"Dark Was the Night, Cold Was the Ground"
Even if he'd been a small man he'd have been a big man. But he was a big man. I see him in his chair at the peeling formica table, on the right facing the tiny kitchen itself, slumped, in what some now call a wifebeater but then we simply called a vest—baggy trousers, cuffs rolled, braces over the tea-stained vest. White hair nicotine yellow, swept back. A soft pack of nonfilter Woodbines and a mug of sweet strong milky tea. Ten or fifteen bottles of prescription drugs ranked like soldiers in a defective war in which daily battalions are lined up at dawn to learn their fate.
England. Northwest. The nineteen sixties. The syncopation of passing trains.
I sit now on the long sandy reach listening to "Little Wing," blinking along, tapping my toes and fingers, stretching my neck to watch the disc of our galaxy wheel slowly across the night sky, that genial Stratocaster tone opening its throat and hungry for us all.
Oregon? BC? Baby, won't you change your mind?
This is the part where we are asked to feel shame. Where our therapists make their living.
"Baby, what's in your spice rack? Paprika's a given, but surprise me. Cloves. Ground nutmeg, sure. Dried sage and oregano. Chilli powder. Garlic. Cumin. Coriander. I need something radical, girl. Exotic."
"I got something radical. Stay with me."
A skinny girl in a tiny pleated skirt and motorcycle boots, nipples face-forward and plastered humid inside a plain white cotton tank top, eyes encased in kohl, earbuds pulsing Diplo and Flux Pavilion, waxy, harsh.
I'm two generations beyond, yet more thirsty for Cleopatra.
And is this the part where I'm to beg you to love me?
Nah. Don't work that way. Been driving a good while, coming down from the mountains, heavy on the brakes as the road descends and sidewinders down to a quiet valley while the sun begins to drop behind the dry hills. The town is unremarkable. Its populace too. I pull over and walk the empty streets, meet almost no one. A one-eyed scarface dog, an old lady with recycled bottles inside transparent bags in a shopping cart. Meet me. Meet me. You won't ever meet me.
Quiet howls emerge from the draws that backdrop the town, each a distinct tone, a coyote symphony. Except it ain't coyotes; it's the outraged god-abandoned wind piping its raw heartbreak through ruined fissures in shafts that are no longer mined nor ever again will be.
Back to the large man in the crumpled grey pants absorbing and agitating the fog of morning, charcoal and faded pink. His mind always working, his appetites arrayed, some clockwork set by ancients and left to unspool well into life and beyond. UFOs, wartime, an Italian-American tenor, a gaudy South Pacific theater, Antarctic sacrifice, an icebound German plane one bleak February that never got airborne, the awful melancholy of something unsinkable sinking. Melancholy hearted, he saw the eventual decline. Nodded quietly at fate. Checked out around the same time as Elvis, of whom he'd once said, "He'll never last." Nineteen seventy-seven. The jubilant year of Sam and Stevie, of Stormtroopers and fevered Saturdays, under a marquee moon. Stayin alive amid the rumoured death of a ladies' man in the decade's autumn.
I am fourteen or fifteen, a voyager, thumbing my tangled path away from pain. Close encounters on the littered edges of motorways while listening to "I Feel Love" on light cranial rotation and waving at "Johnny B. Goode" as it slingshots out of the solar system. Never minding the bollocks. Watching every last detective. And shedding a tear for Ronnie and Marc. Low. Animals. The Idiot. A Bat Outta motherfucking Hell.
She emerges inchoate from the gloaming, haloed by dark motes like the ur-lights of some grim carnival. Hands me something warm and still dripping. Smiles like a tracheal gash.
"Eraserhead. Is that radical enough for you?"
Nightfall is upon us, with no place to sleep.