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  • Endless Joke
    Endless Joke
    by David Antrobus

    Here's that writers' manual you were reaching and scrambling for. You know the one: filled with juicy writing tidbits and dripping with pop cultural snark and smartassery. Ew. Not an attractive look. But effective. And by the end, you'll either want to kiss me or kill me. With extreme prejudice. Go on. You know you want to.

  • Dissolute Kinship: A 9/11 Road Trip
    Dissolute Kinship: A 9/11 Road Trip
    by David Antrobus

    Please click on the above thumbnail to buy my short, intense nonfiction book featuring 9/11 and trauma. It's less than the price of a cup of coffee... and contains fewer calories. Although, unlike most caffeine boosts, it might make you cry.

  • Music Speaks
    Music Speaks
    by LB Clark

    My story "Solo" appears in this excellent music charity anthology, Music Speaks. It is an odd hybrid of the darkly comic and the eerily apocalyptic... with a musical theme. Aw, rather than me explain it, just read it. Okay, uh, please?

  • First Time Dead 3 (Volume 3)
    First Time Dead 3 (Volume 3)
    by Sybil Wilen, P. J. Ruce, Jeffrey McDonald, John Page, Susan Burdorf, Christina Gavi, David Alexander, Joanna Parypinski, Jack Flynn, Graeme Edwardson, David Antrobus, Jason Bailey, Xavier Axelson

    My story "Unquiet Slumbers" appears in the zombie anthology First Time Dead, Volume 3. It spills blood, gore and genuine tears of sorrow. Anyway, buy this stellar anthology and judge for yourself.

  • Seasons
    Seasons
    by David Antrobus, Edward Lorn, JD Mader, Jo-Anne Teal

    Four stories, four writers, four seasons. Characters broken by life, although not necessarily beaten. Are the seasons reminders of our growth or a glimpse of our slow decay?

  • Indies Unlimited: 2012 Flash Fiction Anthology
    Indies Unlimited: 2012 Flash Fiction Anthology
    Indies Unlimited

    I have two stories in this delightful compendium of every 2012 winner of their Flash Fiction Challenge—one a nasty little horror short, the other an amusing misadventure of Og the caveman, his first appearance.

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Entries in Ireland (3)

Sunday
Oct312021

Faceless, Unremembered

Think of the purest creature you’ve ever seen.

Like, what, an ex or something?

Doesn’t have to be human. 

So a deer, maybe?

Possibly. Where did you see this deer?

On the edge of a forest.

A buck, a doe, a faun?

Doe.

What is she doing?

Showing me something.

How do you know?

Her tail is flicking, she’s kind of…

What? Kind of what?

Sashaying.

This doe. Okay. What happens next?

I get out of my car and…

Yes?

And I follow her. Into the trees. 

Do you want to follow her?

Yes. I can smell her.

That deer scent?

No. Her sex scent. It’s pouring from her hindquarters like spores. I just…

What?

I just… want her. Want to fuck her.

The deer.

Yes. 

So then you woke up?

I don’t think it was a dream.

Uh, I feel awkward saying this, and it’s not precisely my place, but I really hope for your sake it was.

It got worse. 

I’m not sure I need…

She turned back to look at me as I advanced, and her face was gone. 

Gone?

Smoothed like sand at the tideline. No face at all. And she was moaning. 

With no mouth?

Exactly.

What did you do?

Turned around and ran, back toward the road. Night had fallen quickly. 

I’m going to guess you got disoriented and missed the road.

No, actually. I did okay. Scrambled, found my car, and it even started, and I drove away.

You’re right; this wasn’t a dream.

But then…

What?

I drove hard and I drove fast and I kept going, those woods closing in on all sides, and I saw the glow of a town up ahead, and as I left the wild places a shape appeared in my headlights, something dark.

And it was a person? A rescuer?

No. And please let me tell this my way. But no. It was a wolf, breathing hard, hunched, a pool of saliva gathered on the hard-top below its muzzle. Daring me to run it over. 

And did you?

I felt desperate. I thought about it. I even stood on the gas pedal and revved and let out the clutch and lurched forward.

But?

But before I could plow through it, I saw its face: featureless, plain, like pale-grey tundra, like the apparition of some other world’s fauna. Like some visceral ghost. Flesh rubbed out.

But did you eventually run it down?

No. I couldn’t. It felt like something fragile, dreamed of by bit-part players on the margins of some obscure film. 

I don’t understand.

Like something unremembered. Told to none. Desireless.

Again, not following.

How do I explain? What it is to be alive, this sacred ruinous gift.

Uh, right. Maybe that’s enough now. Maybe we should stop.

No. One last thought. A faceless woman in a yellow summer dress with skin the colour of deer hide rides a bright-red bicycle along quiet lanes flanked by hedges of fuchsia, crickets sussurant, a lark rising in a helix spiral, a song of life, the trees and the sky all sparkling. Nothing will ever come along to erase this. Not now. Not ever. Whatever comes, this—this—has been stamped into the bones of the earth.

________________________

Image © Rebecca Loranger

Friday
Mar162018

Each Snowflake and All the Snow

This Might Even Be a Poem

Grief falls like the gentlest of snow on the hedgerow. Shalista drives alongside.

Bye, Felicia, Calissa, Moesha, all her sisters in the rearview as she steers the rented Fiat (hired, they say) along an Irish backroad, wipers stiff and punctual as metronomes. Trombones in the tightest horn section.

Grief is each snowflake and all the snow. Tune the radio and listen to a man with a butterscotch voice recount atrocities. That there is our precise, our lurid century. 

Endless carmine-purple heads of fuchsia bowed beneath the steady weight of white. And that is not a metaphor. The shame of colour underneath a steel-grey sky, wishing for something else, wanting the comfort of some other, to find some way to hide.

You are camphor, an aroma, a bitter blessing offered by a wraith.

Find a place to sleep. Some quiet B&B. An old barracks. Banagher, Ballincollig, Bantry Bay. Where no bad things happen, no boys playing football in a sunshower field in June are murdered for wearing the colours of the enemy. No one is raped or robbed of breath by power. Of agency bereft. You, my dark and blessèd swan, are an American woman. You too have ancestry. Some things you may never discover. But most you surely will. Welcome, Shalista. Welcome, love. Tread tenderly. Listen. 

Look at your amazing things.

***

She's heard all the names a million times. The ones aimed at her heart. The casual ones half-barked in passing that once in a while still stop her in her tracks. Words for her race. Her gender. Pitiful slingshots of the boilerplate bigot. At times she wonders if this world's some godawful dream, created on some steamy bayou, sweated by some reeking white man while he rakes his humid ballsack with yellowing fingernails. 

Then there was that moment she found a cousin on the internet and almost thought she might escape.

Ireland. Where black ain't black and white ain't white, and everything is forty shades of emerald.

To Eire is human. The map of our journey is traced in random fibres, some of them divine. 

***

She pulls into the car park of a pub, Róisín Dubh. The gravel under her tires is frost giants crunching ice. All is cold as a witch's hole in January, her breath as she steps from the rental the traceried ghost of the world's tree. However dark our skin our bones and breath are white. This Celtic place, these Nordic tales. All our tormented, discordant ancestry. 

What a woman does is know her kin.

***

They take you in. Things quickly fall apart, grow terrible.

"Shalista, love, just eat your food."

"Ain't ever ate no horse, but I already know I hate it."

"It's not horse, my girl, it's liver."

"The hell? Meet mother Africa, bitch-ass fool."

The melting snow uncovers something worse.

Your eyes peeled and your ears on twitch.

Radar, antennas, the very edge of the apocalypse. 

You or they won't easily or ever forget this.

 

Friday
Apr222016

Green

I came here to investigate your disappearance. Now I can't leave.

There'd been some kind of terrible storm along the eastern seaboard and it had raged its way across the North Atlantic and was about to inflict the dirge-black swan song of its wrath on the Emerald Isle.

Why I chose that moment to head for this one place, I'll never understand. Maybe Greta was right and I do have that death wish she always smelled on me, that vintage eau de cadaver.

My memories are like a desert canyon, undermined by years of slow erosion, revealed only to crumble. Only things I remember between Heathrow and here are a painted gypsy wagon and a halfway likeable mule. A dream of fuchsia hedges and narrow lanes. A couple baggies of weed, a blend, though more sativa than indica. The beginning of the rains felt like nothing. This is Ireland, County Kerry. When does it not rain?

You must have had a reason to run away. That or you'd been stolen. And truth be told, my motives were murky as the Irish Sea in the oily, churning, briny history of that leaden ferry. Goddamn, I always hated loose ends.

Remember Denny, how he smiled all the time and largely for that I could never trust him? Turns out I was wrong and Denny was solid gold. Too late now he's hightailed it back to Kidney Stone, Arkansas, or whichever buttfuck town he started from. Told us he was getting tired. Only he pronounced it more like tarred. I truly miss that smiling sonofabitch. I picture him tarred even now, spitting soft white feathers and grinning like he won the Alabama state lottery. Or was it Arizona?

No matter. We're no nearer the answer, me reminiscing like this.

I arrived, unsullied love stoking my heart's malfunctioning engine. A middle-aged dude with blameless intentions, yet a gawky kid whose pistons still stuttered, in some way I can't quite fathom or describe. I wanted to find you and help you. I know I did.

So, daytime, this place was paradise, almost suspiciously perfect, I swear to God. Hell, no need to even swear: God shoulda known it, since he allegedly fucking made it. A cold clean prattling cobalt stream winding its patient way amid mossy shoulders of land, steep gray crags soaring beyond this emerald valley floor, with its dry stone bridges, its gentle boulders, easy greens and grades, sheep so billowy white you suspect shenanigans. The Gap of Dunloe, it's called. If anyone ever reads this scrawl, look it up. Follow the reedy moans of the phantom pipes. Pretty sure it's near Killarney. 

Which is pretty much the place the storm made landfall. The precise moment I knew in my stammering core I'd find you, the yowling wall of wind and rain hit. One point, a woman in a home built of the very stone that tent-pegged the terrain and warmed by the peat gouged right from the dark loam floor, flung open her door and ushered me in and poured a pint of honey-sweetened Jamesons, bitter dark roast, and thick double cream down my throat. She laughed when I tried to pay her. Slapped me hard when I insisted. Kicked me out for good when I flashed American dollars. Hell, don't judge: I thought the Irish loved green.

So I reentered the shrieking premature night and was instantly drenched and made deaf by the sorrowing howl of untold centuries of horror: the raven on Cúchulainn's shoulder, the passing of the Tuatha Dé Danann, the Easter Rising, Bloody Sunday. I turned to you and said, "I know you're close, my love. This has been more worth it than I could ever have hoped." And you looked like you might answer until you blinked away the torrent that waterfalled your brows and then you blinked away your whole self, to leave me the one blinking, because I was alone.

Which is when I glimpsed the chapel behind the cauls of rain, hunched and low-key in the backdrop of the downpour, a lap dog half-pondering a growl.

Inside were people, not a one over thirty, making muddy coffee on camping stoves. They'd moved some of the pews to make a rough circle, and most sat either on them or within their confines. I saw no priest. I began to write these words, until you noticed me and screamed to rival the storm outside.

"He's the one I told you about!" you shrieked. "The one who did those things."

"But I came such a long way to find you, girl." 

"Don't you come near me!"

And that's when I notice the circle has tightened and I'm looking into the close, placid faces of a dozen or more backpacking folk—bearded and north-faced; flanneled, unmoored, and barely bonded—all gripping sharpened hunting steel now they've placed their enamelware mugs on the scuffed hardwood floor, curiosity eclipsing malice in their blind and somber eyes, yet not a shade less terrifying.