Hourglass

He came stumbling into the cabin with an armload of dry cordwood and dropped it clattering by the stove. Once he’d gone back to the porch and stomped the snow off his boots and shook out his coat, he came back to the stove and stacked the quartered birchwood neatly beside it and opened the stove and fed it a log.

She sat silent in a rocker, not rocking, and watched him warm his hands. She tried but she could no longer read him, and he no longer looked at her. Silent fury and indifference and even shamed assent can seem like kin on some men’s faces.

They stayed that way until the snow ceased falling and the clouds cleared like a true sign of some brighter yet short-lived day. Like a tide withdrawing before the towering wave. Like a dying man briefly lucid before the warrant of a promised end.

If an inanimate thing can be literal, the hourglass she cradled and prepared to upend was that.

“Give me an hour?” she said.

“Till?”

“Until you come after me.”

He finally squinted at her in the cold gloom of the cabin. She saw something behind his eyes, but it was fleeting. His quick glance at the corner where a double shotgun was propped betrayed one route of his thinking, but only one. 

She knew she could try to blame the rotgut whiskey for her transgression the other night, but she also knew that was a falsehood. She’d wanted to lie with John Joe Grady, her good man’s only good friend. Her predation had been both hot and calculated, an urgent necessity. She knew if the circumstances could ever be rerun, she would not hesitate to do the same. It was something must have been waiting in their stars, their bones. Their blood.

Outside, an ice-blue day was dying, the far white mountains golden-tipped and draped like pale giants by a work shirt sky. A robin’s egg dome.

“I don’t rightly know what you are,” he said to her.

“Who or what?”

“What. Deer or wolf. I caint tell.”

“You surely can. One don’t exist without the other.”

With that she tipped the heavy hourglass and placed it on the table and unlatched the cabin door. She wouldn’t append the insult of sentiment.

All was silent as she stood for only a moment, breathing the clarity of the heartbreak air into shifting lungs, learning a new truth: this was no longer home and she was no longer beholden. The static blue of evening was slowly fragmenting and softening with sundown, a solo wolf in the hills shaming for downright solitude the locomotive yowl of freight trains in the dimming valley.

He might be foolish enough to follow, but she didn’t think so, and it didn’t matter. 

She stepped fluently into the emerging dark and at long last resumed her unfeigned form.

______________________

Image © Sam Williams

Emptied

Is this at all ghostable? Let's see.

We came here after fighting through a swarm of mouths.

I met you in the parking lot of a Walmart. Saw you struggling and offered to help and of course you were suspicious and declined.

"I just have to do two things and get home," you said.

"Let me help you," I said.

Here is where our edges fray.

Here, in this time and in this place, you are a mother, and you are good at mothering. Your Ozark eyes are always tired, your lashes worn, your oily hair tied in whorls. You think you are ordinary, but I know you're special. I also know I won't ever convince you of that, so I don't try. You rarely blink. Our lives are bracketed by the opening and closing of a blink. Who ever tells us these things?

"A'right." You almost growl this, but dispassionately. "But then you leave us alone, yes?"

"Of course." I'm not even sure you see me, sticklike, streaming beams of amber and amethyst light against the evening, a distant star lensing light still farther out in space.

I helped you and then you told me an awful tale. This is what you told…

"So back then, when I was just a wain—my gramps and his gramps was Scots-Irish—I used to cry each morning, knowing I had to endure school and hear the taunts and feel the sudden shoves and the pinching fingers of the other children. Every day was another torment. They called me godawful names and hurt me bad and I kept going back 'cause I had to. One day I left school and walked the long miles home, all my bruises both inside and out a reminder I was alive and alone, and I saw my house, where I lived, and it always looked so mean, far meaner than the kids who tortured me, and I opened the unoiled gate, heard its tiny rodent shriek, limped up the short path to the door. They never even gave me keys, so I had to knock, so I knocked. And knocked. And no one came. I went around back and knocked there too. And nobody came. I sat for an hour or more on the front step, wondering why everything was so silent. Then the pale mountain light began to fade and I got scared, so I found a rock and broke a pane in the door and scrambled my way into the house. It was empty. Cleared out. Like no one had lived there for years. I sat on the cracked linoleum floor and cried into my skinny arms for days till someone from the school or a neighbor or some duty-bound local alerted the relevant authority and they took me to a foster home and that was that."

Hate is not the opposite of love; abandonment is. Indifference is.

I wake molded to your body from behind with your upper arm clamping my forearm tightly. You are still dreaming, so I lie immobile and allow my arm to be held in your hot, moist armpit. All that day I bring my forearm to my face to inhale your sleep musk.

Each house has its weather. This place, whose weedy, mossy lawn is more rural than suburban, more pasture than posture, also has its weather. This morning's kitchen and dining area is mostly mist lit with a pale apricot glow from a low sun. This is our place.

You, your arachnid fingers, their tips searching my unshaven face, barely touching. You, the warm light to my dust. You, my oxygen.

For you I fashioned and baked home-kilned pizza, piled with artichokes and sundried tomato and feta and spinach, also baked garlic and molten mozzarella, just to watch your jaw cantilever, a tireless gracile thing hinged and vulpine and completely unselfconscious. Sometimes, aghast, I dreamed of you eating the world.

"How'd this happen?" you ask. We're listening to Ray Charles and watching some Olympics with the sound off.

"How did what happen?"

"Us," you say, and your surprised face is comical, and I smile.

"Just be glad," I say, but I catch the redrawn woe on your face the moment you avert it. The first cloud in endless blue. The silent drawback of a tide before the cataclysm.  

What is love, you ask? We all ask. Last week I saw you at the farmers' market, and you handed me a huge yellow tomato. Organic, you said. Smell it, you said. And I smelled it and it was alive in my hand, reeking and brimming with the spoor of life. You told me to wait a couple days, and I did, and the tomato slowly blushed to a deep orange, a tight amber, a shimmering bittersweet heart. I sliced it and ate it, and it was the best tomato I'd ever seen or smelled or tasted in my life. I cried for two whole days. Is this love?

See that candle? Pour its wax into your cupped palm, let it settle, let it cool. Now peel it from the well of your hand. You have made a coin in our only currency. Now pay me.

An hourglass is two versions of sand. You watch through the window as the blown rain hits it in pulsating gusts of flung grain, the pane a flattened hourglass, transparent sand—salt-tears inside; sky tears without—measuring the pace of our gradual uncoupling.

The moon averts her gaze, prays for clouds.

Things come apart. Leaves don't grow back in spring. Rooms are emptied. I've forgotten the sound of your voice. Even the ghosts become silent.