La tristesse durera toujours

 

“La tristesse durera toujours” — Vincent Van Gogh

Blown across a frozen lake, two dead birds reach a shore piled like cake

and drop,

light as hollowed tin, tumbled as ice-clad laundry,

blank as cataracts, bereft as dawn-shed snakeskins.

Something within the world creaks,

and crows 

grumble along the margins

like long-abandoned women.

What is this tale? Is it happy? Grim?

Sad as a splintered cane propped in some bleary corner?

The sadness will last forever.

Will these harmonies suffice? Will

beauty walk alongside the righteous?

Art and love be adequate in this, our

harmless asides, these aimless, ageless

Instagram sins?

La tristesse durera toujours.

An engine cries a trail of smoke, shed

like the greyest tears, 

left by the most

colourless 

of impudent

faces.

Could you tell a tale of anything? Of

windbreaks and breakwaters, of

cheese plates and lovers’ 

furtive reunions, 

all these faked aches? Hold my aspen hand,

trembling amid this tiny crisis, and

steel yourself for the

cataclysms

to come. 

A bird dreams its shadow

on whitewashed walls.

Wakeful things decline to notice. 

Oil spills leak and

the world cries

ever more echoes.

The sadness will last forever.

They worked on trains and chimney stacks,

climbed up walls, rode steaming tracks,

handed out tickets, soon foresaw

the luck of the Irish, the attack 

of the eye-rash, the unblinking ruins

of war.

Spurn this like you spurn

most everything.

We’re in the centre of a room

bathed in gold, streamed like precious

sentiment, delivered by facsimiles

of the sun. What, oh what, I beg,

is our name?

La tristesse durera toujours.

***

Image: "Landscape with a Carriage and a Train" — Vincent Van Gogh

Adamant

"Thy grace may wing me to prevent his art
And thou like adamant draw mine iron heart." — John Donne

You following that slat-ribbed coydog down the interstate right now?

Ain’t no towns for miles, just fences and cattle, while the sly grey dog lopes west, lost as the sun.

Semi-trailers and campers, pickup trucks and seekers, late in the summer, pass the dog however hard he runs, his loose pink tongue a ribbon soliciting some secret charity. Pay him some mind if you happen to pass by.

Don’t matter his type or breed—wild, border, working, bright as fireflies, resolute as night. Salute him, greet him, unearth the kindness from the dark ore of your heart, show him something virtuous as you pull away, as you catch a glimpse of his desolate grin in your rearview. He has forever to catch up, a whole lifetime to contemplate his banishment. 

Ain’t ashamed to tell the world I love that mutt. He’s earnest as an abandoned dream in the wake of a long gone carnival. Sad as an old candy wrapper blowing across a field. More fearful than feral.

Lung shadows and rain squalls appear like arrow falls, the whole land opens its gullet, and distant ranges echo with yipped laments for countless absent place names.

After some time, you can’t help yourself. You pull onto the fractured shoulder, oh sweet Montana sky, crack the window and breathe the grass-stem purity, and you wait, and you wait, until the tireless adamant blur in your bug-spattered mirror resolves itself into something alive—this wild insistent dog, heedless of pain, hopeful for your love, loping your way, bringing its torn ears and matted fur, carrying its lonely wet ardor, its road stink, here with you now, believing in some kind of reckoning. 

East and South

He read the note by the side of the road, right after he got punted by the irate trucker.

Handwritten, it said this:

Boo,

I love you an all. I cain't always be mad atcha. But you get right with your ownself or with God or maybe both. Then y'all can think about comin home and bein with me.

Your trusty girl,

Francelle Elesha Metcalf

Even before the trucker picked him up, he'd found it folded in the small pocket inside his flight jacket where he often kept a baggie of something, but he'd never read it till now.

"Fuck that trucker," he said, and then he almost laughed at the sound of the words. The brazen poetry of them.

"Fuck Francelle Elesha Metcalf." Words that felt a notch or three less funny, less poetic. She'd signed her whole name and taken time with the script, and something about that made him feel quite shameful.

By a stand of spindly trees, he tuned out his thoughts by listening to the interstate traffic, each approach of a laden semi-trailer some great breaking wave, an ex-surfer's fitful pipe dream. Yeah, he'd surfed awhile, at Ocean Beach, back before things had gotten murky as sequoia light at dusk. Ruby and gold, sapphire and emerald. Before it all went gray, like so many flavors of beach taffy chewed too long.

He'd made it a long way from the ocean by now, somewhere east of Sacramento and heading for Lake Tahoe, but this was a big place.

The Golden State, they called it, if that was where he was still. Not so golden now, though, right? Lots of reasons for pain but many more ways to buffer that pain. He figured skirting closer to his roots, partly east and vaguely south after Reno, might could cure him. Tease out his Southern truculence, slap him upside his dumbass head, wake him back to the world.

Kickstart the process, at least.

This stretch of interstate wasn't as busy as some, and he thought he could get away with hiking the shoulder. Fall was waiting all around, free of trust and dark with thieves. Before he set out again, he listened to the leaves in the aspens or whatever the fuck kind of branches shimmered and flashed against workshirt skies here. Heard birds he couldn't name. Squawks and whoops, hollow and distinct.

Tried not to think about much.

When that proved hard, he pulled out a pocketknife and dug into the quick of his thumbnail. The pain was bright as a sun flash and warm too.

Then he headed sorta east and kinda south.

***

The cop meant business or worse, he could tell. Moment the trooper clocked him, there was no doubt he'd be pulling alongside in his two-tone Dodge Charger to make his already shitty life a tiny bit worse.

"What you doin' on the interstate, boy?" Pudgy and bald, another cliché.

"Nothin' much."

"That ain't no answer. I'll ask you agin."

"Sir, I'm walking so's I can find a place to git offa this highway, swear to god."

"You got a long walk, and none of it legal."

"And I do apologize for that, officer."

The cop squinted at him. Raised his sunglasses to his absent hairline.

"Boy, you Mexican or something?"

"I ain't Mexican."

"But somethin', am I right?"

"I'm an American."

"You got ID?"

"Not on me."

"Then we got ourselves a problem, don't we, cholo?"

"Not if you decide to be decent. Sir."

"The fuck you just say?"

"I think you heard me."

"Get on the fuckin ground!"

"You made your decision, I take it."

"On the motherfucking ground!"

He dropped and lay prone and tried to ignore the jackhammer in his chest. Officer GhostFace McBigot cuffed him tight as he could, but he blocked out the pain.

"I'd wager something, officer."

"Shut the fuck up."

"No, I won't. I'm done shutting up. I'd wager my life on this. That you would never have acted this way before that pitiful senile prick lucked into power."

"Then you'd lose your life, Pablo. Or Alvaro. Or Fucko. Whatever. I ain't changed a damn thing. Don't matter to me who parks their fat ass in that crumbling hovel in DC, pendejo, a place that means the exact sum of nada to me. I've hated you people all my life. I'd be doing this if the Dalai Mother Lama of Cal-fucking-cutta was running our sorry nation. I hate you fucks, and I've always hated you fucks. You'll never get that, it seems. And now you won't get it again, cabrón, because…"

"Sir? No. Please…"

Out of nowhere, he couldn't recall seeing a plane in that dry implacable sky for days. Had everything crumbled this much?

Another sharp gunshot startled a cluster of nameless birds, and no one else bothered to flinch.

Fury

She is bound on a cold stone floor in a spare cottage by a crag, the wind a tuneless piccolo through cryptic slits.

A flurry of dark birds arc jagged across a slate sky past twilight.

The ink upon her arms and chest echo both flocks and sundown: three tiny boiling hearts on her inner right forearm and a stutter of crows below her clavicle, above her breast.

Outside, some black and odious structure silhouetted on the cliff edge: pitiless, stark, and mannish.

Pricks. If they are going to deem her a witch, then she will damn well rise witchlike.

A beetle meanders by her feet pursuing crumbs, flakes, specks.

These are fragmentary things, these moments, what she sees, hears, smells, feels. Nothing good will happen if she resists, but things far worse are pledged by her compliance.

The beetle is by the wall now, still seeking and vacuuming tiny morsels. She envies its autonomy, its thralldom to its own rudimentary will.

Her will is more wilt than heft. She stares between her legs at the stone and shudders. Imagines something ludicrous. Some unruly erection. Resistance. She must resist. Weakness now is unconscionable.

She is a woman not some failed man.

As if in answer, heart all slashed and ragged, Blossom appears in the murky air, her friend long slain by similar hands, twirling a familiar dance.

Speaks.

"Oh, Blanche, this is it. The inevitable. The moment you decide how to leave this aching world. I urge you to choose well. Its about you now, not them. They are filled with impotence, choked redundant by hate and unwarranted envy. Believing they're the heart, they are the true outcasts of our tribe. The overarch, the arc is in our favour. Even when they kill us, they don't win."

"Yeah, yeah. You always knew how to speak, my poet. I appreciate the pep talk, hon, but I ain't ready to die."

Sudden silence. No sound. The wind itself has swooned. Even the surf has ceased its assault on the rocks. No Blossom, no beetle, no beating heart. For a moment, no battery. A hush. This is the cold edge at the end of things, the blood loss, the muffled aftershocks.

However grim the lookout, love—love—is the thing.

The throng is coming, my brave and blissful amour, with their whetted instruments and their senseless rage, frail and pitiful as the keening of birds.

Astride a Pale Horse

I see it coming, mostly peripheral, but not always. Sometimes it looms upfront and winks and laughs. Heartily, even. Yet more and more I clock it as it struts along an urban street or lurks at the lip of a wood. It's a tendril, a blur, a shimmer. Often a goodbye. But I know it's real; I'm no longer dreaming it. Last week I saw it fall from a branch and shower golden green as pollen, slide off a wing as bright clear drops onto dry gravel and be absorbed. Heard it late in the gathered dark as the scream of a bobcat. Fucking? Fighting? Is there a difference? 

It doesn't always win, although it usually does. It's coming, though, however slowly. 

See the gluey trail, the fallen tree, the intaken breath at the passing of a hawk. The blinking slicked-back head of the harbour seal. Spawning sockeye stymied by falls. Raven calls, airless, sacerdotal. "Rain falls in real time." A wild pony drumming the land frantic. Stories of injustice, desperate killers exonerated by science, by reason. The mining disaster. That last travesty. The next. 

In the glare of a burnt orange sundown, we might even run out of steam, of breath.

A slag heap slipped and dropped on a school. Friendship ruined by envy. Abandoned lovers gathering at the wharf, circled by urban coyotes (two syllables), the blare of the darkened barge gliding oleaginous in the thick contrarian ink of the river. Congealed fluids of everyone ever murdered. Molars claggy with rancid meat. Butterfly migrations. Stars astonished by their own birth. Mosquito nets. Craft slingshotted past so many lens flares for alien readings. The trafficked. The raped. The genocided. The blazoned sins tattooed by monsters on the conveyor-belt corpses of women. The lost. The compromised. Those who jumped so they wouldn't burn. Challengers. I swear. Dreamers obliterated by the shortcuts of others. I swear. There is nothing more terrible than imagination. I swear. Nothing. None of this. No matter. Swear. Nothing. Nothing whatsoever.