Search
Browse
  • Endless Joke
    Endless Joke
    by David Antrobus

    Here's that writers' manual you were reaching and scrambling for. You know the one: filled with juicy writing tidbits and dripping with pop cultural snark and smartassery. Ew. Not an attractive look. But effective. And by the end, you'll either want to kiss me or kill me. With extreme prejudice. Go on. You know you want to.

  • Dissolute Kinship: A 9/11 Road Trip
    Dissolute Kinship: A 9/11 Road Trip
    by David Antrobus

    Please click on the above thumbnail to buy my short, intense nonfiction book featuring 9/11 and trauma. It's less than the price of a cup of coffee... and contains fewer calories. Although, unlike most caffeine boosts, it might make you cry.

  • Music Speaks
    Music Speaks
    by LB Clark

    My story "Solo" appears in this excellent music charity anthology, Music Speaks. It is an odd hybrid of the darkly comic and the eerily apocalyptic... with a musical theme. Aw, rather than me explain it, just read it. Okay, uh, please?

  • First Time Dead 3 (Volume 3)
    First Time Dead 3 (Volume 3)
    by Sybil Wilen, P. J. Ruce, Jeffrey McDonald, John Page, Susan Burdorf, Christina Gavi, David Alexander, Joanna Parypinski, Jack Flynn, Graeme Edwardson, David Antrobus, Jason Bailey, Xavier Axelson

    My story "Unquiet Slumbers" appears in the zombie anthology First Time Dead, Volume 3. It spills blood, gore and genuine tears of sorrow. Anyway, buy this stellar anthology and judge for yourself.

  • Seasons
    Seasons
    by David Antrobus, Edward Lorn, JD Mader, Jo-Anne Teal

    Four stories, four writers, four seasons. Characters broken by life, although not necessarily beaten. Are the seasons reminders of our growth or a glimpse of our slow decay?

  • Indies Unlimited: 2012 Flash Fiction Anthology
    Indies Unlimited: 2012 Flash Fiction Anthology
    Indies Unlimited

    I have two stories in this delightful compendium of every 2012 winner of their Flash Fiction Challenge—one a nasty little horror short, the other an amusing misadventure of Og the caveman, his first appearance.

Networked Blogs

 

 

Tweets
Places I Hang Out
Blog Archive

Entries in short fiction (52)

Tuesday
Dec312013

No One Ever

After the party, we all go down by the shivering river. 

Winter, cold, but nowhere ice. Kirsten laughs at the richly carved salmon sculptures curled all perfect for the tourists, while live herring gulls circle overhead, warm someplace within their torpedo torsos, and occasionally screaming. Ornery as fuck.  

Rafe, one acquisitive eye on the tawdry sub-stripmall liquidation warehouse bargain world outlet stores, at last says this: "Let's go. Find something good. Could we?" 

And Lucinda knows she gotta head back south soon enough, cross the stupid dumbfuck border before it gets even stupider with dumbfuck holiday traffic, beat the cheap gasoline and dairy hound dogs, the Costco bandits, Walmart outlaws and Bellis Fair pillagers, and make time and peace with the toothy, chummy, American dumbfuck country mouse. (Here I might point out the green, mostly submerged and peeling boat, not so much offshore as offbank, but there have been many observations throughout our history every bit as profound yet equally and utterly ignored.)

An anticlimax, then.

The real cruelty of life is this, a gathering of negatives: We stumble on the only soul who makes us want to do nothing but sing, only to find that their song is not ours, and never will be.

After which the rains come. And boy, do they come. Gets so the local critters all abandon this place, leave their possible return to fate and the glimmering stars. Bridges, backroads washed out. Nowhere left to ford, all ravelled up in muffled acreages and submerged indeterminacies.

I probably loved Kirsten the most, who always laughed and never succumbed until the very end. She revered things with such lively aplomb. The quiet reserve, the crow score, the chicken-scratch bordello throat-song.

"You'll never follow me all the way," she taunts. And she's right. I went on some tangent, sparking off of the mainstream, reading from some profane backwoods gospel, gleaning banjo pickings in scree-fanned draws, collecting possums and coons a-plenty and hurling them half-assed and wild, aimed mainly potwise, learning their death scents too. Like I learnt her sex scent all along. Her sex scent. Near makes me pause it does.

While Rafe laughs his cynic laugh. Not because he's a cynic but more 'cause he lost all belief in being anything beyond or aside from someone won't do nothin' all that good or ere that bad. Settled for things. Best equipped to hang from the fugitive's neck and chant the death knell requiem. Which may as well be a cynic, I guess, oh lord so jaded and lost.

But Lucinda. The real Lucinda. She will return. Again and again, tires crunching cheap motel parking lot gravel, her serious face levelled athwart a serious plane. She will sit alone, her cold, hard nipples gathered like fat, dry raisins, her elbows jutting chickenwise, her lorn, gone cuntwarmth terrible in its loss and desirous in its recall, she unable to feel her twitching nose or pursing lips, her arid breath a spectre so lonely it makes loneliness itself seem near gravid with joy.

"Love is what I felt back there, and love is where I'm headed," she says, a chastened banshee, heart defiant while eyes downcast.

Rafe sneers. Sucks on what's left of his teeth.

"What the fuck you got to sneer about?" I ask, the first thing I ever said in this furious, chaotic world that ever mattered.

No one ever answers. No one ever. I think about crying and realize I got no tears, and everything moves relentlessly on, even if the world itself stops. Especially then.

___________________________

Not even sure why or how, but this post by my awesome friend Dan Mader somehow birthed this piece. Oh, and Faulkner.

Saturday
Dec072013

The Crow Highway

Thanks again to Dan Mader and his Friday flash fiction challenges. Here is the latest two minutes-worth of strangeness to be dredged from the dank recesses, in which Ted Hughes meets Iain Banks, maybe? Along with something far less savoury.

Exercises like these force you to not think about your writing, to allow the words to emerge largely unedited and unfiltered, stream-of-consciousness style, which makes them interesting on a psychological and a literary level. Not sure what they reveal. Not sure I want to know. Although I suspect Crow knows.

I live on the crow highway. We all do. Crow wants us to bleed. Crow wants us to smile and reveal rotten teeth. Crow himself smiles as he hears us moan in our sleep. As children are beaten. As wives are punched. Crow doesn't smile because any of this makes him happy. No, crow smiles because he knows all things find resolution somewhere along the loop and that a predatory beak stab here will become the tugged, torn earthworm there, and that the once-assailed will be the assailant, somewhere along the crow highway.

Wednesday
May012013

Seasons Now Published

If there were such a thing as a Writer Genie, I'd only have one wish to ask of it: please make me more prolific. Actually, that's not true. Since childhood, I've urged every character in every tale to ever feature the standard three wishes to simply ask for an infinite number of wishes, but to no avail. Why doesn't anyone ever think of that?

Ha. But anyway, where was I? Oh right. Prolific. You've heard the phrase "verbal diarrhea," right? Well, I suffer from the polar opposite. Consonantal constipation. In short, I need a lexicographic laxative.

But today, thanks to the efforts of some fine colleagues, I and those very same compadres have (to mercifully change the metaphor) added a few more blocks of ice to the glacially expanding edifice of our written output. The story behind Seasons is as serendipitous as the stories within Seasons, if that makes sense. At some point last September, a story about a troubled young woman wrestling with self-destructive impulses appeared to me almost unbidden. No doubt it emerged from a subconscious filled with the real life horror stories of young people who are so often dealt a cruel and arbitrary hand before they're even born. "Summer Long" is a difficult character study, dark and anxious and fearful. But I think it said what I'd needed to say. Then a chance exchange in the comments section (you can read how it all unfolded here) resulted in a chain reaction in which Edward Lorn, JD Mader and Jo-Anne Teal each began to add a new, related story, a season at a time, until we ended up with this delicately balanced quartet of tales poised between oblivion and redemption.

And now, you can buy the collected stories for an insanely low price, and better yet, know that 100 percent of the royalties will go to the National Suicide Prevention Lifeline. Yeah, the four of us won't see a single penny. (Which is good, as half the authors here are Canadian and pennies are now outlawed in Canada. It's true.)

Sunday
Sep162012

Summer Long

Summer decided that summer had gone on far too long.

The kids were back in school, the university halls packed with the heady pheromones of possibility. Labour Day already a waning memory. Yet someone had forgotten to inform the actual seasons. Achingly blue skies still dominated, the city's abandoned splash parks and outdoor pools turquoise daubs of melancholia beneath the bright gold of an endless late summer.

Unlike the season, however, Summer—for her part—did not intend to overstay her welcome. This had been a summer that only reinforced her belief that such a stark world was not, nor ever had been, designed for one so fragile as she. The name bestowed upon her at birth by a sympathetic nurse now doubled as an ironic millstone around her metaphorical throat. A cosmic joke.

As befits someone abandoned as a newborn in an alleyway somewhere between Chinatown and the Downtown Eastside, her story had followed a sadly predictable script. Foster care and group homes. Occasional violations from clammy fingers. Or foreign objects. Alternate schools, petty crime, counseling, addiction, an adolescent eating disorder surprisingly conquered in adulthood, a rare and welcome rainbow in otherwise stormy skies. Summer's twenties were a grey blur between polarities. She was still only twenty-seven, although she felt seventy-two.

Nothing had worked. Friends—all gone, via indifference or betrayal. Boys—pretty much the same script. Losing herself in drugs, booze, loveless sex. Sometimes cleaning up. Transplanting her various addictions onto the narcissistic rows of ellipticals and stationary bicycles, smeared wall-length mirrors as tawdry witnesses. First World problems. Trapping her nonetheless. McJobs, unemployment, McJobs. Leaving any one of these dull shifts, she would walk the evening streets toward her bleak one-bedroom apartment and wonder how many others felt this same emptiness tinged with horror at an approaching future that apparently bore only more heartbreak. How many other heads contained nothing but one vast, endless scream.

Now, she sat on a bench on the waterfront, overlooking the deep blue inlet and the north shore mountains. Sapphire and teal, azure and jade. This wasn't her turf, never would be; this was a pretty land of wealth and poise, of audacious cocktails on sunset balconies, of condos, candelabras and Cadillacs. Wheeling overhead, a gull laughed harshly, as if in agreement. There were days when she didn't see the beauty. Couldn't, even. Or saw it, yet didn't absorb it. She tried now. The dog walkers, the cyclists, the tourists, the floatplanes gunning their takeoff roars, the cruise ships and barges slicing the sparkling waters, the container ships massive and rusted silent in the deeper waters, watching. The slick, wet terrier heads of harbour seals, bobbing like buoys. Surface-skimming cormorants. An SUV behind her, blasting hip-hop beats, or dubstep. Nothing. She felt nothing. Except a trickle of sweat down her side, an ineffable sadness like a lodestone in her heart.

"So unhappy." A voice, approaching her. She started. And saw a man, a plain man with rodent-brown hair, possibly in his mid-30s. Uninvited, he sat beside her.

"I'm fine." She shifted away from him.

"If you are fine, then I too am fine, sister."

To which there was no sensible reply, so she sat Centurion-straight and stared out at the waters, counted sailboat masts in an effort to slow the odd sense of panic fluttering in her chest.

At length, he spoke again, his voice marble cool.

"A beautiful day. This city..." A sigh and a shake of his head, sensed more than seen. She kept her eyes on the inlet. "Later today, I'm going to jump from the bridge to my death."

Automatically, her gaze shifted beyond the dark conifers and gathered bulk of the park to the evergreen suspension bridge that connected the latter's steaming mass to the north shore. She felt her heart draw itself tighter. Then she looked back at him. His pale face was that of a mime, no sign of mischief, mockery, or pain.

"I don't know why you'd say such a thing, but I'm in no mood to hear it. You want me to feel sorry for you, is that it?"

"Not at all. I want you to mark my passing. See me go over the edge. Not in the literal sense, necessarily. But there is no one else, and you look like someone who knows."

"Knows?"

"This feeling. It's both numb and heavy, freezes the love right out of you while weighing your insides down. You know what brings us here. Like lemmings."

"There is no us." Her own face a mask. To hide the jackhammer of her heartbeat. Summer could feel more sweat trickle down her sides, wondered if it showed on the forget-me-not blue of her dress. For a second, she cared about that, didn't want to be seen so pitiably human. Her resolve made of her frame a mannequin; no stranger would rob her of that adopted insouciance, however forced its genesis.

"I disagree."

"Look. I don't know you. I don't care if you agree or disagree. I was sitting here alone and I'd appreciate it if you would leave me that way. We all have our crosses to bear. Mine's heavy enough, I can't carry yours as well…" She bit her tongue. Already she had said more than she'd meant to.

"Ah. I knew it. As I said: so unhappy. Misery has an instinct for its wounded kinfolk."

Instead of eliciting a screaming, as she'd intended to do, something in his words touched her. A certain dark poetry. She felt her obduracy dissolve.

"Why are you jumping?" she asked, quietly.

"I can't answer that, but probably similar reasons to why you also intend to bow out, wouldn't you agree?"

"I don't know." Her head dropped. She felt the acid heat of uncried tears. Heard the distant howling of eternity, as it prepared to rush toward them, heard the world creak on some cosmic fulcrum. Sensed that if she gave in to the deep sob, a vast, trapped bubble yearning for the ocean's surface, she might avoid some fate she'd hitherto seen as fixed, unavoidable. She let them come, the tears, the hiccuping sobs, the deep-sea bubble, a ravaged young woman in a powder blue dress jackknifed by grief on a public bench beside a quiet stranger. She let them pass through her; the images, the sounds, the smells, of betrayal and cruelty. A face misshapen by rage. Calling her a cunt, a thundercunt. Inserting something into her. Hurting. Hot breath stinking of onion, sour mustard and oatmeal stout. Another face, mismatched eyes, laughing cruelly. Indignities. Mockery. More names: savage, bitter, merciless words... Might as well have been aborted, sucked out of her whore mother dripping pink-red ropy gouts in that same rain-drenched alley. Oh, there's more, always more. In a way, she had been aborted. First the rending pain, then the dull, hollow loneliness of it all.

He sat and waited. For the summer squall to abate. Which it did, and almost always does: tempest to gale to breeze to stillness.

"So, how were you going to do it? Fill your pockets with rocks and walk into the water? The Virginia Woolf method?"

"I have no idea who Virginia Woolf is. And no."

He stood, suddenly. As if he were a lockpicker and pins and tumblers had shifted and clicked into place. A look of stubborn surprise spread across his face, and he blinked.

"You know, now feels like a good time. Though I got a bit of a walk ahead of me. Will you walk with me, even for part of it?"

She looked at him. At his eyes. They were eroded to blanks by whatever unasked-for pain had been his burden. But she was no lemming. The camaraderie of annihilation was not for her. She would ache for this nameless man when she heard the news reports of a jumper on the bridge, but she would not throw in her lot with him, hitch her fate to his.

And he saw it. For a second, she saw the blankness in his eyes melted to pure pain, the realisation of his utter aloneness descending once more, as it no doubt had done when he'd made this call in the still, small hours, or whenever that awful moment had arrived in which his tenuous ties with life had finally come undone. He winced, paled further.

And she stepped forward and hugged him. It was all she could do. Held him as he sagged against her. Her route through the tangled undergrowth was not to be his. No two of us are alike, it seems.

When they parted, set out in opposite directions, one toward loud car stereos, dog shit, bar fights, perimenopause, film, sinks full of dishes, sleepless nights, music, abandon, spiritual inquiry, aching tender love, g-spot orgasms and sporadic health concerns—life, in other words—the other toward quiet, irreversible oblivion, something made Summer stop and turn and say:

"Oh, right. Yeah. I was gonna grab a 40-pounder of vodka, go home to a drawerful of Xanax, make a low-class cocktail of sorts and watch the sunset. Worked for Whitney, apparently. Although she was high class, I guess, but still..."

And with that and the most rueful of smiles, she turned and walked away.

Summer had lasted too long. But it was a false thing, really; however cunningly it faked it, there was no hiding the steady, earlier encroachment of darkness each and every day, a slow imperative. Either way, she would set out now into its still-warm, sticky glare and wait to see if fall, in its acceptance of that darkness, would yet prove a more bearable season.

*     *     *     *     *

Ed Lorn has written an excellent response to this piece on his blog, Ruminating On. Anyone wanna tackle winter? ;)

Update, 18 September, 2012: JD Mader stepped up to the plate for the winter segment and the ball is still somewhere in the stratosphere collecting ice. This has turned into a fantastic exercise, a new Four Seasons for the 21st Century. Who needs Vivaldi? Okay, that was stupid. But this is very cool.

Final update: Jo-Anne Teal rounded this whole thing off beautifully. Thanks, all, what a fantastic exercise.

Wednesday
Jun272012

Close

As unclear dreams go, we gassed up a few miles back and are now pulling into town. Town. An untidy strew of decrepit and peeling clapboard buildings. Okay, a town. After paying for a room – off-white décor, sticky carpet – I step out behind M. into the main street.

“Wonder where’s the best place to eat.”

“May only be one place,” says M.

We gaze vaguely eastward over a sunburned field, absorbing the clear blue brilliance.

Without warning, the unthinkable. A thick column climbs like a tumorous limb above the horizon – squirming, turbulent reds, charcoals, yellows, deep infected orange – blooms impossibly high in the deep blue, before flattening itself like a roiling brain atop a crippled spine, an utterly broken thing.

“I guess it doesn’t matter now,” I say, my heart liquefying when I see M.’s haunted hopeless face. People are crying and someone retches in the street. I step forward and hold M.

“Where is that?”

“Uh-uh, I’m not even sure where we are. New York City, maybe? DC?”

“We’d better get inside.”

In the room, we search for shelter, for something solid, but the furniture is rickety. Even the sagging doorframes seem unworthy. Faithlessly, we force shut windows that barely fit in their frames.

Then we hear it.

An aberrant rumble swelling around the hint of a ruinous howl. Distant yet closing. We stand senseless, embracing. Awaiting the end (the end), an eventuality we couldn’t have remotely considered earlier that day, adrift yet untroubled on warm ribbons of Midwestern highway.

An already hot day grows hotter. The rumble soon a catastrophe, assaulting the ramshackle structure in a storm of screaming heat. A violent, bewitched twilight come early, wholly uninvited. We stand for a long time, clasped in that shuddering embrace, amid hot unholy gales, me feeling the most bewildering blend of pure love and abject sorrow I’ve ever felt, or will likely ever feel again.

Blessed mercy, it passes. I’ve no idea how long we remain there, shocked immobile, waiting for our stampeding hearts to return to us. Outside, fiery buildings crackle and dance. Thick coiling ropes of ash trail in the wake not only of gusts of wind but behind the gathering numbers of fleeing people; these latter gape-faced, blankly intent on outrunning the hurt in the air. The sound of cars being started and revved, of doors slamming. A few individuals are trying to direct these instant refugees, gesturing solemn at intersections, as if civic order were suddenly vital… albeit futile – with a lone artery feeding the Interstate, and an entire town attempting to simultaneously mainline, everything gridlocks.

In the motel, we tie cursory bandannas over our mouths – too numb yet for regret, but oh so lonely – and sit watching thwarted drivers scowl against the backdrop of a smoking town beneath the preternatural murk of a heartrending sky.

One of us, not sure which, says: “When it’s our turn to head back west, at least we’ll have a full tank of gas.”

*     *     *     *     *

A version of this story appeared on BlergPop on May 21, 2012. also writes for Indies Unlimited and BlergPop. Be sure to check out his work there if you like what you read here.