Malevolence

Inside the tumbledown tavern, the young man from the north with the black beard sits beside the grey-bearded men like a raven among toothless old wolves. Lanterns gleam weakly. Tobacco and salt and fish mix with the tang of whisky. Quick glances are all they spare him until one of them speaks.

“New to these parts?” He doesn’t look his way.

“Aye,” says the young man.

Then the old fisherman looks for a moment and nods at the scars and scrapes on the younger man’s knuckles.

“See you work with yer hands.” 

“I do at that. Make stubborn things do what they durstn’t.”

The greybeard clears his throat. “Mite isolated out here.”

“I prefer things that way.”

“Mayhap a poet too?”

“I didn’t mean for me.”

A few of them grimace as if they’ve tried to smile but can’t quite.

***

She walks outside as night falls in a cadence to match her heart. The ocean is silent, the Milky Way a scarf of glitter.

He will be home soon, having wooed the locals, laid traps for any thoughts of escape.

Behind the cottage, the early winter fields, dun and featureless under the stars, seem like a place loneliness might go to meet its own ghost and succumb.

Then, as always, his brisk footsteps along the path. Her nails making moon shapes in her palms. The airless, cheerless land without breath.

Someone has robbed even the gulls of their voices.

***

After he hits her the last time, harder than usual and partnered by a flash of savage joy, she waits for his storm to abate then leaves the cottage and walks to the clifftop and watches the slow grey heave of the sea. It looks brutish, forsaken, near dead. She keeps her gaze distant, not on her feet but on the damn-fool horizon, a thin downturned line of woe, so she cannot tell how close she is to the edge. 

Perhaps she will see a mast. Find a brittle message curled in an ancient bottle. Or someone on the rocks below might hail her. Marvels. Phantasms. Delusions.

Her hitching breath louder than the surf, her stymied heart a church bell in a blighted land, pealing unheard.

We will never know if her next step finds land or falls hopeless through tenuous air. All we know is she is there and she is alone and we’ve left this story now. 

__________

Image © Thomas Holmes

Unbounded

She couldn't have been there back then, but my memory insists she was. Hard to believe it was once a happy place, before its paint was scraped and peeled and its planes and angles eroded by storms and salt, like driftwood, like a stunted tree on a dune extending its raw chin boneheadedly seaward. But there were moments. Those shell games, dare games, chill games unique to seashores and lonely children. I still could swear I knew her then.

First, things change. Then people change. Might have gotten that backwards. It doesn't matter.

As a teenager I took to hitchhiking my way around the state. Saw many a strange thing. One late fall I remember being dropped off by a dull, obliging farmer and standing in a fine rain by Third Ditch Road, out by the corn stubble and the unending flat grey world, and thinking, Damn country's so big they ran out of names. 

Something is here, watching me. Something also without name, insouciant and alien as the land itself. Always knew it was there. Couldn't ever fully hide. Couldn't ever stay silent enough or blend enough. Me or it, I mean. I think of it as a hulking insect, an immense bug-thing, lurking amid the pooled ink shadows at the edge of a wood, observing me with unfathomable eyes that never blink.

We had agency once. Things happened, some good, some not so good. Played ball in the street, smoked weed out behind the fire hall, shot raccoons from the trees at twilight. Show me yours and I'll show you mine. Suck me. Fuck you. Absorbed it all; now watch me spit it back out.

The last thing she says to me is this:

"How dare you live life like it matters?"

She has a nice way of talking and an even nicer way of looking. I like how her black hair falls on her shoulders, how her eyes are never the same colour, how a slightly raised eyebrow changes her smile utterly.

The last thing I ever say to her is this:

"They'll be looking for me. But they won't find me."

My legs move like scissors, cutting away the incalculable miles, moving in one eternal straight line toward that place I recall, the one that seems bleached by its own sad history, diluted by sun and tide, rundown by those ceaseless tales of sorrow, and I come to it at last—both of us barely even suffering now—to this quiet, chill place without dreams or tenancy.