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  • Endless Joke
    Endless Joke
    by David Antrobus

    Here's that writers' manual you were reaching and scrambling for. You know the one: filled with juicy writing tidbits and dripping with pop cultural snark and smartassery. Ew. Not an attractive look. But effective. And by the end, you'll either want to kiss me or kill me. With extreme prejudice. Go on. You know you want to.

  • Dissolute Kinship: A 9/11 Road Trip
    Dissolute Kinship: A 9/11 Road Trip
    by David Antrobus

    Please click on the above thumbnail to buy my short, intense nonfiction book featuring 9/11 and trauma. It's less than the price of a cup of coffee... and contains fewer calories. Although, unlike most caffeine boosts, it might make you cry.

  • Music Speaks
    Music Speaks
    by LB Clark

    My story "Solo" appears in this excellent music charity anthology, Music Speaks. It is an odd hybrid of the darkly comic and the eerily apocalyptic... with a musical theme. Aw, rather than me explain it, just read it. Okay, uh, please?

  • First Time Dead 3 (Volume 3)
    First Time Dead 3 (Volume 3)
    by Sybil Wilen, P. J. Ruce, Jeffrey McDonald, John Page, Susan Burdorf, Christina Gavi, David Alexander, Joanna Parypinski, Jack Flynn, Graeme Edwardson, David Antrobus, Jason Bailey, Xavier Axelson

    My story "Unquiet Slumbers" appears in the zombie anthology First Time Dead, Volume 3. It spills blood, gore and genuine tears of sorrow. Anyway, buy this stellar anthology and judge for yourself.

  • Seasons
    Seasons
    by David Antrobus, Edward Lorn, JD Mader, Jo-Anne Teal

    Four stories, four writers, four seasons. Characters broken by life, although not necessarily beaten. Are the seasons reminders of our growth or a glimpse of our slow decay?

  • Indies Unlimited: 2012 Flash Fiction Anthology
    Indies Unlimited: 2012 Flash Fiction Anthology
    Indies Unlimited

    I have two stories in this delightful compendium of every 2012 winner of their Flash Fiction Challenge—one a nasty little horror short, the other an amusing misadventure of Og the caveman, his first appearance.

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Entries in Apocalyptic (2)

Friday
May082015

Covenant

So I wrote this profane feminine prayer in the throes of a no-good, godawful-bad day, let's just say that. Not much going on inside but seething exasperation. If this had been written longhand, it would have been a case of the pen tip never leaving the page, except where it tore it up. In hindsight, I felt like I'd been possessed by the wrath of an Old Testament god, except if that god had been a goddess. Entirely coincidentally, I was listening to some PJ Harvey afterward, and I can imagine this piece accompanied by one of a handful of songs from 1995's To Bring You My Love, even down to those opening lines that echo those of "The Dancer." Elemental and righteous. I might even add a bonus video at the end, because it's my blog and I can do what the hell I want. Yeah, still simmering. Black and empty heart indeed.

***

She came naked out of the eastern desert, eyes blazing with madness and the mirrored flames of sunset, her scorpion arms raised wide as if to grab that holy molten orb and arrest its plunge below the rim of a world too enfeebled to abide the dimming of its fires, as if her livid atrocities had built one upon the next until she'd run howling through sand and sage to escape their loathsome burden, her skin streaked with dark blood but neither tears nor sweat, since the sun had burned those human elixirs from her person, etching on her knowingness the finite nature of all things, despite her quest to preserve every last drop of quantum froth, to make the earth retch itself up in ungodly seizures of fault line and mantle and plate, the scalding orange vomit of its innards gouting down coastal ridges and hissing into a quailing, grimacing sea, as she implored the heavens to be merciful and let her have it all, goddamnit, for she had strained ligament, bone, and sinew to keep it all intact, to keep the infernal ledger balanced, to honour birth while enacting each grim sacrifice as fair payment, to snatch death from the jaws of birth, to goad the saddest clown to smile, to gorge on sin's offspring, to pay homage to the tail-devouring snake of life, to open her parched cunt to the lust of stones (those discarded bones of the world), to shed her scorched and jerk-leather skin beside a dry gulch … and for this—for all this—she was condemned?

Friday
Feb272015

Frontier

Clearing Over Sideroad 106 - © David SharpeWhat drove us east from our coastal home in the late fall near got us ensnared in the mountains that winter. But we stumbled on the last clear pass with days to spare, vindicated though much depleted. Descending the lee side of that great range, scanning an impossible horizon, we accepted our reprieve with some grace.

"What now?" you said.

"We find some place and hunker down till spring, if there is a spring. We might be in the rain shadow, so the snows could well spare us, but don't bet on no easy ride."

In time we came to a place of flat light and echoless sound—a place so dead it seemed haunted not by ghosts but by its lack of ghosts. Cold, absent, god-abandoned. Remote as a deviant comet and more pitiless.

Clapboard walls, roof of tar, thin aluminum windowframes, yardless and forlorn on a treeless plain, its eggshell walls its own piteous windbreak—stoic before the baying lupine gales of endless prairie nights, and patient for morning.

Which did arrive.

A dilute lemon sun struggled through a vaporous sky, the wolfpack howl dispersed by the voluted mists, the only sound now the iron clang of crows at a forge without shadows.

You smiled for the first time in weeks. I took your hand and held it, marveling at the avian bones.

"We have a little food. Dry stuff. And water," you said.

I tried to smile too, but my face was a mask. 

"And I have you," I managed.

We rested up a fair while, weeks even, and what our bodies regained we paid for with disquieted minds; what replenished our thirsty blood only drained our ruined spirits, helped untether those thoughts best left stowed and tied.

My heart is made of ore; it loves as well as it might but is shot through with something igneous, something ferrous. Only the blast furnace of your own heart will distil the purity of it, forge of our union a thing less friable, less ephemeral. O our savage steelbound hearts.

While the timid sun tried each morning to revive the world, we sensed the tireless chill of the future as it unearthed our trail at last and began slowly to track it. What manner of thing is this? What is its essence? It's the story's ending, doubling back, heedless of narrative arcs, avid and greedy in its zealous moment, wanting to finish, wanting it done, desiring to end this thing now.