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  • Endless Joke
    Endless Joke
    by David Antrobus

    Here's that writers' manual you were reaching and scrambling for. You know the one: filled with juicy writing tidbits and dripping with pop cultural snark and smartassery. Ew. Not an attractive look. But effective. And by the end, you'll either want to kiss me or kill me. With extreme prejudice. Go on. You know you want to.

  • Dissolute Kinship: A 9/11 Road Trip
    Dissolute Kinship: A 9/11 Road Trip
    by David Antrobus

    Please click on the above thumbnail to buy my short, intense nonfiction book featuring 9/11 and trauma. It's less than the price of a cup of coffee... and contains fewer calories. Although, unlike most caffeine boosts, it might make you cry.

  • Music Speaks
    Music Speaks
    by LB Clark

    My story "Solo" appears in this excellent music charity anthology, Music Speaks. It is an odd hybrid of the darkly comic and the eerily apocalyptic... with a musical theme. Aw, rather than me explain it, just read it. Okay, uh, please?

  • First Time Dead 3 (Volume 3)
    First Time Dead 3 (Volume 3)
    by Sybil Wilen, P. J. Ruce, Jeffrey McDonald, John Page, Susan Burdorf, Christina Gavi, David Alexander, Joanna Parypinski, Jack Flynn, Graeme Edwardson, David Antrobus, Jason Bailey, Xavier Axelson

    My story "Unquiet Slumbers" appears in the zombie anthology First Time Dead, Volume 3. It spills blood, gore and genuine tears of sorrow. Anyway, buy this stellar anthology and judge for yourself.

  • Seasons
    Seasons
    by David Antrobus, Edward Lorn, JD Mader, Jo-Anne Teal

    Four stories, four writers, four seasons. Characters broken by life, although not necessarily beaten. Are the seasons reminders of our growth or a glimpse of our slow decay?

  • Indies Unlimited: 2012 Flash Fiction Anthology
    Indies Unlimited: 2012 Flash Fiction Anthology
    Indies Unlimited

    I have two stories in this delightful compendium of every 2012 winner of their Flash Fiction Challenge—one a nasty little horror short, the other an amusing misadventure of Og the caveman, his first appearance.

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Friday
Jan152016

Headwaters

A story in a single sentence:

Shaky after two days' release from the psych ward, she wants to "put it all behind her," as the genial yet guarded advice had gone, so she takes the Skytrain to go ask about rental costs at a nearby Enterprise office whose bleak geometry squats in a grim patch of stilted highways, loose rubble, and territorial chain link somewhere near where Vancouver borders Burnaby, but she gets cold feet at Renfrew Station, turns around and scurries back to the library near her home on East Pender, where she searches Google Maps and decides Swift Current is the loveliest place name she's ever heard, especially in contrast to that of its province, which is all brittle stalks and wheat sheaf angles (Sask-atch-ew-an), and wants to visit for that reason alone—Swift Current, that is; a name that evokes homecoming sockeye vigorous and sleek as distance runners' quadriceps—although the furthest she's ever driven was Vancouver to Hope, ironically when she'd been at her least hopeful, and even then she'd had a tire blow somewhere near Yarrow, nearly killing her, and the towtruck and repair costs had been so high she'd had to turn back, out by many dollars and by even more self-worth, given all her struggles with what some might call mental health issues yet she chooses to term emotional difficulties, since the former still contains a tiny jab of stigma, and dammit, it's hardly her fault, given her early life with Uncle Giorgio and then those grey-stuccoed group homes and weary, spiteful foster parents, let alone the haunted jaundiced nightscape of the Downtown Eastside and her disaster-recipe life with Gunther, he of the one-part lavish confectionary largesse and two-parts savage fists, but she is free now, aside from the medication she needs to remember, while something about Swift Current calls and calls like babbling headwaters to a downstream eddy, urging her to spawn, to take this step that might mark a new chapter in a thus-far chiefly sorrowful tale, one charged with the possibility of something other than grim nights shivering with cold or dread and warmer nights sleepless with mosquitoes or regret, so she finds somewhere online that calculates the cost of gasoline, which comes to a little over a couple hundred bucks for the three thousand kilometre round trip, and she feels a heartsurge of joy until she sees the carbon footprint she'll be leaving—one thousand three hundred and fifty pounds, to be exact—which sounds so appalling she immediately scratches out this new life at its source—indeed, guilt and eroded morale have long perfected her inner Scratch 'n Lose—erasing the evocative names of Shuswap and Salmon Arm, Golden and Banff, Dead Man's Flats and Medicine Hat from a future that might have held something other than the pitiless tidal ebb of try then turn back, try then turn back, the balance of which has always seemed impossibly, monstrously weighted.

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Reader Comments (5)

David, I was a bit afraid to read this piece as I wasn't certain the one sentence structure would work. I should have known you would rock it.

This story and your talent take flight, create a life, coalesce into a masterful telling of the unspoken pain of someone's path. It answers the question 'what happened to her' in the most profound ways.

This deserves to be published, David, actually needs to be read. Please, please get it out in front of people.

January 16, 2016 | Unregistered CommenterJo-Anne Teal

It should have been titled 'A Life in a Sentence'. Really loved this Daw.

January 16, 2016 | Unregistered Commentergordon

I thought it might be a bit ambitious or even plain silly. There's a sentence in Ulysses that runs for 4,391 words, which is ten times longer than this! Then again, I'm no James Joyce, lol.

But you guys (Gordon and Jo) have put my mind at rest somewhat. So thanks! :)

January 16, 2016 | Registered CommenterDavid Antrobus

This is a total "wow" piece. I love these descriptions: "territorial chain link," and "one-part lavish confectionary largesse and two-parts savage fists." I hope you get this out onto Medium or another site that is for already-published pieces; I agree that it deserves wider distribution!

January 20, 2016 | Unregistered CommenterLaura Zera

Thank you so much, Laura. It's odd; this felt like a tough challenge initially, but once I'd begun, it did that thing that sounds so clichéd: it began to write itself!

I didn't know about Medium, but I'll check that out!

January 20, 2016 | Registered CommenterDavid Antrobus

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