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  • Endless Joke
    Endless Joke
    by David Antrobus

    Here's that writers' manual you were reaching and scrambling for. You know the one: filled with juicy writing tidbits and dripping with pop cultural snark and smartassery. Ew. Not an attractive look. But effective. And by the end, you'll either want to kiss me or kill me. With extreme prejudice. Go on. You know you want to.

  • Dissolute Kinship: A 9/11 Road Trip
    Dissolute Kinship: A 9/11 Road Trip
    by David Antrobus

    Please click on the above thumbnail to buy my short, intense nonfiction book featuring 9/11 and trauma. It's less than the price of a cup of coffee... and contains fewer calories. Although, unlike most caffeine boosts, it might make you cry.

  • Music Speaks
    Music Speaks
    by LB Clark

    My story "Solo" appears in this excellent music charity anthology, Music Speaks. It is an odd hybrid of the darkly comic and the eerily apocalyptic... with a musical theme. Aw, rather than me explain it, just read it. Okay, uh, please?

  • First Time Dead 3 (Volume 3)
    First Time Dead 3 (Volume 3)
    by Sybil Wilen, P. J. Ruce, Jeffrey McDonald, John Page, Susan Burdorf, Christina Gavi, David Alexander, Joanna Parypinski, Jack Flynn, Graeme Edwardson, David Antrobus, Jason Bailey, Xavier Axelson

    My story "Unquiet Slumbers" appears in the zombie anthology First Time Dead, Volume 3. It spills blood, gore and genuine tears of sorrow. Anyway, buy this stellar anthology and judge for yourself.

  • Seasons
    Seasons
    by David Antrobus, Edward Lorn, JD Mader, Jo-Anne Teal

    Four stories, four writers, four seasons. Characters broken by life, although not necessarily beaten. Are the seasons reminders of our growth or a glimpse of our slow decay?

  • Indies Unlimited: 2012 Flash Fiction Anthology
    Indies Unlimited: 2012 Flash Fiction Anthology
    Indies Unlimited

    I have two stories in this delightful compendium of every 2012 winner of their Flash Fiction Challenge—one a nasty little horror short, the other an amusing misadventure of Og the caveman, his first appearance.

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Entries in Bigotry (2)

Friday
Dec152017

Glorious Things

Have I got a half-baked story for you. Turn your pretty head. 

I sit at a corner table where I can see the main doorway and the windows, keep myself mindful amid warm, oblivious goldfish trapped in a frozen hell. 

Karla is the recently Sharpie'd name on the left breast of her waitress smock. She asks me if I would like to order, and I tell her I was supposed to meet someone a good thirty minutes ago, and will wait, see if they're the belated kind or the bailing kind. 

"Would you like to order a drink while you wait?" she asks.

"Sure. Coffee. Dark roast. Cream."

She brings a porcelain mug and a delicate matching jug on a tray. White with a subcutaneous shadow. It feels French. Or Elvish. Or English from some other time and place. My hands are large and clumsy.

Her eyebrow is an arch, an irony, a bow flexed by a squire. I try to stop myself, but I fail: I laugh out loud.

"What is it, sir?" 

She is so fine. My heart pumps extra blood.

"You. Just you. You're priceless."

"All respect, mister, I ain't, and nobody is. We all got a price."

"All right. Look. Yes. I didn't want to say this, but I'm dying. Does that change anything?"

"No, sir. Not anything I said, if that's what you mean."

"Yeah. Yeah."

"Uh, if you don't mind me asking, you're a fairly young fella. What you dyin' of?"

"Well, Karla, you just asked the exact right question."

"Okay, and I'm glad…" Her pretty face is flushed. "But I'm too darned inquisitive, and I gotta get back to the kitchen."

"Yeah, sure. Go. Nothing says I should answer you, or you me. Even when you talk in poetry."

Three emotions run across her face, her eyes, her brows, and she retreats, sensibly. 

I pull out the nine millimeter, caress its cool barrel. A woman in a booth with two small kids clocks it and looks away, alarm on her handsome maternal face. She has that dry Christian denial in her glowing bones, which are also porcelain. Somehow, within a minute, she's signaled the waiter, corralled her children, paid her check, and left the diner before I can even register it. All I see is the caboose of her receding Cherokee, one child looking back, a girl, tiny face stricken, like she's always known, like she wishes she never did. 

So instead I stand and shoot the fat old white guy in a neighboring booth. Nothing personal, but I'm playing the percentages at this point. I damn well want him to be a bigot and a malignant human blemish. He doesn't immediately die, which upsets me. His wife tries to stanch the carmine gouts of arterial blood that ejaculate from his throat, and as he gurgles and drowns, I admit I laugh. Not out of cruelty but out of absurdity. Stupidly, I think his neck is orgasming. 

"There are glorious things in this world, but I can no longer find them." 

I think it is me who says that, but I also think it's someone else. I feel forked like a tongue and skewered like a heart.

"Tell me he hates niggers and faggots and cunts," I say gentle into her face, but she only looks blank and crosses herself.

A siren blooms from the landscape, like a blister aching to be burst. So I oblige. Step out into the gravel lot where the snow is falling like soft artillery and pop both uniformed men who alight so breezily and guilelessly from their cruiser. One is gone from the get go, and the other clutches his throat and grabs my ankle as I aim to walk on by. He can't speak, but his face can. It says: "I don't know you, and you have now become the second-most important person in my life, since you've done killed me. Please tell my gentle wife I died clean. That I didn't cry or beg. That I died well, uncomplaining, upholding my duty." 

I nod yes. I wish I could talk, but I feel all stoppered up. And I think we hear each other regardless. 

None of this is personal. Yet it's about as personal as it gets. Not all the bad guys hate niggers and faggots and cunts. (But all the guys who hate niggers and faggots and cunts are bad.) You see? 

This is the land of the locust, the rat, the serpent; the wounded and the livid. Violators of women; fondlers of children. The doltish and the dotard. Malevolence squats beneath the bleachers. Feigns piety while reconnoitering malls, noisome with loathing. 

This bleach is not to whiten but to clean.

Watch the steam unfurl from a grate. It strives to form a shape, like the birth of a ghost. Most times it's stillborn. But that one time, you know? That one time is a glory to behold. It's the silver tongue behind speech, delivering all that is lyrical, midwifing the honeycomb of words.

We're not bad but flawed. That distinction might not comfort those we fail, might even be a feint or dodge most times. Look. Some say we are fools to love what death can claim. But death can claim all things. Why would we withhold the last great fragile thing that renders us unimpeachable? 

In my mind's eye, I see the place again, and this time I sit still and wait, and Karla comes out from the kitchen as the man enters the diner at last, that icicle sound as the door opens and his brogues are the first part of him to cross the threshold. His rage enters next and is endless, even while quiet. Karla smiles at him and with a gesture of her head and eyes offers him a choice of seat. He smiles back, but it's a cold thing in a warm place, and it stops people dead. In the abrupt silence, I start to get up, but it's too late. He unsheathes a sword—a katana—and swings it toward the fat old white man, who sees it coming and grabs Karla by the waist and the katana slices into her instead. I howl like something raised in a hidden forest among a shock of echoes and the eternal creaking of a giant raven. I know I am too late. This is all wrong. I blink, and the picture changes to white noise and static, and all I can feel is relief. A lie. Resignation and relief. 

Glorious things. Her sapphire eyes. Wide salt lakes. Forever gone but not quite lost.

Friday
May202016

Midnight in America

An old man: "Sometimes I think the only important things that happen happen between a woman's legs."

A young woman: "That sounds like something you would think."

"Today I saw a ladybug with no spots. Just a flawless shiny bloodred dome moving on a leaf. It looked more like a machine."

"It is a machine. We're all machines. Soft, wet machines."

"But a female machine. Or we wouldn't call it lady."

"I've never used this word to describe anyone before, as it's the type of word you only hear in movies or read in books, but you're incorrigible."

"Listen, chica. When I was a tiny boy, I believed. I prayed to the big god they told us about in church and in school. I asked that god to help me when I felt sad or lost. I fought in a war and took refuge with a whore, and while I knelt and was tender and attentive, I asked that I become a better lover. I was present when my daughter was born and I asked that same god to make me a good father. I'm an old man now and the final darkness is not too far away, yet I gotta say out loud that I've spent most of my life waiting for anything resembling a response."

"That's a lonely thing."

"You got that right."

"So that's why you're here?"

"Kinda. Why do you want to know? I pay you and I get what I want and then we're done."

"Because it's more than that. I know you. You may be an old bastard, and a cranky one at that, but you're not some anonymous client. I watched you cry that time."

"Fuck that. I was a pussy back then."

"No you weren't."

"Anyway, I thought you said we're all machines. None of this matters, if that's the case."

"Nothing sadder than a sad robot."

"…"

"See? Okay, I gotta ask. Are you depressed?"

"That's a simple question with a complicated answer."

"So answer. I got time."

"Ha. You're a tenacious little cunt, aren't you? But okay. I'll give you the simple version, since you're like a pit bull chewing on a femur and I like that the same way I admire Jack Nicholson's character in that movie with the big Indian. Or perhaps the big Indian himself. Hell yeah, I'm depressed. But I'm no more depressed now than I was last week, last year, last decade. You learn to deal. And some days I deal better than others."

"Tell me more."

"What are you, my therapist?"

"Nah, I'm curious."

"Right. Okay, you wake up in the flat grey morning of a gloomy Sunday. Sometimes that feels like the end of things, other times it feels like it's the low point you might climb out of. Or rise, like that firebird. It's always there, a giant fucking shadow. If you let it, it will drop from above, a tear-soaked canopy, and impede your every step. You won't be able to escape your bed, let alone some mythic fire. But you can't. You can't let it win. You gotta keep finding ways to let the light in. Fill the days with good. Could be a handful of blue M&M's one day, a Warner Bros cartoon the next. Things that are light, and free of that awful weight."

"I never heard you say so many words."

"Well, you asked."

"I did do that."

"I like something else about you. Can you guess what?"

"What?"

"I called you a name earlier and you didn't flinch. In fact, you smiled just a tad." 

"Words are words. Each one has more than one meaning."

"You'd have liked my daughter."

"Past tense?"

"See? You say you know me, but you didn't know that, did you?"

"I'm sorry."

"Yeah, me too. It's alright, I ain't mad at you."

"Why would you be mad at me? For not knowing? Because she's dead?"

"Nah, none of that. No reason at all to be mad at you. I'm a cranky old man, remember? I'm mad at most everyone much of the time."

"It's understandable."

"Ha! Hey, that time you seen me crying? That's why. My daughter. That's the real reason I was bawling like a baby, no matter what bullshit reason I gave at the time."

"Better late than never, I guess."

"Huh?"

"Honesty. Being honest. I'm glad you trust me enough to be honest."

"You're a fucking riot, girl."

"A pun?"

"Not intentional, but it works."

"So you still want to do this thing?"

"Uh-huh. Never been more sure of anything."

"It'll change you."

"I don't doubt that. I'd chew on it more if it was noon or even midafternoon, but I'm far closer to midnight, so it don't matter." 

"Okay. I wish I didn't know you, though. Makes this harder."

"Just let's go in the room and bring in the redneck."

"Alright. Did you pick your implement?"

"Gonna go with a claw hammer."

"How's your swing, gramps? It might take a while…"

"No problem. I want him to suffer. I need to experience this. Being bad, I mean. Evil, even. The last eight years, the Trump presidency, pretty much killed my love for people, especially the miserable fucks that helped him get there. This yahoo properly vetted?"

"Oh yeah. Skinhead past. Swastika tats. Stormfront bona fides. Has a long record of assaults against blacks and gays."

"Good. Let's go spill this hate machine's blood."

"You break my heart, old fella, but you paid your money and this is still America."

"Damn right, girl."