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  • Endless Joke
    Endless Joke
    by David Antrobus

    Here's that writers' manual you were reaching and scrambling for. You know the one: filled with juicy writing tidbits and dripping with pop cultural snark and smartassery. Ew. Not an attractive look. But effective. And by the end, you'll either want to kiss me or kill me. With extreme prejudice. Go on. You know you want to.

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    Dissolute Kinship: A 9/11 Road Trip
    by David Antrobus

    Please click on the above thumbnail to buy my short, intense nonfiction book featuring 9/11 and trauma. It's less than the price of a cup of coffee... and contains fewer calories. Although, unlike most caffeine boosts, it might make you cry.

  • Music Speaks
    Music Speaks
    by LB Clark

    My story "Solo" appears in this excellent music charity anthology, Music Speaks. It is an odd hybrid of the darkly comic and the eerily apocalyptic... with a musical theme. Aw, rather than me explain it, just read it. Okay, uh, please?

  • First Time Dead 3 (Volume 3)
    First Time Dead 3 (Volume 3)
    by Sybil Wilen, P. J. Ruce, Jeffrey McDonald, John Page, Susan Burdorf, Christina Gavi, David Alexander, Joanna Parypinski, Jack Flynn, Graeme Edwardson, David Antrobus, Jason Bailey, Xavier Axelson

    My story "Unquiet Slumbers" appears in the zombie anthology First Time Dead, Volume 3. It spills blood, gore and genuine tears of sorrow. Anyway, buy this stellar anthology and judge for yourself.

  • Seasons
    Seasons
    by David Antrobus, Edward Lorn, JD Mader, Jo-Anne Teal

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  • Indies Unlimited: 2012 Flash Fiction Anthology
    Indies Unlimited: 2012 Flash Fiction Anthology
    Indies Unlimited

    I have two stories in this delightful compendium of every 2012 winner of their Flash Fiction Challenge—one a nasty little horror short, the other an amusing misadventure of Og the caveman, his first appearance.

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Wednesday
Aug282013

The Art of Leaving and Arriving

For a blog entitled The Migrant Type, this article ("All Immigrants are Artists") at The Atlantic has a special resonance.

While contemplating Patricia Engel’s It’s Not Love, It’s Just Paris, the gloriously-named Haitian-American writer Edwidge Danticat encounters the idea that "re-creating your entire life is a form of reinvention on par with the greatest works of literature" with the same sense of astonishment I also felt when reading the article itself, let alone the novel that sparked it. As an immigrant, I'd never considered the act of migration a creative one, yet in the sense of reinvention Danticat outlines, there's a compelling and even romantic case for it.

Her interpretation of Engel's novel reveals the enchanting idea that art need not reside in the mythic clouds but can (and perhaps should?) live among real people in the practical world of survival. As she writes—in a sentence that had me nodding my head vigorously—"I’ve never seen anyone connect being an artist and an immigrant so explicitly, and for me it was a revelation." Yes. In a world in which immigrants are treated with suspicion and even hostility in many of their host countries, this was hidden in plain sight all along. And fittingly, it takes an artist (or two) to articulate it. Speaking of which, I want to give the last word to the writer of the source novel, since this short quote is simply lovely:

"[A]ll immigrants are artists because they create a life, a future, from nothing but a dream. The immigrant’s life is art in its purest form."

 

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Reader Comments (2)

Why did it take me so long to see this post?? I agree with all of the thoughts expressed: beginning with the glorious name of Edwidge Danticat and finishing with Patricia Engel's quote on the artistic merit of immigration.

I admire individuals who challenge and strive and dream, no matter the scale, for too often we stop short because of fear.

Both Danticat and Antrobus have compelled me to seek out Ms. Engel's novel. :)))

September 5, 2013 | Unregistered CommenterJo-Anne Teal

Better late than never, Jo! :) It's impossible to get to it all, really. Thanks for your comment.

September 12, 2013 | Registered CommenterDavid Antrobus

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