Lincoln County Road

Midnight in the garden of blood and eagles.

We’re bleeding from puncture wounds, something viscous, crimson, and warm.

No one tied you down, you rolled up against the dock, buffeting and clunking hollow through the solitary night.

How does anything lay claim to any of it?

Humans, I think I’ve fallen out of love with you now I’ve learned you spurt dirt-drenched aerosols in a jet out front of your faces whenever you laugh or cough or yell or sing. Ew. Really. Fucking ew. That was a revelation on the disappointing side of the ledger. You initially gained points for your relative hairlessness, lost most of them with this. Wear a damn mask, act like a fucking grown-up, and you might regain a few.

Ha, wait. You know what this is like, the strings sweeping over us, the low notes growling under your hallowed contralto like the final tales of long-forgotten wolves. 

“Something’s comin’ over the hill, and I ain’t so sure you gonna like it.”

“Well. Try me, cholo.”

Remember, compadre, we always came to this same piece of waste ground, filled with hazards, and each time we tried to create our own jogo bonito. The feel of the ball a-spin atop your foot, quieting its gyre at the exact right moment, the hock, the updraft, the rainbow, that feeling when you let it fall and check it with your instep, dead, or nestle it like an egg in the nape of your neck, the heartbeat pause, and then all your friends stream your way, laughing, cursing, slapping, and take the ball and do more joy to it, calling you always the best and most beautiful names.

Venerated, unseemly. The ribald colours of longing. 

“Come. This way.”

“You know where we’re heading? How long we’ll be riding?” 

“Follow the spiral dust, and give thanks to the night songs of coyotes.”

“Señorita, if we don’t make it, won’t you feel good about me right to the end?”

“Keep singin’ and playin’, music man. And meet me in Laurel Canyon. Your luck has to turn.” 

Drenched with salt from inside, collected near the shoulder of rock like scarabs, we peek around it, and we see the hopelessness the world tried to spare us.

A black hole spinning blind and silent, an accelerating cluster of stars sucked processional into its holy ravenous lightless maw.

Death. It’s not onrushing. At its moment of truth, it’s a quickening absence, a sucking of an ebbing wave pulling you into the riptide. You feel it hollow and infallible in your chest, an intake of breath and a twinge of hurt before a vast unbreathable pain and before pain is then erased. A great accumulative loss and a great mercy both. That moment. That volatile, hectic instant before everything’s gone.

True, the past echoes and echoes and echoes. Some of it is a story, poured from cut crystal, pored over by feeble old men, teased and unraveled and dreamed of again.

For who, no one knows.

Hear me, though.

The truth is a story too.

And while the landfill’s where it ends, for now—like love and loss—it’s only recycling.

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Image © Rebecca Loranger

Atrocity

Love, regardless.

Not only ghosts but people. Even the ones who faded. 

Recall delivering letters amid narrow ice-filthed brick-shored places, breath a whorl of futile, fingers iced, eyeing gun-shy frown-marked dogs, brown and surly with an inkling to hurt.

A battalion of believers moaning surety. True balloons. Obliterated grooms. How does your compliance make them come? 

“Let Jesus in; I promise you’ll be saved.”

This place amid the human tribe is crushing, our tracheatic wheeze an outlier where birdsong once prevailed.

Policeman. Copper. Sworn to protect. 

Ever hard.

You crossed paths with her and thought it better to erase her path. 

Such unmitigated hubris.

Not only the path but every step she took upon it. 

You read that map, you read each step, you nightmare godforsaken failed reptilian fuck.

“I can’t even bring myself to trust a cop, so why choose Jesus as my guide?”

We don’t want this to grow into a poem by default, so listen, pay attention. Reinforce this. You’re weak and low and appalling, and you always will be. Worthless, I want to say, but what we lack we boost, reshape into what we can hardly tolerate.

How glorious our acts of charity, how unrehearsed. Make this our cenotaph. Our radical, ramshackle, gimcrack tribute.

“What the almighty fuck is a Jesus?”

No longer will I turn away from cataclysm, especially when it’s made, especially once the red-streak gaze, the blaze of shame, the razor-face of naked blame spans the climb and ropes the bleating escapee, coveting exoneration, floating jailbreak, tempting everlasting flight.

Oh baby bird. 

You darling fledgling underneath the rain.

“Will you come back at last and hold my trembling hand?”

What untenable schemes unravel and bring you face to face with all things lacking face? What untrammeled endless waterways remain and even drain beyond this thing we deign absentia? 

Claim this. Claim your phantom legacy of pain. Let’s not let the boorish blamelords block the meritful petition of the rest.

“I’ll come back. Yes. Whenever I am right, I promise I’ll come back.”

Avenge this, all my dearest compañeros, walk in numbers shouldered by the highways as they flit and dash, reminding them of how our multitudes will some day trounce their flimsy hold, how sheer exuberance will rout their angry grasp, how dreamscapes wake from sleep, how such astonished love surprises overreach, how this damn good thing eclipses all of this and most of that.

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Image © Rebecca Loranger