Japan
David Antrobus Posted on Friday, May 9, 2014 at 8:31PM 
This flash fiction thing is becoming a welcome near-weekly habit. Busy as I am with my work as an editor, writing should never recede so far back I can no longer hear its plaintive call. So my usual thanks to Dan Mader for providing the venue and the hospitality, and to all the other writers who alight there and leave their shiny, shiny inspiration stuff, and with that I'll let my latest piece speak for its own self.
Japan
When the sounds come we're ill-prepared. We're drinking cheap sake and laughing at a Louis C.K. clip on YouTube. The horizon booms and something crumples or folds and a sky the hot shade of infection spreads above us while I stuff an old fleece, a first aid kit, a can opener, some rope, knives, fishing hooks, wire, soup cans, matches, underwear, panic things, into a backpack and we hiss and fuss over whose vehicle to take, finally settling uneasily on Maryann's 2006 Toyota 4Runner.
We go north.
My aunt, who raised me, once told me I would never understand the true beating heart of people since I was deeply unlike most of them. Huh, even though I never forgot it, I have no real thoughts about that. Do you ever wonder why ghosts refuse to speak? Do you think it's because we make them self-conscious, treat them weird?
The logging road's like crumbled brown sugar that's gotten wet and is now trying to get back to being dry. It also hides the teeth of ogres.
"The things we got so used to doing we'll never do again," says Maryann, struggling with the wheel.
"How so?"
"We might never enter the cooking time in a microwave ever again."
My answer is to turn on her radio, punch random buttons. A bunch of excited babble. They canceled some shit in Vancouver. We should stay in our homes until help arrives. A woman repeating, "The zealous castaways are roasting their organs in the root cellar." Some preacher, preaching. Katy Perry.
In a world we need to all be painters, can you describe the difference between burnt umber and raw sienna? Exactly.
"Luka, when do we stop?" Maryann squints at me, wrenches the wheel from a sheer drop, a split second from disaster. What is disaster amid catastrophe? Nothing. Nothing at all. We could fall right off the mountain and it would be like a drop of rain joining the coming tsunami.
I literally can't answer her. Instead I sing to myself a song, some minor key Appalachian dirge, wondering if the last recorded music I'll ever hear will be by Katy fucking Perry, not that I even dislike her that much, but still…until I remember something.
"Fuck. We left the sake behind."
Maryann bursts into tears.
Reader Comments (5)
Compelling from the first word. Completely satisfied the job was done with the last word.
This deserves to be expanded into a novel. Just sayin'.
Russ, you're a gentleman! Thanks so much for commenting. You, too, Yvonne. And you know, it is a dream of mine to write a post-apocalyptic novel. :)
I love it Daw.
A great wee story with a big impact. Nobody knows the territory of apocalypse quite like you. I was riveted.
Gordon
I sometimes wish I didn't know the territory of apocalypse, as you so memorably put it, but thanks, Gordon! Many of these are born in dreams.