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  • Endless Joke
    Endless Joke
    by David Antrobus

    Here's that writers' manual you were reaching and scrambling for. You know the one: filled with juicy writing tidbits and dripping with pop cultural snark and smartassery. Ew. Not an attractive look. But effective. And by the end, you'll either want to kiss me or kill me. With extreme prejudice. Go on. You know you want to.

  • Dissolute Kinship: A 9/11 Road Trip
    Dissolute Kinship: A 9/11 Road Trip
    by David Antrobus

    Please click on the above thumbnail to buy my short, intense nonfiction book featuring 9/11 and trauma. It's less than the price of a cup of coffee... and contains fewer calories. Although, unlike most caffeine boosts, it might make you cry.

  • Music Speaks
    Music Speaks
    by LB Clark

    My story "Solo" appears in this excellent music charity anthology, Music Speaks. It is an odd hybrid of the darkly comic and the eerily apocalyptic... with a musical theme. Aw, rather than me explain it, just read it. Okay, uh, please?

  • First Time Dead 3 (Volume 3)
    First Time Dead 3 (Volume 3)
    by Sybil Wilen, P. J. Ruce, Jeffrey McDonald, John Page, Susan Burdorf, Christina Gavi, David Alexander, Joanna Parypinski, Jack Flynn, Graeme Edwardson, David Antrobus, Jason Bailey, Xavier Axelson

    My story "Unquiet Slumbers" appears in the zombie anthology First Time Dead, Volume 3. It spills blood, gore and genuine tears of sorrow. Anyway, buy this stellar anthology and judge for yourself.

  • Seasons
    Seasons
    by David Antrobus, Edward Lorn, JD Mader, Jo-Anne Teal

    Four stories, four writers, four seasons. Characters broken by life, although not necessarily beaten. Are the seasons reminders of our growth or a glimpse of our slow decay?

  • Indies Unlimited: 2012 Flash Fiction Anthology
    Indies Unlimited: 2012 Flash Fiction Anthology
    Indies Unlimited

    I have two stories in this delightful compendium of every 2012 winner of their Flash Fiction Challenge—one a nasty little horror short, the other an amusing misadventure of Og the caveman, his first appearance.

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Entries in Cosmology (2)

Saturday
May112019

Lonely Comin' Down

Do you know pain? Do you know where to find it? Follow the hoofbeats on dry grasses. Follow the sun's arc.

On the day he became a man, he found her drenched in blood and viscera, the cavernous wound across her midriff a silent, dripping howl at the world's indifference, and she told him they'd cut her baby out and macheted it in two. He asked why they'd spared her, and she couldn't tell him. After he sutured her together again, her body at least, she cried for days, and a small part of that was the hard blunt urge of her engorged breasts, the desperate milk of which she convinced him to suck. Not as a sexual act, she insisted, but a pragmatic one. He meant to agree, and on one level he surely did, but soon the daily ritual of her motherhood expressed into his acclimatizing mouth was quite literally a sweet arousal. She was almost twice his age. 

Thus was their baffling and atypical bond established.

But one day they had to leave the shack and join the convulsing world so maddened in its throes. 

The throng of bison boiled across the plains like darkening suds. 

Blinking, stumbling, sometimes gasping, the man and the woman followed their simmering decadeslong passage into an evensong. Then reached the silver shimmer of the coastal sweep, frail as eggshell.

We think we're lonely. Want to know what lonely is? We think it's when someone won't hear us, when our words fall dry on quieted plains. Yeah, it's that. We think it's when we're misunderstood, misconstrued. Sure. It's also that. We think it's when we've suffered shame in public, been abandoned, no ally in sight. Yeah, it's that too. We think it's when we're strung from a tree and spit on, without a friend in close. Uh-huh. That too. We think it's the whistleblower's fear, the revolutionary's grail, the dissident's rage, all quelled by tyrant malice and worse, the silent savagery of indifference. Which it surely is. We think it the panic of doom in the great brimming eye of the wounded straggler as the zealous pride closes in. The shear of the desert hawk oblique to the hot wind. The last distraught arrival at the site, ribcage like bellows, as the final liftoff launches forlorn above. The lone white bear lurching on the only unmelted floe. The last bee spiralling clumsily down like our double-helix undone. All of which it is. But when I say lonely, I mean the impossible and pitiless interim between the brief age of life and the eventual relentless stretch of each atom and its subatomic parts into an unimaginably vast abyssal chasm spanning the entirety of what is and what will ever be, space itself expanding to a point that light can no longer be shared between points, so all the particles ever created drift alone and unencountered, no hope of warmth, or hope of even a glimmer of a friend, no hope of anything, no hope even of hope. Not the end, but the end of end, the loveless eternal void, the almost-nothing cruel enough to not quite ever be fully nothing. 

The pair, hollowed out and Oedipal, stand like stormstruck trees at the cliff edge and watch the vexed and undead ocean heave with blind grey malevolence, with lunacy, as one by one the stars are doused, all light and tide withdraws, the last things seen on this or any other world two scorched and doting human hands entwined, love's final say. 

Friday
Mar032017

Some Dire Indian

Stillness. A lime-green-and-cream fifties model Buick by a lake. Backdropped by a silent bank of conifers, half-lit by a quarter moon. A woman in a headscarf stepping gracefully into a boat. A shadow man taking her hand.

You think you know what's happening here? Well, you don't. 

Back then, we summoned from nothing the possible. We dreamed up heists in our methamphetamine haze and enacted them. Constantly amazed they worked. Purloined heat from frigid matrons. Took what was undoubtedly ours. Dropped slack dumbass bodies into lakes. 

Once, we stopped in the desert, a trunkful of bills, stopped and took off hurtling like gazelles. She was a vision. Her flower print dress clinging to her damp curves, riding high, her thigh sweat like raindrops lashing from a clothesline as she pistoned across the scrub, heedless of snake or cactus or ankle-trap burrow. My crazy mother. High-strung, they said, betraying both their bloodlust and their envy. 

"This isn't the place," I said, once I found my breath.

"Sure it's the place."

"You will get us caught."

"Stop worrying, my sweet, sweet boy. Life is so short. None of this matters. Dance with me here."

So I did. Under a splayed galactic sky, serenaded by the wild desert dogs, amid pinpoints of virescent treachery, I danced with my half-mad mother and felt her core try to scorch the fulsome night.

***

Another customer, another delayed minute before I can cash out and go home. 

We got ourselves a menagerie tonight. Three college boys celebrating somethin' I never figured out, a couple on the verge of breakup or proposal, ain't sure which, two women in them headscarves worn by A-rabs, a goddamned family of six here way past their kids' bedtime. Some dire Indian veteran alone at the bar. Two off-duty cops, a man and a woman (can always smell five-o). A black drifter, the one just came in. The one that spoke right after the bell above the door finished jingling.

"Better ignore me or shoot me, but I got a bad tale to relate." 

***

Here we are. No longer able to tell sadness from meanness. No longer caring to. It might even have mattered once. Remember that visit when you drove from your family's home and one of their tiny marmalade kittens had crawled unbeknownst into your wheel well? Bones no thicker than a quail's. How quickly and immediately it died, a smear on a swatch of the slow-turning world. Ten weeks' worth of wide-eyed warmth cooled in an instant. Yet even thwarted, life won't relent.

***

These eyes have watched a half century of things: melodrama, atrocities, gelato, acceptance, secrets, luminosity, triumph, toxins. No wonder they look weary, weighty as grey velvet curtains draped behind a crime scene.

Why not come to something new with curiosity instead of suspicion? You think jaded is a good look? Sure, have it your way. But only if dead is too. 

***

"Here's my tale. My momma was a good woman. Sure, all a y'all would say the same 'bout your mommas. But mine was 'specially good. Why? Simple. Because she held off a full invasion while being tormented, just to let her kids escape. Ten of us made it, including me ... obviously. Five of them died. Which is why I'm here."

I weren't impressed. Be the first to call myself impatient. "That's it? The whole tale? I cain't even do the doggone math."

"Hell, it ain't ended yet, girl. Open that door. Go take a look outside. You think there's the silent desert out there?"

"Well, sure ain't the Big Apple, if that's what you mean."

Can't explain this, but I wanted to smile right then, like I quit, like I was cryin' uncle, though it gets harder for your face to change as you age. Something about how the muscles lose their pliancy. And I ain't even old. But we all watched as the Indian, who maybe ain't ever smiled, not once, made his slow way to the door, opened it, shrugged, and disappeared into the night. And I mean disappeared. It wasn't just night out there; there was no "out there" out there. Pitch-black; an absence. Don't hardly have the words. Read it in a National Geographic once, about space: the heat death of everything. 

The drifter looked me dead in the eye and then everyone else in the diner: the frat boys, the sand niggers, the lovebirds, the breeders, the law. "Y'all ain't gonna like how this story goes, I'm afraid…"

***

"Quick, tell me a cliché."

"I'm sick and tired of being sick and tired."

"You need to listen to the right songs."

Words spit from the void. We leave our eventual faces as fossils half-gathered by beachcombers distracted by showers of glittering meteors. I loved you from the start, just came to say hello, but now I'm the brokenhearted. Dreaming of escape, pretending you're not a rat and this is no damn sewer. 

And for a second or two, it works.

You walk beneath the land bridge at the shore—a small and timid biped framed by an arch of granite and greenery, half-dreamed into reality by heartache and salt.