Back Story in Green

“The world began without man, and it will complete itself without him.” — Claude Lévi-Straus

***

You see me standing in line waiting for a good life? See me there? Yeah, I was in that line once, along with most everyone, waiting for the gods to dole out something good and nice and kind. But they didn't, of course. And I kept going back to that line, even though the gods ignored it or, worse, spit on those who made roll call. But it weren't ever gonna happen, was it? I went on and saw people barely hanging till their fingernails tore and they eventually fell shrieking, or worse, in silence. Eyeballed the ravages of poverty and abuse. Suicide. Addiction. A deep pain that won't be expressed. You can be poor, you know, yet live a decent life. But let in the parasites, the nonces, the punks, the molesters, the goofs, the bloodsuckers, the pimps, all them motherfuckers, and you invite some crawling breed of clammy horror. I bought drinks for killers and took creeps out in the alley and fucked them up royally. 

I know a guy lived one of the good lives we all hear about, even though he was raped by a pederast at age six, one day found out a friend of his was doing something similar to a couple neighbourhood boys, so he took a katana that could bisect a human hair from its pride of place above the mantel, and sliced the guy into quivering, spurting pieces. Called 911 himself and assumed the prison time as his due. He was a good man too. A killer, and a standup guy. Does that make sense to you? If not, you're in a prison of your own. 

Everyone's window's a different window. Every lookout point is balanced on some precarious place. Ain't no lawman free of bias. No lowlife scum incapable of virtue. No saint truly innocent. It's a world that almost rhymes with swirl. It's a swirl of all we aspire to and the depths we may plumb. Some of the gentlest men I've known were killers, while some of the most psychopathic never even had to.

Walk along my path, mi amigo. Follow me into the jungle, its verdant tassels, its dripping peripheries. Do you see the shadow cat? The jaguar? Will you wait for it to leap, or is it enough to catch glimpses of its liquid tectonics, the slick twitches of its skin as it adjudicates murder?

Look. The story hasn't even started yet. Let's start.

Look again. I've been known to shut people out even when I didn't mean to. That's what the Chicken does. It's a flesh-eating disease of the mind. But that burning feeling slowly igniting your sinuses before your eyes fill up, that's a good sign. Means you're alive and might even belong to your rightfully allocated kind. 

The backdrop is a swath of land, thronged with sunflowers and corn. In front, a yellow-green fifties-model Studebaker crosses right to left on a charcoal ribbon of road. Sweet Gene Vincent plays on the radio. John Deere stands as witness. Stop signs and ditches, rail crossings and grain silos. 

Aimed inward but I can't catch up to myself. The round took out a scoop of brain matter and a swatch of skull. Yet I'm alive. Though barely. Shamrock green treachery vies with feline ovens; burned dreams flicker at the crumbling edges of dioramas showing harlequin suicides and child abuse. Play with me. We have nothing left. 

Any idea how long it takes to accept ourselves? Answer: a goddamn lifetime, if we're even granted that luxury. Otherwise we die in myriad ways. Trim that hedge, buzz that eyrie, bedevil those labile hearts. Tiny fierce girl in a short ponytail, capo high on the neck as you pick, your dewy eyes recreate all our failed dramas, your fragile measured voice some once-familiar layer of bedrock. 

Am I hoarse enough? Can you hear me?

These are our relics as they will appear to no one. Scoured by wicked sands, dripping with birdsong, teal as tide pools. Engineless. Replete with our liquid geometry, our rapacious need. 

***

When I first saw you, you were nothing. Walking down a nondescript road far off the beaten path. Your head was weighty, as if you were sad, and you probably were sad, and you scuffed your heels on the uneven tarmac. Every time you scraped a heel on the crumbling asphalt, the birds went quiet, lost their need for recognition, and the topmost leaves shimmered with vestiges of sound. With their own secret memories of life. 

*

Image © Javier DeLaTorre Sebastian

One Act Play

What had possessed her to do this she couldn't have said. Alone. Out of shape. And in deep winter. By the time she'd made it up to the cabin—quads, calves, and lower back muscles trembling with fury at her impromptu masochism, heels sanded raw by her ancient hiking shoes, her every breath a vast torment—much of the light had gone from the sky and the cedars were ink-black against a layered gray backdrop of mountain ranges and thick cloud.

There'd been snow at the trailhead, so no surprise to see more of it here, almost two hours' near-vertical hike later, burdening the branches and drifted like cold-bleached dunes against the walls of the cabin. She shivered and dug in her pack for a spare fleece. At least she would likely be alone, no partying hikers to interrupt her monastic night.

No sooner had she formed that thought than a sound reached her, startling in the silence: the crisp snap of twigs, something moving in the trees.

Bear? Cougar, even? It was a hot and a cold thought, both, and her skin a crawling electric skein, she backed toward the cabin.

***

"Just one night's all I'm asking." She kept her face still.

"Okay. Fuck. So we get used to one night, then you sneak out for another 'just one night,' some point after. So what then? It's a slippery fuckin' slope, ain't it? Plus, how do I know you're gonna go where you say you're gonna go, even now? Huh?"

"Because it's true."

"True like what? Like Area 51? Like Sandy Hook? Like the Protocols of the Elders of Zion?"

"Nah, true like truth. Like love."

"Oh, what a pleasant little poet you turned out to be. What a lovely, perfect, dreamy little cunt. Please, tell me more!"

"Hon, you're scaring me."

"I'm scaring you? Bitch, you don't even know what fear is. Get ready, though."

She could never anticipate the exact moments; she was doomed to parsing tendencies, which neither flashed on the immediate nor lit on the specific. His right hand, with its cracked and knobby joints and its futile zirconian angles, hovered like a distant thunderhead until it was suddenly upon her, catching her square in its cyclone drama, plying its special breed of junkyard mean. The inked knuckles, left to right, fist-forward: T-R-U-E G-U-T-S. Though P-U-R-E R-A-G-E would probably have been more truthful.

Either way, she might not have known precisely what it meant, or its specific ETA, but she damn well knew exactly how it felt.

***

She backed up the four wooden steps into the doorway, ready to slam and bolt it against whatever moved out there. The last light draining from the world. All breathing suspended everywhere. The mountain itself seeming vast and hollow, as if its fragile crust might fracture and pitch everything into some unthinkable chasm beneath. As if the earth itself was nothing, a dewdrop, a snowdrop, quivering, an unanswered echo in the interstellar dark. As if catastrophe didn't matter, on a scale she could never quite absorb or countenance.

Gracile as a new doe, a girl emerged from the blackness between the trees.

An anime shock of corvid hair, fuchsia Hello Kitty T-shirt, powder blue shorts, and colorless flip-flops.

An impossible girl.

"What the—?" She went to her and draped her fleece over the youngster's angular shoulders and ushered her into the rude one-room wooden structure that had served so many wanderers before them. "Girl, let's get you inside, you'll catch your death."

***

He didn't look right. His face was off, askew, as if the bones had been shattered in some terrible conflict and he had covered the devastation with synthetic skin.

"You think freedom will make you a better wife?"

She didn't want to answer, since a trap lay in either response.

"Well?"

"No idea." She hated herself for vacillating, but his knuckles had grown in her mind, and were now made of adamantium, and he was named Logan, and she was fucked if he decided on violence.

"You're trying my patience."

"I'm sorry."

"You really fucking will be."

***

After she stopped trembling, she said her name was Christy and that she remembered being chased in a dream by a police car with no driver and had found herself wandering here, near the top of the peak. Her clothing made it clear she couldn't possibly have hiked the steep trail, yet here she was, and the likelihood of her stumbling on the cabin a moment before nightfall was equally absurd. Yet here she was.

"Christy, I have some food and there are sleeping bags and camping foamies, so let's settle here for the night and hope tomorrow isn't bad weather."

"You got any booze?"

"Um, no, maybe. Why?"

"Why'd you think?"

"You're way too young."

"Oh, please, grandma."

"Okay, whatever, but please get warm first, okay?"

"Deal." 

"How old are you, anyway?"

"Sixteen."

She cracked a twenty-six of Silent Sam, took a long pull, and passed it to the girl, who'd huddled inside a sleeping bag that reeked of mold.

"Wasn't excepting company, so I left my tumblers at home."

She found a hatchet and some cedar that she could split into kindling and some newspaper that wasn't too damp, and she began a fire in the tiny woodstove, smiling when she spied a small stack of stove length birch logs. She felt the girl's eyes on her as she worked.

"You don't mind me asking, why ain't you at home, anyway?" Christy said. "It's a cold night and vodka martinis and Game of Thrones and a cozy fireplace gotta be better than this lonesome place, no?"

"Maybe I needed lonesome."

"Yeah, but why?"

"Hey." She squinted at the girl, trying to get the measure of her. "Does it matter?"

"I'm guessing your guy ain't the gentlest."

"What would you know about that?" As soon as she asked, she noticed the girl's shadowy bruises in the yellow lantern light. Near her neck, on her upper arms.

"Since you asked, I lost my momma when I was real young, and my daddy brung me up, and he was fine at first, even though he was sad. Then he met my step-momma and she was mean and he did nothing to stop her, and when I tried to tell him, he started drinking more and ended up matching her for meanness." She coughed out a laugh, but her gaze was downward and distant. "A story so familiar I got it fully memorized."

"They hurt you?"

"Every way you can prolly imagine." She made eye contact and reached for the bottle.

"Well, I'm sorry for you. And for me. We make a fine pair of sorry strays, don't we?"

"We don't have to."

"Don't have to what?"

"Act like strays. Victims. We can stand up."

"Yeah, if this was a story we'd ride back into town on a white charger and confront our tormentors. Except it isn't a story."

"What if we acted like it was?"

She decided she liked this Christy chick, and they ate crackers and cheese and talked long after the vodka was gone, long into the silence of the night and eventually, like the snow outside, she let herself drift against the wall of the cabin and slept the tentative sleep of the cautiously hopeful.

Dreamed of a riderless bone-white charger and righteous hooves crushing tattooed fists.

When the eastern light began to limn the milky layer of mist in the valley below, she awoke with a start to the keen absence of her new friend in the cabin; newly certain of her solitude, she stepped from the spider gloom into the sharp, icy hush of the fledgling day to feel its cold bright power and to see if Christy had done likewise. She took in everything at once, and her breath caught on the edge of a sudden question, one that led to another, each more chilling. Since there had been no fresh snow in the night, why was there only a single set of footprints leading to the cabin door? And why was she afraid to check the pattern of the soles?

The Nowheres

A couple times each month, he'd drive out from the city to what he called the Nowheres, a flat, unremarkable piece of the rural Midwest, and pay for two nights, sometimes three, in a nondescript motel somewhere off the beaten track, thirty bucks a night or thereabouts. Sometimes he'd bring along a fifth of cheap bourbon, and other times he'd find a bar nearby and drink steadily and methodically, speaking only to the bartender before hiking unsteadily back to the motel on dark and mostly silent county roads.

He never told the few friends he had in the city what his purpose was, what he did out there in the Nowheres while Lucinda, Shelby, and Patty emptied their abandoned, melancholy hearts on a jukebox at the bar or on a cheap boombox in his room, in time with the ebb and flow of the Wild Turkey he tipped and swallowed without joy. He never told a single soul that he came out to the Nowheres to get drunk and write shit down—not any old shit, but the kind you needed to get out or it burrowed into your dark places like a soft, blind thing and over time became hard, mean, and cancerous.

Something about the lingering sunsets. The sudden stillness. Crepuscular rays spotlighting barns, grain elevators, corn patches, painting them briefly gold. Streaks of byzantium, coral, and vermillion like fever-dream inlets separating dark cloud archipelagos, ushered slowly westward into the flat horizon by the gentle darkness.

Like it or not—and sometimes he truly did—this was his country, on some level he barely understood.

This night, he crossed the gravel parking lot of the basic two-story L-shaped motel, looked up at the sign, the neon in one of the letters long leaked away: Mote. Because it was a mote, and he was a mote, and all the people and cattle and corn and fields were motes of inconsequential dust under the stars, which were also motes, but made of brightness. Beneath that sign, a smaller one, also broken: acancy, which sort of made him laugh. These lonely visits sure felt like acancies, even though he knew that wasn't a word.

Other nights, after dark, he would look up at that same sky, in which a few stars trembled between the dark reefs of cloud that scudded furtive like the decamped souls of everyone who'd once pined and then died of some related strain of sorrow in this wide and disregarded place.

Traffic on the distant interstate was usually a muffled commotion that sounded like the landscape dreaming fitful dreams, but the railroad was closer, and when he heard the familiar abandoned rattle and moan of a passing train, his mind went to dirt and rust and peeling paint, went to sleeplessness and silent entreaties to sellout gods, went to shrieks and sparks and graffiti, and unquenchable longing. Went to her. His momma. Went to that day—and every day since—she'd turned off most of the light in his world by up and leaving. He'd been perhaps eight when he watched her slip away in the night, heard her quiet sobs until a night freight had blared and clattered by, stamping its larger grief on their smaller one, erasing theirs so no one could ever notice it. No one but him. Those days, passing like ghost trains, each boxcar filled with ever more solitude. Those days when he couldn't possibly blame her. Those days when he blamed her with a savage, perilous heat.

The pages he filled with longhand he'd sometimes set light to over the john, make of them black flurries, tiny apocalyptic storms, other times would tuck behind heating or air-conditioning units, slide into gaps in the fake wood paneling, under mattresses, or tear in tiny pieces while he cried raw tears. His memories made into words. Mostly of his momma but sometimes of his papa too. He still missed her; and less often, his papa too, god help him. He could keep on missing that sonofabitch forever, though, as he was never coming back from whatever sorry hell he'd volunteered for by finally swallowing the muzzle of a military-issue Beretta M9.

He knew he couldn't do this forever. The coming of the interstates had proved a slow and lingering extinction event for the era of these motor courts, and this—whatever this was—wouldn't work the same way in some Comfort Inn or Motel 6. Take this place—thirty-two units and only three vehicles parked out front. Always, always an acancy.

Back in the motel, room 27 on the second floor, where the two wings of the L join, he hit play and grabbed a notepad and pen, while Lucinda sang about some farmhouse out a ways and how she didn't want no one to come find her if she strayed, and his whole breath hitched. He felt strange, like he was smaller and more scared, remembering his fear of the dark and of the lightning bugs that lit the dark, believing they were the souls of demons who'd lost their way to hell. More Wild Turkey and he began to write like the little boy version of himself was watching over his shoulder and giving him tips.

"Papa was meaner'n a yard mutt, but he never took his belt to me. He managed a kind of meanness you'd have to study for at some school of evil, if such a place existed. I know Momma left 'cause a him, an p'raps he did take his belt more'n once to her, or worse, but never to me. When he was real drunk he'd threaten to hang hisself from the rafters in the barn, or go lay down on the railroad tracks, or some variety of same. It sure got tiresome. But one day might as well stand in for all the days, he told me to follow him out to the barn, and I didn't want to, but I knew things would only go sideways quicker if I said no. He sat on a hay bale and looked at me funny. He always looked at me funny, but this were a different kind of funny, like he didn't really see me but someone else: maybe God or Jesus or some loan officer whose name he cussed on a regular basis. He was so drunk he was swayin' slightly. He slurred, too, which was unusual as he had a high capacity for the rotgut he liked to drown hisself with. 'Son,' he said, 'go bring me the shotgun.' I stood still. I didn't want to do such a thing, given the tenor of his usual threats. He looked at me out of one eye, the other closed as if even the dusty murk of the barn was too much light for him. 'I said, go git me the shotgun or there'll be hell to pay.' Far as I could see, there already was hell to pay, no matter my part in all this, so after thinking about running and hoping he'd forget when he sobered up and then quickly abandoning that plan soon as I remembered I'd seen lightnin' bugs out there earlier, I went to the tackle room and grabbed the old Winchester pump-action 12 gauge, trying not to think about what hell charged. When he seen me with it in my arms, like an altar boy bringing the priest the host, his face twisted into something unrecognizable. 'Son, you'd bring a man fixin' to end it all a goddamn fuckin' weapon? Not jes' any man, neither, but your own kin?' I had no words. I jes' stood there and took it. 'You some kind of cold-blooded monster, boy?' He stared for what felt like a whole day, and I closed my eyes and didn't answer. I didn't have no answer. Then he stood and without another glance in my direction went back to the house and to bed. While I stayed in the darkness of the barn, eyes still closed, and trembling."

He was trembling now, sometimes felt like he'd been trying to get halfway warm again for twenty-some years ever since, so he got up, put on a fleece jacket, and went out on the balcony for air. The night was quiet and cool. His pickup sat in a pool of light, as if the heavens were beaming him a message.

Then he had a dream.

A road-scarred nineties-model Corolla pulled up beside his truck and she got out the driver's side. It was her; he had no doubt. Older, sadder-looking, dressed in black denim, but his momma. She didn't see him right away, but when she finally looked up he waited for a reaction but saw little of anything at all in her dark Spanish eyes.

"Mister, could you help me here?" she said.

He swallowed and couldn't make his voice work.

She opened the rear door of her Toyota and started dragging out something dark.

"Mister? Please? I hate to ask, but I think I twanged something in my back last night, and I jes' need to get this into room"—she dug out a key and squinted at it—"eleven. Room 11."

"Oh sure, ma'am. Be right down."

That bare bulb was still spotlighting their two vehicles like they were on some ethereal backlot in a movie by David Lynch. This couldn't be real, but he played along and took the nearby stairs to ground level. He wanted so badly to embrace her, to hold her, to bury his face in her cool dark hair now shot with strands of gray the color of heartbreak. When he recognized the object in the backseat as a guitar case, he felt like crying. Damn. She still played.

"You a musician?" he asked.

"You might say as I am, but it don't exactly pay the bills."

He recalled her thin but melodious singing voice and the early months of her learning to play, helping her string her thrift-store guitar and figure out how to tune it, grasping at chord shapes and building calluses, and how those were about the only happy memories he had from back then, before the light had gone out, before the music had quite literally died.

Turned out room 11 was directly below his. He carried her guitar and placed it on the bed.

"You're a sweet man," she said. "You gonna be around tomorrow night?"

"Uh, maybe, sure."

"Well, you are or you ain't, but if you are, I'm playing at The Busted Flush on Route 40, a couple miles east of here, and you're welcome to come hear me. Ain't no Patsy Cline but I know my way around a few good tunes."

"I might just do that, ma'am."

"You're a polite boy. I like that." She smiled briefly, then looked troubled for a moment, then let the veil fall again.

He wanted to scream at her, tell her in no uncertain terms who he was, rail at her for her betrayal, plead with her to come back, beseech her for her love, but none of that felt right, somehow. He was no longer a boy and this had to play out the way it decided to play out. Let her find his scraps, even if she was a dream; let him follow her spore, even if it weren't.

Some believe each moment splits into many versions of itself, that we live so many different lives in so many possible worlds. If so, did he hook up with his mother, as appalling as that sounds, or did he go watch her play in a bar and get involved in a fatal confrontation after some drunk asshole heckled her, or did he do neither and return to the city and his shadow life there? Did he live all these things and more? Possibly. Better still, was his story really her story, and did she find his notes in a series of nondescript rooms over weeks and even months and piece together his identity and movements until she could pinpoint him, find him, try to make it up to him? That's good, too.

But in this world it appears he returned to his room, to his sad caucasian girls and his fragments of memory, to stale air and worse decor, where he picked up the Beretta that had killed his papa, knowing why he'd kept it but afraid all the same, and he listened to another freight train run its ragged fingernails down the grainy backdrop of the Midwestern night, and he pounded more Wild Turkey while the reedy sounds of a phantom woman singing country tunes a floor below nearly drove him mad, out in the Nowheres, out where no one else came.