Chesterman

When you ran alongside me, barefoot, following the beach pier below, I thought you meant to tell me something profound, announce something real. When you caught up to my shadow and climbed the iron steps and looked in my eyes and said, "Your mother died," I thought you were either funny or cruel. It took a long time for me to realize you were going for both.

I can't help it. I associate your metronome hips toiling in a sandblasted skirt with the death of my mother.

At my tea party, Kate Winslet is Emily Blunt's aunt. Kelp lies forlorn on the shore.

"Honey, don't make me do anything. Let me do it 'cause I want to."

Escape your uterine penumbra. Ask me how?

"I'll ask this. Impossible to answer, no doubt. How is it you seem to know me when all you know is my menstrual smell? And what is it that tastes like people? Makes us numb?"

"Because you climb men like we're trees."

"Seriously, no words. You should be banned from speaking."

"True. But then I'd write."

Here we all are, rulers of a thousand silent kingdoms. Wearers of so many tawdry cotton shifts.

"You are not the marrying guy. You are the affair guy."

"Welcome home, girlfriend."

"Ugh."

The wind gets up. Stirs the treetops. Will you dream of a monster hunched among the dark limbs, breathing quiet, awaiting its time? All I know is, every coward craves a gun. 

Cabin. Lake. Action.

Afterward, her first instinct was to make her way to the cabin upstate. When she saw his text—"On my way soon"—her heart hop-skipped in her chest for a second. Like a new comet, hope crossed the night sky of her awareness. 

She cranked the generator and wondered how much he had changed. Almost a decade had lurched awkwardly by since they'd spent a blurry month of kayaking and dancing and one-upping each other with their culinary skills. And lovemaking. Don't forget that. She couldn't forget that. It had been a perfect time. No hint of impending darkness; pure lakeside rapture in gauzy dreamlight.

Again. She wondered how much he had changed.

How cruel the passage of time. How needlessly complex. A relentless, heedless, slick-knot blastocyst. 

On the uncovered deck, unfolding chairs, sitting, standing by the railing, she paced, fidgeted. She could never get comfortable anymore. She tried to breathe, yoga breathe—prana, her instructor had called it; deep and long—and take in the skim of mist that hung like netting over the lake and the dark encirclement of conifers. But her mind stutter-stepped and her hot, coiled body wouldn't settle. 

She had the strangest sense of unraveling. Like yarn unspooling. Was it time or was it memory? The loons were long gone from this place, replaced by more distant complaints. The songs of the cicadas seemed muted. More sorrowful, more dissonant.

In the small kitchen, sensing his proximity, she uncorked an expensive Bordeaux, with some difficulty. Ready to celebrate this reunion. Mark this occasion. Poured herself a large glass. Began to fix tortillas with salsa and guacamole. Crushed some ice for margaritas, made do with lime juice instead of limes. Sweet-rimmed two plastic glasses. Overkill, she knew. 

But still she wondered. If he had changed, had she also changed? Well, yes. Much had changed, although this lake and its vigilant garrison of cedar and spruce seemed somehow eternal. The choral dawns and evening serenades. The songbirds and the fireflies. 

The earthy tang of woodsmoke in her nostrils. The face of the water ashen, like someone given grave news in a hospital. 

She tried to tune the radio, found nothing. Smacked its wooden frame. Paced. Waited.

The moment she found a channel—something preachy, gawping, and demented; scratchy as brain spiders—she looked up and with her remaining eye watched him approach from the overgrown driveway. He was worse off than her, an arm long gone and the skin on the other flapping in slick pink parade flags as he lurched her way. A good third of his head was a ruined moon, yet he grinned peculiarly, one pinning eye fixed on her while she struggled to stand and greet him.

The timing of their embrace, already heated in its way, coincided neatly with the next howling firestorm.

Sister Dakota

You love someone, so you leave scented candles out (pomegranate, grapefruit), which you might never light.

Flaxen wicks. Burgundy wax. Everything a stageset waiting on your stagecraft.

Enemies? Perhaps. Pop the cork on a malbec, watch your little sister roll her eyes. What is that? No matter. She's beautiful regardless.

Cedar posts and railings redolent of lanolin. Look west tonight at sunset, see the bright handwritten skies choked by gunsmoke and devotion.

Someone spoofed your iTunes, left it channeling. Kicking off the night are Gucci Mane, Destiny's Child, Iggy and the Stooges, Miles Davis, Yeezy, Nina Simone, Sinéad, and Kings of Leon. The good, the raw, the bad, the wired, the ruined, the ugly, the damaged, the misunderstood. Some reassembly required. 

Reminds me. Looking for parts in the auto junkyard, clear-oiled bearings, virgin gravy, constant velocity boots, y'all still slay me. The rains won't likely ever stop, 's crazy. Deep within the dark green wood a cabin, quiet and locked, a woman tied to a chair and recently shot, gouting red on kitchen linoleum while a policeman squints through glass, misses her, moves on. Takes days to die. Has to be cut from her own congealed blood. Happens or not.

Happens. My hands are free right now. Feel them cup your gracile face, lift your caramel eyes to meet my own, see the peaks that haunt my horizons beyond the gentle plains.

I need a passenger like you are craving salvage.

We all here now? Siblings, cousins, uncles, aunts? I'm mostly looking down through black arachnid lashes, so I usually look askance.

I don't even know if I'm a girl or a boy, or even whether that affects our plans. Most likely not; I'm lazy.

We hug the sides of the canyon and walk on, tongues awake to the mineral drip. We battle zero gravity, backlit by black and bathed in frontal sunglow. Before the aurora starts and we emerge from airlocks, exit doorways, tent flaps, orbital suspended slumber.

Myriad gods congratulate us. Replenish our rehearsal with fireflies.

I see you. I know all a y'all. Visitors. Hummingbirds. Vampires. Butterflies.

We come in peace. Receptive. Nothing alien, not even bees. Don't bat your eyes.

My stepmom touched me. I let her. We ossified. Long before we bled we crumbled.

The electric sky dreams color while my bandwidth tunes itself some damn place other, someplace else. We pull over on the shoulder. Watch a coyote slip out on the road and dither, lift its muzzle, catch our mismatched drift, a far-off purple coaldust range proclaiming its own locus beyond our troubled selves.

Dawn still struggles. Bleeds tourist real. Humble. Drums and regalia paint with smoke, smudge a hope, trace an asphalt splash, we stumble.

Pine Ridge. Oka. Standing Rock.

What do I find? This Glastonbury campfire, this huddle. And when? I awake in the backseat, your droll mouth working me, and I stay still. Letting you. Enjoying you. Enjoying you enjoying me. Enjoying me ironically. Consent some dream, some luxury. But I watch the coyote watching us. Dry lightning X-rays distant peaks. Immaculate Coachella. Our kind. We're all so faraway and road blind. Ciao bella, Mariela, we on fleek. You love most of this and so do we. So do all of us, and so iconically.

We're almost perfect till the haters find us, slam into our matchless dry-run moment from behind.

Reprisals

I began as someone else and now I'm here at this place.

Christ, you'd think with time I might learn a few things. Most of those we've loved are gone. I walk beneath the great curving highways, marveling at this nowhere world, this umbral city, where forgotten people languish on palettes and gaunt and puckish coyotes prowl. What are we to each other? Why does caring entail such paucity? Do my memories of strolling with you, hands clasped palmward, through streets of antique brickwork and abundant baskets of green, mean anything now?

I want to return to all the sacred places. You know the ones. You know I know you know them.

"When you loved me, did you love me for me or for you?"

My first thought is "Both," but I end up choosing silence.

Although I have a question too. Did you stop and get out, that time you hit something out in the hills? In a chinook, in the Santa Ana winds, wherever? Did you stand helpless as you watched it, this possum, this raccoon, this nameless broken thing, watched it spin slowly clockwise on the asphalt, pinwheeled and bewildered by its own inexplicable ruin? Did you dare kill it?

For that is love. Killing is sometimes love.

Also love is the long road coming to a point someplace far. Pale lavender smudges of sagebrush on either side, mesas and buttes, distant mountain ranges, a sky that feels like the time you fell as a child into a bright cerulean pool and lost all sense of up or down. Panicked, resplendent, surrendered.

Trace the flow of clouds over an afternoon. How did we not know all our changes would come via such quiet events? That our careful attention would matter this much? They say Van Gogh saw the secret patterns of clouds and starfields only when he was suffering, that psychosis is one of just a few ways to see it all. What an atrocious, outrageous price.

One I can't afford yet might still pay.

Wet sand between your toes, the exhaled tide. Starfish clutching rocks. The hectoring cries of seabirds. Sweat beading on your glistening, unsolved haunches.

Grieve with me now, girl. Won't any one of us escape.

There's a moment that feels eternal. It begins with something in the ground trying to squirm free. First, my shelves topple in great cascades of media, and my TV screen breaks. Fine, I clung to those things too long. But it continues. Windows shatter, plaster and drywall rain in squalls, and I leave my building and stand in the street and watch great flocks of birds gather, herons and pelicans and ravens, and the trees are swaying, palms and conifers, and all the neighborhood dogs are chorusing their terror and dismay. Power lines snap and whip like vipers. Glass crashes like tuneless bells. I hear sirens. I hear the sound of many things fracturing, coming loose, pissing on us. Reprisals. Redress. I'm forced to confront my neighbors, their half-undressed wide-eyed monstrous neediness. I choose kindness. I ask each person if they're okay, take their trembling hands in mine. I don't listen to their replies; there is nothing I can do for them in this world. I love them and I hate them. This feeling alone becomes the eternal one. I hate whatever made us love.

I hate whatever makes us love.

Faraway Thunder

There were no signs. You got there via a rutted overgrown track between the corn brake and the slough. Once you did, you'd be hard put to know which was the more broken down: the shack or the old man who lived in it.

She knew he never spoke of the very war she figured was what ruined him. She made these visits not to hear about napalm or agent orange or Bell Hueys but simply to keep him company. She felt badly for him, all on his lonesome an' all, no family she knew of, friends likely dead, unbidden memories shuffling out of the corn. 

Sometimes he'd be sitting on his canted porch in a reeking bathrobe that might once have been white cotton flannel but now appeared as if assembled from filthy slaughterhouse mops, and stank that way. Mayhap she'd hunt down that old washboard and coax him out of his robe and try to launder it best she could. He never hid his nakedness, and after a while it stopped bothering her too. Other times she'd dig up a greenish potato in the weed patch that dreamed of being a vegetable garden and add it to the chitlins she'd brung, along with a couple eggs from the coop if the broody old hens had deigned to lay that day.

Neither of them said much, all told. She might sit beside him on the stoop—though he'd never offer up his rickety chair—and watch as the sun spread like a broken yolk and dripped below the rim of the world and the lightning bugs briefly outshone the few pale stars. Occasionally he'd go fill a mason jar with moonshine and share it with her, and smoke while they listened to the antic coyote chorus, after which she'd sway a little on her hike back in near blackness, half-afraid she'd fall in the slough, a small dutiful woman in a large world of night.

He did tell of his brother once. Another time of his mama. Both long dead, as she'd thought. Rare times he talked, she mostly listened; the smallest creek needs no impediment. He never once mentioned his pa.

The most he ever talked was after a big storm had passed, one that still sounded in the gloomy hills to the east, like the ghosts of old battles.

"Had to kill me one a' them hens," he said into the clear mercury air.

"How come?"

"Got a wound on her neck, so the others woulda slowly pecked her dead anyways."

"Which one?" she asked, but immediately felt foolish. "Though I s'pose you seen one dumb chicken you seen 'em all."

And that was the only time he spoke of the war.

"They used to say that about Charlie. They was wrong then, and you're jes' as wrong now."