Calliope

Winter

Where we began was when so much ended. Luck played its part for us, such a scatterment up north when the bad thing happened most everyplace else. Three of us first, another boy and a girl, both gone now, so no need to return names the world took from them for good. 

We met the bard John Hefford, and he would chant, “This is airless, and we are careless, adrift upon a tundra. Mountains loom then soon recede. Sieveloads of snow sift and settle on everything.” Like he saw how words could magic the world into being. Or out of it.

Spring

When it felt right, we made our way south to meet the approaching spring, neither of us in any special hurry. Turned out it was one of them seasons; the greens furtive and greyish, skies hiding their shame in anonymity.

I was a mere boy, wide of eye and stupid. But lucky is all. 

Summer

Lucky in all the ways. Meghan was my first and last. We met without an iota of suspicion and laughed because of it. She smelled naturally of nutmeg, a “fortuitous confluence of terminology” that always made John Hefford laugh. That was how he talked: “fortuitous confluence of terminology.” I coulda listened to him say such things till the sun burned itself out. Which I half believed would happen tomorrow or at least real soon.

When John slept, Meghan and I would dance like colts under the warm and endless blue, breathing each other and the wild honeyed-tea fragrance of sweetgrass, breath of the prairie, breath of the quiet, quiet world.

Fall

John shaped me with poetry, teaching me the melodies and the chords of life, relating harmony and rhythm alongside the rhyme of a river with a stand of golden aspen, the late glissando wisps of mare’s tails sweeping the last light of a tired sun.

The day we met the buffalo, a hunched and half benign monster from an old picture book, we knew we might be saved. For another turn of the world, anyway.

Meghan laughed with joy while I practiced my indulgent balladry under the beast’s guarded stare. Front-loaded fist of gristle and bone, appleseed eyes, bunched ursine shoulders, its back an atlas, tectonic patchwork in relief. Great head hung low and heavy as a dull bell swung from a busted chapel. Horns like crescent moons. Baritone snorts blowing sandspouts in the dust. Only a mite less ready for his sacrifice than us, his sacred and shivering executioners.

Now and then. Echo and rhyme. 

Under cold starlight, fed and slaked, we praised his unknown name. 

Tatanka.

Winter

Clad in furs, we wandered west to the sea, cyclic in our itinerancy, and lost on the way a kindly and maddened John Hefford to the high and frozen crags. First time I saw Meghan cry. First time I cried since the bad thing. Maybe even since I was small.

Started to see dead settlements and dry old bodies, but the far surf called us westward beyond the places men and women once gathered, beyond the crumbling highways and rusting railroads and once-fertile valleys. Beyond mineshafts and quarries and clearcut hillsides. Beyond the scarification of the land. Out to the western seas and coastlines smudged by mist.

Others were there first—Athena, Blaise, Billy T, Klootch—but they were goodhearted and took us in while the seasons returned at least three more times, we soon lost track.

Another Spring

We were improbable, Meghan and I, entwined with languid ease beside hot spark beachfires, under the spilled milk of impossible stars. A low distant report, more feel in the shift of the sand than sound, might have alerted us, but we were happy in ways not even wordsmiths can express. Only when the hiss of the surf drew back like an intook breath did we get to our feet. And the world blinked. And echoed the tale of its past, the long cascading narrative of gentle lands atop dark clandestine fury.

John Hefford had taught me another word, I recalled then. Tsunami.

The world’s music ain’t always melodic—it can be sly and harsh and artless with dissonance—but it does know its rhythms by heart. 

I clasped Meghan’s spidery hands, painful in their pulse of warmth, and we watched the dark regrouping ocean. Beside ourselves in every sense.

Like all things that must die when life is at its unexpected best, we’d been tricked. 

Like words, luck lasts till it don’t. 

The waves came in quietly and everywhere like a wolfpack. 

Spurned

I got thirty-five stories; I forgot at least twenty. 

“Her name is Audrey, but everyone calls her Drey, pronounced like the good doctor.”

“Sounds old school, like a movie star.”

“Well, yeah.” 

He wears a blue suit worn shiny at the shoulders and the hip bones, he stalks the common margins, and he might well not be human. 

Don’t ask me to elaborate.

*** 

“Love tangles thickly the world. Green limbs

Hold our throats like snakes. Love

Is the dripping forearm encircling

Everything.”

Here come the dominoes, toppling like we once imagined buildings would topple in a city besieged. Infernos. Towering. But a bright fall day in the early months of a long century taught us that metaphors are cartoons, and these dominoes aren’t bricks with numbers; they’re the salmon run upriver thwarted by a dam, they’re the monarchs starved of milkweed, the bees assailed on every side, orca pods bereft of chinook. And if the salmon can’t spawn, the bears will starve, and the forest won’t be fertilized by carcasses of fish, and the trees will pale. The little coastal wolves will turn on each other. The shiver of disquiet whispered by the conifers will crescendo. The raven’s madcap gulp will go unheard.

In a world of malfunction, everything’s a canary. 

Who brought the voices to drown us out? How did we end up here in the harbour wondering where all the boats went? Which lovers were allowed to consummate, and who was condemned? Spurned is maybe the worst word ever coined. A greasy-haired girl with encompassing hips tiring at the mic. A dancer alone under unflattering glare, the spit and piss of her efforts like COVID, droplets coughed like headspun sweat, the spun lucid dirt of our humanity, the unearned wages of our fluids and spleen. Her goose bumps each an impediment. Her reluctance a blastocyst, each tumour filled with spumes of wrong, each infected globe shimmering on the edge of… what? A song by Nina Simone. A beseechment. Deflated hubris. A worn-out demon coming for us all.

“Drey, tell me another story.”

But she has turned inward like a dying sun. Will there be a supernova?

“Then dance for me. I deserve spectacular.”

But she is still.

What is this world, with its swirls and pirouettes of light? Why are silhouettes of branches like sludge-clogged waterways or the blighted decaying capillaries of terminal patients? Were we wrong? Is everything illusion? Merely local and terribly strange?

Are we seeing the death of hope? Or its birth?

Is sundown the furnace in which the twinkling gems of night are forged?

*

"Great Bear Anchorage" image © Roy Henry Vickers

Jaquinta

You clamber down the embankment, under a squeal of rail. A blaring assemblage sparks and screams above. How soon until your ears bleed?

Jaquinta knows your story. For a good price, she might even give it up.

Things might escalate, although they might not. 

Love the aftermath. The silent hiss of conifers, under a windless sky. Why is it they still hiss, even in stillness? Their very tops somehow moving while the evening settles so quiet, a scattershot of dogs barking hollow in the throat of this dry valley. 

Back in my dream, Jaquinta, you told me something, and I heard it, and to this day I want that story spilled over eggshells crackling alive, overrun with raccoons ruining a coop.

“I don’t care where you bin,” you say, so quietly, and a cloud of bright parakeets flutter from a nearby roof, and you dream the same hoarse breath. “I just care where you at.”

Ain’t none of us one thing. 

These glittering cities. Emerald Seattle. Quicksilver Vancouver. The glistening infernal Bay. The bristling, stockpiled western edge of the continent. We rooted them in beauty. We sang their swollen choral praises. And they abandoned us. We, the workers, the dreamers, the pragmatists, the saints: you don’t get to hate a thing until you love it. 

The shriek of the train trails into a lingering tail, a dwindling lonesome coda echoing across the hallowed plain.

This is a story clinging to the coattails of another, and one day I’ll muster the cojones to tell that one too.

Black Ambient

In the gloom, a girl shaped from sparking ozone and her wild electric canine dance beneath a moon of cold bone and a dormant volcano. Ice floes crackle around them, splitting and snapping, glitchy as break beats spun by a frozen demon DJ. All is blue or ozone-white.

Voices weave in and not in. This tapestry of sound is torn, charged.

Have you ever seen ice-smoke? You have now. The chill, fuming tail of the dog and the smouldering cold tendrils of her dress.

She is my girl, though I don't know it yet. She whips the hem of her dress like a matador. Ecstatic. Like a mad, evasive, holy truant.

We fall from this frigid locale to a motel on earth, somewhere in the Pacific Northwest. Cascadia. Good Christ, how do you adjust to that? Carpets that clutch and walls like dried pulp. A girl in the next room is sobbing like the world decided to upend itself, unravel its guts in space. She can barely draw a breath after each protracted sob. Her throat sounds raw and long headed for ruination. I knock on the wall and a male voice tells me to fuck off. I knock again and someone knocks back harder, informs me I'm a motherfucker. I no longer know my own mind. I am enraged and sorrowed and can no longer distinguish between the two, and I exit the room and rap on the adjacent door. The same male voice screams at me to fuck myself with something serrated and oxidized. I'm not even armed. Other than with my annihilating rage. I knock again, and harder. It hurts my knuckles, but pain is now my companion at every level and juncture. Someone flings open the door and I'm instantly struck, in the gut, in the groin, and in the face. The nebula of pain is a collision of starfields, and I drop, happy and gasping, knowing I now have cause to obliterate. Wolves dream their darkest chorus in the forest of my brain. A full moon hangs pendulous as drool from an idiot's lip. Anticipatory. Gleeful.

Stand back, make room. Some wolflike stammer tattoos this guileless jaw.

Come to me. Be me. Your pain as I consume you is why I came. Such sour elusive bonhomie. Melancholy and euphoria; few drugs meld so catastrophically.

Beyond the cityscapes, through airwaves, I hear electric ghosts stuttering their dumbstruck phrases hourly: "I-I fell in love with you," "Huh-who do you love?" "Wuh-when will we be saved?" "Huh-help them. Help us help them."

He blinks, like paper.

Then I go in like a shark and devour him.

Bleed

This is what all happened in one night, give or take.

"Elise, you are bleeding."

One Friday. A dream of a train ride. Suburbia deep into downtown.

"I don't care anymore."

Neon sobs and menstrual facades. Smeary and hidden. 

"But you should."

Come with me. Come. This will be a story of concupiscent abstinence, a modest fleshy tale wrapped around unchaste bones. Sinless and degenerate, a miscreant jest, forbidden.

"I will tear your stupid pink-vermilion flesh with my yellowing teeth."  

Are we now just laughingstocks? Vague punchlines in so many cosmic jokes? Stooges in some frothing, galactic burlesque?

"Uh, okay..."

A life reduced: sex or not. Yearning or dread.

"You are so depressingly weak."

"Whatever."

***

This is the moment we all thought was coming, a fugue formed on a spectral hill; we grow our gardens here, bleed our victims, and love each nod and gesture highlighting so many mirror-image blastocysts. We surpass ourselves. 

I was your friend, and I marveled at the sunlit canopy above while clamorous street cars hissed and passed, leadenly clanking, iron-faced.

"You were my friend," you said. "I loved you." 

Although none of this was ever layered in flesh upon so many phantom bones. It only came to pass in labyrinthine dreams.

"I no longer know what you're trying to say."

"Me either. But trust me—it still needs to be said."

"I can't keep doing this. It's an endless stream of dreams, each one second-guessed by the next. We're bamboozled by timelines. All of our nows browbeaten by our thens. Just let me be, and wait while I sip this exquisite coffee and divide this pie with a fork. Where were we?"

"Here. In a Pacific Northwest reverie."

"Cascadia?"

"Oh, yes."

"Two heaped teaspoons?"

"Very good. Clever."

"God forbid you'd ever laugh."

***

Some sectioned limb unfolds itself so close to the horizon, we default into sweet-girl doom-pixie love—Eliza Doolittle, Amélie, Zooey, Rooney, more—ignoring such reality, a reach-around from callused arachnid palms, an imposition, all our aspirations paramount, flames of love sustained, a path portrayed and then proclaimed, so easy to unlearn each living segment of our drastic narrative. 

"My name is Eve, and I'm an addict."

"You really don't want to talk about that slimeball Adam."

The serpent slithers far beneath the palm fronds and the cedar boughs, only glancing back when blent and gusted love is finally defined: our hearts are filled with pain, and situational awareness aims to spend our buoyant, airy capital.

"Call me. Call me now. Okay?"

Elise is seeking not vengeance but balance. She seethes a culinary phalanx. Plays herself in video games complicit and askance.

This timorous howl is poetry right now. Wait until the sockeye find their wild elusive thread, triggering our western coastal shimmer, blare, and thunder. Gift to us this roiling tidal squirm, breathe from us this raw, rare planetary air, drop rain squalls over and upon us. Welcome, grey wolf. Welcome, spirit bear.

O Earth. O endless love.

***

Elise has left. Her bloodstain remains. A vaguely carmine map of shadow blame. 

This place is likened to some flippant home, a shell-like choir of intravenous drones, a cenotaph, dark and fatalistic brickwork; some distilled, some lost, some wretched absent aching monument.

A path. Follow it. Follow it and sing your verification song, your signature, your cultivating aplomb.

Before us is the tale itself. Then follow it…

We are none. Our shaken ranks resist decoding. Unscramble this, our fury. Our purest fury. Our one kilometre stare. Our relatable and incandescent rage.

Something emerges from the trees, hunches ungainly across the trail, slides queasily into the oily lake.