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  • Endless Joke
    Endless Joke
    by David Antrobus

    Here's that writers' manual you were reaching and scrambling for. You know the one: filled with juicy writing tidbits and dripping with pop cultural snark and smartassery. Ew. Not an attractive look. But effective. And by the end, you'll either want to kiss me or kill me. With extreme prejudice. Go on. You know you want to.

  • Dissolute Kinship: A 9/11 Road Trip
    Dissolute Kinship: A 9/11 Road Trip
    by David Antrobus

    Please click on the above thumbnail to buy my short, intense nonfiction book featuring 9/11 and trauma. It's less than the price of a cup of coffee... and contains fewer calories. Although, unlike most caffeine boosts, it might make you cry.

  • Music Speaks
    Music Speaks
    by LB Clark

    My story "Solo" appears in this excellent music charity anthology, Music Speaks. It is an odd hybrid of the darkly comic and the eerily apocalyptic... with a musical theme. Aw, rather than me explain it, just read it. Okay, uh, please?

  • First Time Dead 3 (Volume 3)
    First Time Dead 3 (Volume 3)
    by Sybil Wilen, P. J. Ruce, Jeffrey McDonald, John Page, Susan Burdorf, Christina Gavi, David Alexander, Joanna Parypinski, Jack Flynn, Graeme Edwardson, David Antrobus, Jason Bailey, Xavier Axelson

    My story "Unquiet Slumbers" appears in the zombie anthology First Time Dead, Volume 3. It spills blood, gore and genuine tears of sorrow. Anyway, buy this stellar anthology and judge for yourself.

  • Seasons
    Seasons
    by David Antrobus, Edward Lorn, JD Mader, Jo-Anne Teal

    Four stories, four writers, four seasons. Characters broken by life, although not necessarily beaten. Are the seasons reminders of our growth or a glimpse of our slow decay?

  • Indies Unlimited: 2012 Flash Fiction Anthology
    Indies Unlimited: 2012 Flash Fiction Anthology
    Indies Unlimited

    I have two stories in this delightful compendium of every 2012 winner of their Flash Fiction Challenge—one a nasty little horror short, the other an amusing misadventure of Og the caveman, his first appearance.

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Entries in Rihanna (2)

Thursday
Mar312022

All One Song

In this valley, thronged, the crack of ice as bluest shards implode and drop, crystal tails and powder—oh my dreamland castaway lady and lord—trailing. When at last we emerge from this frozen northern twilit place, a dark hut squats in our path, weak smoke tendriling from a busted chimney, the faintest muddy orange dim and low in its pitiful windows playacting muted glances.

Inside is a place of men. Large and bruised men, nursing their watery beers and their cryptic histories.

Bradford finds a small table and we sit opposite, like chess rivals. A man brings us beer in bottles.

“Tab?” he asks like he knows.

We both nod and he leaves.

I point to my head and point with my other finger at another part of my head. “Look at this. Look.”

“What?” Bradford is somewhere between bored and on board.

“I don’t know how to make this part work with this part.”

“Huh?”

“I got an intellectual and a lowlife creep at war in here. I don’t know how to reconcile these parts. I’m a goddamn high-rolling sweet-ass motherfucker with negative aspirations. One foot in the gutter while the other strolls the shining city on the hill. No sooner do I sink a Bud Lite than I dream of Freda Kahlo. I sue for peace while spoiling for a brawl. I don’t know what the fuck I am.”

“You a whole circus without the ringmaster.”

“I guess. And no taste-master either. I got no taste ’cause I want to taste all the tastes.”

“Not sure I can help you with that, brother.”

“Place needs music,” I say loudly, which only makes the barroom quieter.

These hard-drinking men might be men at a stream, casting lines. Steady. Stoic. No one really knows. The night outside might darken or not, the songs of birds stretching out some elongated moment. Might could drop a quarter in the slot and hit a letter and a number, hoping for Neil or Drake or Lana or RiRi.

Men like these don’t compromise—a weakness, not the strength they proclaim. Look. A tree connects the sky to the earth. And it reminds us to also grasp limbs. Put it this way: even the guys who ridicule “tree huggers” still knock on wood, I’ll wager.

A song selects, and y’all know its effect, and its dress rehearsal respect blares external. 

Neil. Old now. Grey. Still shredding those one-note solos. What something was and what it no longer ain’t.

The stymied wolverine wince and ruined caribou rasp of Old Black. A dark northern lament under slow-turning star wheels, the nighttime snow wide-as-fuck open blue under a half moon. Or under the aurora. And yes, as the man said, the old man now, go look at his life, it’s all one song.

He enunciates the word borealis like Elton sings auditorium.

Whatever the grisly outcome tonight, this is all and fine and damn near everything. 

___________________

Image © Rebecca Loranger

Friday
Aug182017

Mediocre, This Uncivil War

The restless dead still wander the sites of old battles. Ironic to this misfit how much they still belong.

The thing squats on the arm of my chair. A sound like veins being knotted, unknotted, gurgles from its abraded throat, a spoiled creek.

"How gentle are you?"

Faraway dead moan their irony. It's a hammock, this world. Where, which places, is it anchored?

"Gentle as I have to be," I answer, and it is a good answer.

Something falls into an abyss and screams, dopplering to silence.

"Enjoy the silence."

How can something in such surly folds of grey make so firm a claim to whiteness when clearly they mean purity? Is anodyne a prize now? 

"Funny. I refuse both silence and joy."

"Then you're a fool. As all your kind have proved."

So be it. It's not wrong. How normal is it to stand in your bathroom, your mouth unhasped, no sound emergent, while your fingers crawl amid the grainy air and the muffled drop of a cat stooping from a chaise longue onto a hardwood floor punctuates some mutant night that dreams of being a sentence? The cat a comma. Your silent scream an ellipsis. Your burlesque fingers quote marks emulating talk.

Is mimicry all we have left? Will this sultry air not move again? Or ever match this hankering? 

The stench of the dying dead fills everything. Help me. Help.

***

And you don't even own a cat.

***

Yearning for a cloudburst.

Apples, blueberries, fresh basil, a pickled human finger, spring water, kidney beans, parmesan, labia minora.

Fungal uncle. Aching aunt. A dozen cousins, and portabella bella, under her umbrella. Ella, ella.

Cumulonimbus. Digital familial. Expertly packed, the things we need today. Riding the subway, a muted rollick under the fungible layers of love and tragedy. A rhythm section somewhat lower than the cacophony.

Wetness. Extra virgin truffles, and the staring, gutted eyes of a slaughtered baby. 

Compare grocery lists?

No. Please, let's not.

***

Cry wolf and loose the battalions of ravens.

Coyote always had two syllables to me. 

This is the West. The terminus. The place the world crawls to when its legs give out. When its heart wears thin. When all thoughts spiral out from certitude, recoil from discipline.

You hold a torch, guttering in the prairie wind, but your endgame, your raw sortie is clear. Nothing is happening in the gathering impasse in the sky; a skirmish of silence and spreading shameface. A pinto gelding sighs and looks askance, partway asleep on its sturdy legs, its long piebald face more sorrowful than genocide.

A hiccup. Something rustles. You cut the flap, ignite the walls, and eviscerate a child.

As you run, the keening starts and flows like some soon-to-be-discovered cloud form, and it follows you, a subdued post-rape scream as you stop to slake from a brittle canteen, the leather cracked and crackling, the lukewarmth of its bowels more jittery horror than quenchment, and it follows you and doesn't ever blink or quit, not even once. Not even in judgment.

***

"Time to wake up, baby boy."

A slow tide sucks itself back over pebbles. A harbour rocks its boats.

"I won't wake up. I won't ever wake up. All this is a lie. You lied to me. Goddamn it, you were supposed to be kind. Whatever happened to kind?"

"I won't ever answer that, my brother."

"You ain't my fucking brother."

***

Wild blueberries and whistler marmots bisect a sheer plane of scree. Fruits of the woman, of the delta. Contours the shade of American ordinance. Blue is the overtopping god above grey, above white. Great banks of snow in mid-August. Tourists braying like burros. This caldera, this cascadia, this hallelujah, shouted from a ruined throat into ink, chorused into unspooling light years of astonishing indifference.