Quiet Eternal Song

She showed up every afternoon in the town square, her guitar and amp ready to display her bona fides, ready to dazzle. She used to hear god’s whisper but no longer. 

She was an auburn beauty, which was incidental, but her gathered ponytail and her classical vulpine face were assets, however the music came.

Yes, pretty hurts, but goddamn, it still had such currency.

“Pretty lady, I won’t rain on your parade, but this isn’t the place for you.”

The wolf had appeared from shadows beneath the chapel roof and the market awnings, and he smiled through tumultuous teeth and tried to dam his drool. Oh, he was hungry.

“The skies are clear and this isn’t my parade, Mr. Wolf,” she said. “This is a way station, and I come from elsewhere, but here I sing my truth.”

“Don’t push me, woman.” 

“I won’t. Instead I’ll make my music.”

And she did that. Splashes of half or quarter melodies, staccato squalls merging into dreamscape, arpeggios traipsing on ramparts of crenelated chords, spiralling into the darkest of wells and spinning into meadowlark updrafts. Distortion like the most shattered of mirrors, hot liquid globules and elastic spans of glass, a glittering haze of misted diamond. Her thumb like a hammer conjuring bass notes, rhythmic and sundry as coitus, her arachnid fingers a blur as lacquered nails plucked and glissandoed reflected layers of overlapping melody. And above it soared her voice, like the great mountain condor, effortless and buoyed by thermals.

The townsfolk gathered and grew in numbers, and they sometimes sang snippets that only augmented her song, and children danced, and then their mothers, and then, looking sheepish between themselves, their fathers. 

The wolf was humbled, reduced, his snout a wilted thing, his ears flat, the luxuriance of his tail now tucked. 

“Mr. Wolf, I won’t stay. I’ve done what I came for, and it’s always time to move on. What will you do?”

Cupping the town in its rough hands was a landscape of clear streams and falls, forests dappled by light and deer, skies that paraded like blue and white and grey ticker tape, crags and flats and the quiet eternal song of the land.

The wolf, who recognized the good as well, knew all this and loved it, but he felt thwarted. Her cello nape, her downy hollows, her female scent itself a taunt, and though he knew he was wrong, he let himself down.

“I will eat you; it’s how I’m made. It’s what I am. And you, my chestnut fawn, were made for this too.”

She sighed while she packed her instruments. Something in the faraway hills echoed and crackled like an exhaled nightmare. She wished she could love the wolf and receive his love in turn.

“You will do what you were made to do, Mr. Wolf. But you are not emblematic of your kind.”

The wolf was puzzled. He didn’t know what emblematic meant. And while he crunched her words like marrow from the bones of a lover, spurned and sickly as the plague-struck, the townsfolk moved in silence with their clubs and knives and systematically dismembered him, and hearing his last furious yowl she cried as she left town, her hardware hunched like a stigma on her back, the neck of her guitar a phallus, her keening cry a screech of corvid grief in the spent and airless afternoon. 

Bedtime in the 1960s

The boy in the flannel pyjamas finds himself alone and afraid in a room, a cold, dark room.

Not quite full dark, as there is one small lamp on a night table to his left. But drear as old London in fog, the lamp diffuse as nineteenth century gaslamps, impotent before the resounding slab of night.

It should be cheery, its porcelain stand cast in the form of a swirling flamenco dancer, her death-white dress daubed with crimson rose motifs. But its burnt orange ambit is feeble and ominous.

Why is he so alone? Did his family abandon him? Whose room is this?

He senses a bed in front of him, alongside an urgency to reach it, image-conjuring the harsh carpeted floor into a dire terrain bristling with clawed and ravening things covetous of boy toes. He ratchets his courage, glances at the incomprehensibly terrible lamp for the last time, and runs. Something swishes around his legs in the dark. Something wet and sharp and salivating with need.

Without a second to spare, he makes it, almost flipping over the opposite side, just able to hang on. His breathing is animal-like, a bray of trauma.

On top is a scratchy blanket, with a polyester sheet beneath. Some internal imperative insists his only hope of safety lies in plunging his bare feet and flannel-clad legs under these covers forthwith, which he does.

The cool sheet feels good, as his feet descend into the depths of the bed...

...only to sink further into something warm and soft and wholly slime-ridden, releasing from the boy a querulous cry of anguish as he feels a sluglike mass begin to dissolve his flesh like an acid, beginning at his toes and oozing—wretchedly, interminably, unhurriedly—upward.

But what the boy feels before the agony is worse—an infinite hopelessness, awful beyond measure, the colour a ceaseless grey moan marching to the most wretched and endless of horizons.

Blind

He woke under a sky that was a puzzlement. No immense swan soared across that black night, no northern sigil of a messianic creed, nor even the great why of Cassiopeia. Orion's flapping sheet had sailed on or, worse, was yet to sail.

He wished for clouds. Ghost-white shoals to make of the night a cataract to blind itself to the strangeness of this antic new void.

On the iron desert pan writhed a manshape of sorts, wreathed in a bloodcaul, seeming to search for purchase in a world without currency. Blind. Uterine. Forsaken. Articulated limbs and joints or things less wonted yet, angular as imperatives, stretched the wet sac in sundry places, and whatever sought its birth here mewled appallingly. 

Nothing had to become, no positing need quicken, even at this late juncture.

He scanned the makeshift ground for a weapon. Finding none he followed the bloodtrails of the blind pups into the hills so as to dispatch them between bootheel and the igneous floor, their sad soft heads compliant under his implacable decree.

Returning he kneeled and bared his teeth to midwife the abomination, a mad satire of a doula a-squat on this cracked unyielding earth.

It fought its way into a lifespan curtailed, its face mostly mouth, its lunar eyes sightless. It was devoid of the skin necessary for the bufferment of the world's pain and it shrieked like an ice age wind howling through a low brake, and even the mountain wolves were dumbfounded into silence.

It climbed unsteady to a semblance of upright, still screaming.

The man stood on the sneering lip of the world, clasped the thing's dripping hand, and together they plummeted toward the dry, rough, upraised palms of an indifferent giant.

*

"… of this popular Southwestern tourist attraction. It seems the man had some kind of psychotic break, causing him to blind and mutilate his wife of thirteen years—the latter in ways we can't describe on television—before completing a murder-suicide the full five hundred feet to the canyon floor. Police continue to search for the tragic couple's two young children. I'm Ramsey Farris and this is WTAF News, Arizona."