Downside

That phrase folks use: what possessed him? He supposed possession was as good a reason as any. He figured he knew these caves, had explored them many times in his childhood and youth, and where was the harm in a whim? How can it be wrong to feel home again?

He knew there was a chamber beyond the second bulb of a tumescent tract, and in that chamber were sparkling and luminous stalactites. Viridescent claws of underworld gods. Who wouldn’t want to pass through a monster’s caliginous guts to see such rarities? 

He hesitated at the entrance, which was small, but he’d made his way through smaller. His momentary uncertainty perhaps an echo of a future alarm, a faint warning broadcast. No equipment, no gear. He only had the flashlight on his phone, but that ought to be enough. He wasn’t going far. 

Inside, he had an immediate choice of two tunnels and halfway assuredly picked the one on the right, as if it weren’t a coin toss, then made good headway perfectly horizontal until he found another narrow gap, which dropped through a sharp turn into a near vertical eight-inch squeeze he thought would open out and flatten again soon but he was already in it not feet but headfirst when it deadended ahead of him and too late—a chill puckering his entire skin—he knew he was in a different tunnel from the one his memory had confidently drawn up and there was no way he was scrabbling backward over the lip he’d just traversed, upon which his body hinged awkwardly, and no one knew he was here, though he cried out regardless.

This silent place held him tight, though he tried, of course he tried, sporadically calling into the far reaches of the dark beyond his feet until his yells grew into shrieks. His voice a dry rasp, he cried for his mother and the pity made him cry more. 

Soon his human sounds gave way to the sonar ping of liquids dripping somewhere and the plangent echoes of all the turns he had not taken.

His occasional struggles wedged him further and after a while his battery died and within this unlit place he could hear only his own breathing, panicked and irregular as batflight in eventide, and then, soon after, the baritone seethe of his blood in his head like a tide over black pebbles on some dark and eldritch beach on which drear and lonely creatures lurched.

The pain in his skull built like a fireside bellows, pulmonary and hollow and vast, until he wished at last for the bliss of the void, the true void not this fraudulent limbo.

This death unmatched in abashment. Woe and heartshame to succumb so easily. Without a fight. Without even an adversary, unless you count cold granite his foe. Knowing he was led by a fleeting urge to a vainfoolish death, to an unjust calculus—something had possessed him and now he possessed nothing—gripped by malachite seams and the innermost slime of the moist, impassive earth. Ignominy and anguish. Nothing beyond desolation. No worse egress. 

His last vision behind eyes dimmed and irrelevant was of times long past, a slow pan of a prairie with a crude wire fence limping kinked and halfstrung to a horizon like an edgewise portent of the iron tracks to come. A child’s sketch ahead of a film crew. Symbolic. Insouciant. Push in and there’s the tiny dried remnant of a prairie dog long since death snatched and taunted it now peaceable and paltry, no longer disconsolate. Perhaps even laughing a little on the inside. At the foolishness of it all. The vanity. All things under and upon the heedless earth.

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Image © David Thielen

Home, My Love

Somewhere, the sun is still fierce, a fireball out there beyond the yellow-grey slab of clouds. The clouds are a vast, damp, infected washcloth spread over the world.

When I left the apartment this morning, I left it unlocked. Something I’ve never done.

Please. Be my home.

Needing to walk, I head toward town. It’s morning, so I think of birdsong, which makes me a sorry fool.

Three people are all I see: an elderly man and woman who cross the street at my approach and flinch from eye contact; and a wiry, feral-looking man of indeterminate age, who glares at me with naked hunger through coyote eyes and hesitates in a way that makes all the hair stand up on my arms. I let him see the hunting knife I carry on my hip, and he reconsiders. 

You are all I have.

This place only a year ago was a noisy, shabby hub of neon gas prices and clustered signs for pizza, subways, fried chicken, and burgers. The red-blue Open signs on liquor stores and pharmacies and laundromats and dollar stores. The wide carious mouths of automotive repair shops: mufflers, tires, oil changes, brakes, shocks (strangely mirroring the human narrative that got us here: muffled, tired, changed by oil, broken, shocked). It’s a place built for the automobile, and here I pass its one-time temple, a motel already gone to seed even then and here entombed in dismal slabs of graffitied particle board, like a thing bygone with shame now blinded and silenced.

For a moment, my heart leaps when I notice a nest tucked beneath its mossy roof, and I stand and wait awhile, dreaming of swallows. When after many minutes no birds appear, my heart returns to its dolorous sway, leaden within me.

Gas stations arid watering holes withered by drought in a concrete savanna, vehicles downed like the corpses of wildebeest thwarted by their maddening thirst. 

The McDonald’s is a ruin, its iconic sign an outline with much of its golden plastic gone. Golden? It always looked piss-yellow to me, even when times were okay. An empty produce stand has somehow retained its cruel sign proclaiming ambrosia apples for $1.79 a pound, Okanagan cherries at $4.99. Charred pieces of abandoned palettes spiked like warnings encircle it.

In a better world I would bring you home cherries.

A busy east-west road used to bisect these two strip malls. I don’t know why they called them strip malls; I never saw a naked person once. That road used to be the hunting ground of great screaming, hissing semitrailers that helter-skeltered along its length, eager to see our unremarkable town in their rearviews, perhaps take out a few locals as they passed. Only the buses were doomed to stay, but they don’t come now either.

There’s no right side of the tracks here, those too now rusted and quiet. Where once it writhed with sockeye, the wide and filthy river still heaves and disgorges the occasional corpse to the south.

In the parking lots, a few stripped and rusting cars sit in eternal hiatus, awaiting drivers who won’t ever be claiming them. The loneliness and the silence are uneasy allies in this war we lost long before the devastation loomed clear. Once it became undeniable, it was too late.

I’m heading home now, my love. 

Before I round the corner of our street, I hear someone humming quietly. I stop and listen. It’s a shaky voice, raspy with senescence, and it sounds like it’s coming from a backyard shed. I recognize the melody. “The Times They Are a-Changin’” by Bob Dylan. I bark a corvid laugh and the old man quiets his song. Guilty, I call out, “Don’t stop!” but he stays silent and I continue on home.

I think about laughter, its strange harshness cutting the stillness of the world like an angry trickster god. Robert Plant was wrong; we did remember laughter, or at least its humourless kin, but in the end it was love we forgot.

What else did we forget? Will you not answer me?

The door is still unlocked as I left it, and I wonder if anyone came in, though I doubt it. Home. I stagger; I call your name. The smell of your corpse is worse, and I don’t know what I’ll do with you. Or with myself now you’re gone. 

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Image © Esther Voisin