dark conifers and gathered bulk of the park to the evergreen suspension bridge that connected the latter's steaming mass to the north shore. She felt her heart draw itself tighter. Then she looked back at him. His pale face was that of a mime, no sign of mischief, mockery, or pain.

"I don't know why you'd say such a thing, but I'm in no mood to hear it. You want me to feel sorry for you, is that it?"

"Not at all. I want you to mark my passing. See me go over the edge. Not in the literal sense, necessarily. But there is no one else, and you look like someone who knows."

"Knows?"

"This feeling. It's both numb and heavy, freezes the love right out of you while weighing your insides down. You know what brings us here. Like lemmings."

"There is no us." Her own face a mask. To hide the jackhammer of her heartbeat. Summer could feel more sweat trickle down her sides, wondered if it showed on the forget-me-not blue of her dress. For a second, she cared about that, didn't want to be seen so pitiably human. Her resolve made of her frame a mannequin; no stranger would rob her of that adopted insouciance, however forced its genesis.

"I disagree."

"Look. I don't know you. I don't care if you agree or disagree. I was sitting here alone and I'd appreciate it if you would leave me that way. We all have our crosses to bear. Mine's heavy enough, I can't carry yours as well…" She bit her tongue. Already she had said more than she'd meant to.

"Ah. I knew it. As I said: so unhappy. Misery has an instinct for its wounded kinfolk."

Instead of eliciting a screaming, as she'd intended to do, something in his words touched her. A certain dark poetry. She felt her obduracy dissolve.

"Why are you jumping?" she asked, quietly.

"I can't answer that, but probably similar reasons to why you also intend to bow out, wouldn't you agree?"

"I don't know." Her head dropped. She felt the acid heat of uncried tears. Heard the distant howling of eternity, as it prepared to rush toward them, heard the world creak on some cosmic fulcrum. Sensed that if she gave in to the deep sob, a vast, trapped bubble yearning for the ocean's surface, she might avoid some fate she'd hitherto seen as fixed, unavoidable. She let them come, the tears, the hiccuping sobs, the deep-sea bubble, a ravaged young woman in a powder blue dress jackknifed by grief on a public bench beside a quiet stranger. She let them pass through her; the images, the sounds, the smells, of betrayal and cruelty. A face misshapen by rage. Calling her a cunt, a thundercunt. Inserting something into her. Hurting. Hot breath stinking of onion, sour mustard and oatmeal stout. Another face, mismatched eyes, laughing cruelly. Indignities. Mockery. More names: savage, bitter, merciless words... Might as well have been aborted, sucked out of her whore mother dripping pink-red ropy gouts in that same rain-drenched alley. Oh, there's more, always more. In a way, she had been aborted. First the rending pain, then the dull, hollow loneliness of it all.

He sat and waited. For the summer squall to abate. Which it did, and almost always does: tempest to gale to breeze to stillness.

"So, how were you going to do it? Fill your pockets with rocks and walk into the water? The Virginia Woolf method?"

"I have no idea who Virginia Woolf is. And no."

He stood, suddenly. As if he were a lockpicker and pins and tumblers had shifted and clicked into place. A look of stubborn surprise spread across his face, and he blinked.

"You know, now feels like a good time. Though I got a bit of a walk ahead of me. Will you walk with me, even for part of it?"

She looked at him. At his eyes. They were eroded to blanks by whatever unasked-for pain had been his burden. But she was no lemming. The camaraderie of annihilation was not for her. She would ache for this nameless man when she heard the news reports of a jumper on the bridge, but she would not throw in her lot with him, hitch her fate to his.

And he saw it. For a second, she saw the blankness in his eyes melted to pure pain, the realisation of his utter aloneness descending once more, as it no doubt had done when he'd made this call in the still, small hours, or whenever that awful moment had arrived in which his tenuous ties with life had finally come undone. He winced, paled further.

And she stepped forward and hugged him. It was all she could do. Held him as he sagged against her. Her route through the tangled undergrowth was not to be his. No two of us are alike, it seems.

When they parted, set out in opposite directions, one toward loud car stereos, dog shit, bar fights, perimenopause, film, sinks full of dishes, sleepless nights, music, abandon, spiritual inquiry, aching tender love, g-spot orgasms and sporadic health concerns—life, in other words—the other toward quiet, irreversible oblivion, something made Summer stop and turn and say:

"Oh, right. Yeah. I was gonna grab a 40-pounder of vodka, go home to a drawerful of Xanax, make a low-class cocktail of sorts and watch the sunset. Worked for Whitney, apparently. Although she was high class, I guess, but still..."

And with that and the most rueful of smiles, she turned and walked away.

Summer had lasted too long. But it was a false thing, really; however cunningly it faked it, there was no hiding the steady, earlier encroachment of darkness each and every day, a slow imperative. Either way, she would set out now into its still-warm, sticky glare and wait to see if fall, in its acceptance of that darkness, would yet prove a more bearable season.

*     *     *     *     *

Ed Lorn has written an excellent response to this piece on his blog, Ruminating On. Anyone wanna tackle winter? ;)

Update, 18 September, 2012: JD Mader stepped up to the plate for the winter segment and the ball is still somewhere in the stratosphere collecting ice. This has turned into a fantastic exercise, a new Four Seasons for the 21st Century. Who needs Vivaldi? Okay, that was stupid. But this is very cool.

Final update: Jo-Anne Teal rounded this whole thing off beautifully. Thanks, all, what a fantastic exercise.

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Reader Comments (37)

The crystal clear beauty of your writing in this piece serves to highlight the cruel, intense pain. Your writing is mesmerizing. And as I've told you before, I am not hyperbolizing my words. I know that Summer's life is a composite of many lives you have known - and you've given them a voice they probably never were given in real life. I am so very moved. Thank you for writing this.

September 16, 2012 | Unregistered CommenterJo-Anne Teal

I seem to be almost driven at the moment to speak these small-t truths for some very real individuals who either barely or never survived. I'm actually kind of freaked out by it and definitely humbled by it!

September 16, 2012 | Registered CommenterDavid Antrobus

That was brilliant. Is brilliant.

September 16, 2012 | Unregistered CommenterJD Mader

Summer... Fall... Brilliant.

Speechless.

E.

September 16, 2012 | Unregistered CommenterEdward Lorn

Mader, your stuff inspires me to reach this level, whatever this level is. In terms of searing honesty. We bootstrap each other, bro.

September 16, 2012 | Registered CommenterDavid Antrobus

Ed, write the sequel, my friend. We can do this as a collective.

September 16, 2012 | Registered CommenterDavid Antrobus

David,
As always your words bring tears - this was brilliant.
Kat

September 17, 2012 | Unregistered CommenterKat Yares

Kat, if I can make one reader cry, I'm happy. Okay, that sounds wrong... :)

September 17, 2012 | Registered CommenterDavid Antrobus

David, you are one of the finest writers I've encountered in the Twittosphere, hands down. It's your ability--and willingness--to nosedive headlong into misery, dysfunction and despair that sets you apart, that and the uniquely visceral, lyric and piercingly honest voice that colours everything,you write. This was beautiful, wrenching, exquisite.

September 17, 2012 | Unregistered CommenterKern Windwraith

Don't tempt me, David. I'm liable to jump that request with all the subtlety non-sexed teenage boy. But alas, if I did, it would turn out as most sequels, not living up to the original.

E.

September 17, 2012 | Unregistered CommenterEdward Lorn

Don't be so sure, Ed. I have faith in my fellow indies. :)

September 17, 2012 | Registered CommenterDavid Antrobus

David, I’m thunderstruck that you can simply put this kind of writing on a blog and walk away. Without jumping, that is.

This, along with probably most writing you have in your archives, is something I can read a little at a time, kind of the way one would walk on glass. It’s painful but a rite of passage, into the deep heart’s core. (Those last words belong not to me but to Yeats.) I can see why you and Mader have formed a bond, kind of a bleak/jubilant comradeship of words.

I come to your writing in the same spirit I visit my peeps like Chabon and Dickinson. To be renewed. Thank you. ~Erin

September 17, 2012 | Unregistered Commentererin o'quinn

This is simply haunting.
I was going to say "write more" but no, it's perfect just as is.
S.Hawthorne
http://storybookster.wordpress.com

September 17, 2012 | Unregistered CommenterSusan Hawthorne

Where's my editor? *sigh...

Missing words or not, I think I got my point across in that last post. You want a sequel? I shall do my best.

E.

September 17, 2012 | Unregistered CommenterEdward Lorn

Yeah, no pressure, my friend, just teasin'. But go ahead if you want to. Only stipulation, the word "fall" must be in the title. ;)

September 17, 2012 | Registered CommenterDavid Antrobus

David,

Wow! There are no words to describe this.

Your writing is amazing! We all strive to be so good. The summer to fall thing is brilliant.

This is of course a terrible story, but yet beautiful just the same. I sense you've been in some situations in your life, or known struggling people, to enable you to write such haunting words.

Well done.

Sunni

September 17, 2012 | Unregistered CommenterSunni Morris

Really nice piece, David; that first line intro is a gorgeous play on words that pulls you in without you realising you're being pulled. You've got a very high Whooosh factor with this one, buddy.

September 17, 2012 | Unregistered CommenterChris James

Almost done, David. Where do you want it?

September 17, 2012 | Unregistered CommenterEdward Lorn

You people leaving such kind comments are gonna make me embarrass myself, I swear. I seem to choke up easily these days. It's one thing to be read, which is after all a huge part of why we write, to communicate emotions and thoughts, but to have anyone comment, even negatively, is like the icing on an already wondrous cake!

Apologies to those caught in the over-exuberant spam filter, here—I've released you all now (and thank you, Erin, Sunni, Susan and Kern!).

September 17, 2012 | Registered CommenterDavid Antrobus

Oh, Ed, that was quick! Send it to me in email? Do you want me to upload it here? Your blog and I can link to it? Your call, bro.

September 17, 2012 | Registered CommenterDavid Antrobus

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