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  • Endless Joke
    Endless Joke
    by David Antrobus

    Here's that writers' manual you were reaching and scrambling for. You know the one: filled with juicy writing tidbits and dripping with pop cultural snark and smartassery. Ew. Not an attractive look. But effective. And by the end, you'll either want to kiss me or kill me. With extreme prejudice. Go on. You know you want to.

  • Dissolute Kinship: A 9/11 Road Trip
    Dissolute Kinship: A 9/11 Road Trip
    by David Antrobus

    Please click on the above thumbnail to buy my short, intense nonfiction book featuring 9/11 and trauma. It's less than the price of a cup of coffee... and contains fewer calories. Although, unlike most caffeine boosts, it might make you cry.

  • Music Speaks
    Music Speaks
    by LB Clark

    My story "Solo" appears in this excellent music charity anthology, Music Speaks. It is an odd hybrid of the darkly comic and the eerily apocalyptic... with a musical theme. Aw, rather than me explain it, just read it. Okay, uh, please?

  • First Time Dead 3 (Volume 3)
    First Time Dead 3 (Volume 3)
    by Sybil Wilen, P. J. Ruce, Jeffrey McDonald, John Page, Susan Burdorf, Christina Gavi, David Alexander, Joanna Parypinski, Jack Flynn, Graeme Edwardson, David Antrobus, Jason Bailey, Xavier Axelson

    My story "Unquiet Slumbers" appears in the zombie anthology First Time Dead, Volume 3. It spills blood, gore and genuine tears of sorrow. Anyway, buy this stellar anthology and judge for yourself.

  • Seasons
    Seasons
    by David Antrobus, Edward Lorn, JD Mader, Jo-Anne Teal

    Four stories, four writers, four seasons. Characters broken by life, although not necessarily beaten. Are the seasons reminders of our growth or a glimpse of our slow decay?

  • Indies Unlimited: 2012 Flash Fiction Anthology
    Indies Unlimited: 2012 Flash Fiction Anthology
    Indies Unlimited

    I have two stories in this delightful compendium of every 2012 winner of their Flash Fiction Challenge—one a nasty little horror short, the other an amusing misadventure of Og the caveman, his first appearance.

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Entries in Sacramento (1)

Friday
Jan122018

Openings

I knew I was going to kill him the moment he walked into my kitchen.

 ***

"Is it weird for you?"

"Is what weird?"

"That your abductor loves you more than anyone else in your life?"

"It isn't so strong. She has Gothenburg Syndrome."

"Ha."

The echo: I stand and face the waterfront and behold the absence of gulls and ponder the silent lapping of tethered boats, until a siren blares like the sudden shout of Satan, and not a single one of us has any inkling what comes next, as we dim with a fallen sun, pay endless respects to the spasming of a planet contemplating its own eradication.

***

It's a castle. The whole place is a castle. Music blares from speakers strung along its ramparts. "Lullaby," by Low. Turn it up. Place the speakers strategically. Untangle the fallout harmonies, adopt a male stance to blare, take a neutral line, assume a female posture to hear. The way of a world, probably our world, but not of all worlds.

I fell apart in Sacramento. Victim of those shibboleths. If my mercy overwhelms my wrath, this brass, your American face is bleeding, your underbite ascribed, your downturned mouth some emblem of your endless loss. Make the call quickly, and choose northward.

He walked into my kitchen. We were reduced. Me, my sister, my two brothers, and a cousin. They were sleeping. Here was I. There was he, and my eyes slid left to avoid seeing something appalling.

***

Want to meet love halfway? Simple. Add "my huckleberry friend" to everything you say. You will be inconsolable.

***

Across from us, wan dishrags of cloud drag across the tops of the dense conifers; ahead of us the road.

Oh god, that road. Oh god, that road. An unspooling charcoal ribbon curling between our splayed legs and the endless banks of trees.

***

An arrow into an abyss. It's hectic, corrosive, you pull into a federal monument.

Ten islands, four pumps each. Forty gasoline teats awaiting our unquenchable thirst. Outside just desert, a monotone of beige and fawn, of sands and scrub. This is where the action's at: microwaved hoagies and bitter scalding coffee.

Remember Scandella? The investigator? You thought of him as a good man, some kinda sleuth. And maybe that's right. But did it occur to you he mighta bin a she? Private dick, my irreverent ass.

Hunkered down, we hunch our impudent shoulders, lower our frozen gaze. The winds howl and whistle, keep on howling and whistling, and a fleet of corvids raids the back side of the ridge, dive-bombs this place, mocks this shelter, and we laugh, somehow vindicated.

***

Squeeze your eyes tight and let the tears fall; we can all see the humanity wrung from your dried apple face.

***

We fell through the long slow cracks. Made our way to minimum security. 

Carnock told us an ice storm was coming, so that night we took our chance during the first outage. 

A lurking, sporadic gale, teasing the world with sly offers of sanctuary. There's this moment when we both think we're free. Under scudding clouds of burnt umber traversing an orange night, a full quarter of the sky to the east flares sudden electric blue. Once. Twice. Transformers blown. Again. Four times. Her and me, we grab each other's hands as if the violence of the night might sunder us. Gaze at the antic incendiary sky. Then jack a Dodge pickup already warmed and readied by its hapless owner.

The roads are the shameful aftermath of genocidal lumber wars: miles of scattered limbs and even entire torsos of cedar and hemlock, fir and spruce, death-gripped by the cold embrace of their mutual hissing antagonist: the freezing rain. It paints you over many hours in layers of ice until its cumulate weight takes you down. All around, limbs groan and fracture, detonating, falling muffled and unmourned. Power line viscera curled every which way. We pick our careful course between these hazards, see orange lights in all directions flashing road closure warnings. Orange until they're suddenly red and blue and there's no escaping any of this. No way out. Now that's some rich and lavish fucking irony, right there.

***

Don't pay me any mind. No, wait. Blame my sorry ass for everything. You will anyway.