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  • Endless Joke
    Endless Joke
    by David Antrobus

    Here's that writers' manual you were reaching and scrambling for. You know the one: filled with juicy writing tidbits and dripping with pop cultural snark and smartassery. Ew. Not an attractive look. But effective. And by the end, you'll either want to kiss me or kill me. With extreme prejudice. Go on. You know you want to.

  • Dissolute Kinship: A 9/11 Road Trip
    Dissolute Kinship: A 9/11 Road Trip
    by David Antrobus

    Please click on the above thumbnail to buy my short, intense nonfiction book featuring 9/11 and trauma. It's less than the price of a cup of coffee... and contains fewer calories. Although, unlike most caffeine boosts, it might make you cry.

  • Music Speaks
    Music Speaks
    by LB Clark

    My story "Solo" appears in this excellent music charity anthology, Music Speaks. It is an odd hybrid of the darkly comic and the eerily apocalyptic... with a musical theme. Aw, rather than me explain it, just read it. Okay, uh, please?

  • First Time Dead 3 (Volume 3)
    First Time Dead 3 (Volume 3)
    by Sybil Wilen, P. J. Ruce, Jeffrey McDonald, John Page, Susan Burdorf, Christina Gavi, David Alexander, Joanna Parypinski, Jack Flynn, Graeme Edwardson, David Antrobus, Jason Bailey, Xavier Axelson

    My story "Unquiet Slumbers" appears in the zombie anthology First Time Dead, Volume 3. It spills blood, gore and genuine tears of sorrow. Anyway, buy this stellar anthology and judge for yourself.

  • Seasons
    Seasons
    by David Antrobus, Edward Lorn, JD Mader, Jo-Anne Teal

    Four stories, four writers, four seasons. Characters broken by life, although not necessarily beaten. Are the seasons reminders of our growth or a glimpse of our slow decay?

  • Indies Unlimited: 2012 Flash Fiction Anthology
    Indies Unlimited: 2012 Flash Fiction Anthology
    Indies Unlimited

    I have two stories in this delightful compendium of every 2012 winner of their Flash Fiction Challenge—one a nasty little horror short, the other an amusing misadventure of Og the caveman, his first appearance.

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Entries in Western (2)

Friday
Nov182016

Red

"She is up there," they tell us. "Up in them hills." 

They file on past, eyes averted, some making religious gestures, clasping tokens, intoning auguries, chanting maledictions, the superstitious fools. 

A red-tailed hawk catches a thermal and whistles a falling oath, while rising. Pretends to give a shit.

We set to climbing the red hills, breathing the sun's furnace and its diffuse issue from the world's parched surface, the sounds of the ferrous rocks we dislodge like a pool hall absent the cool and the echo. Same essential hush, though this one's hot, flat, and indifferent.

Guess we're all behind the eight ball now.

 

What do we expect to find? The polished bone of a cue ball? A shiny solid red?

I question my own damn self halfway to hell and back on that trek up the steep incline, with its loose rusted shrapnel like someone blew up some great adobe hut, with its tufts of vegetation too hardscrabble to ever be thought of as food by any living critter worth its salt. Like ancient green leather stuffed between the shattered brick-rubble lots of war-torn Europe.

What do I expect to find?

Likely nothing comforting. All I know is she's bad news on legs, and I'm weary, and not much good will come of any of this. And that's the optimist part of me.

Some bar in Tuscaloosa or maybe even Memphis, a drunk plain ran out of patience with my jaundiced talk, squinted at me and asked, "What's the difference 'tween ignorance and apathy?" I shrugged, and he answered his own self. "Don't know and I don't care." Only damn words he didn't slur all night. Truth is, I wanted to laugh, but I felt more like crying. So I did the next best thing and ordered another shot of bourbon. Better that than ripping out his throat.

I'm tired, tired like the damned. Been walking trails and riding rails and stealing horses a half century or more. By horses I mean four legs or four wheels, it don't really matter; hot-wire or hackamore, it's all the same. Part of me hopes I won't ever come back down from these hills.

But we're pilgrims of sorts, and this is what pilgrims do; we keep on moving even in a headwind of doubt, push onward so's we can find some succor in an artifact, grab ahold of a ragged sleeve or a loose page caught in a dry storm, hungry for its message, and if it ain't got no message we'll write our own, because there's plenty that's worse than death and one of them is the fear that all this has no meaning, which the red-tailed hawk knows, and the coyote knows, and the raven knows, and the red hills know, and I only partly suspect, despite all the scribbling I ever done in a score of ledgers I since burned for warmth.

I'm the first that gets here. She stands, inside a horseshoe of striated rock like the rough hull of a dugout, naked as the first day of man, or woman, her bright auburn hair like the radiated halo of a Celtic saint, like hair can shriek, like the lunatic prophets were right, her body in an X pose, impaled and glorious on a stake, skeins of watery blood spilling from the many wounds in her torn scalp, a crimson Tigris and Euphrates over her shoulders and breasts, down over her clenched midriff, merging like a bloodtide with the dry, sandy delta of her sex, congealing there in slow, pendulous drips. 

A twisted umbilicus hangs from that arcane gap and I shut down all thought, pledge not to wonder what such an organ might have been appended to, and where such a thing might now draw breath.

Before the others arrive, she looks at me and whispers, "They took it all, my love. They took everything." 

Friday
Dec052014

The Draw

We got caught in a dry draw, night falling fast in the small valley at our backs. A ragtag bunch of fugitive daughters and sons and their long shadows, befouled refugees alongside the mockery of refugees.

Where a creek once flowed, some vegetation followed, scabrous and mean, this dry gulch a seam scrawled by a child holding two antitheses of green pencil. To our left, looking skyward, a narrow fan of grey scree, a trod-upon bridal veil.

"We oughta head for higher ground." Lucas had already begun scrambling the talus slope, heavy pack be damned. The dry spray of stones behind his boots was the sound of agitated bones, a charnel house desecration.

I saw if we went further we could still climb, more gradual, mind, and then loop back around, come out in the same damn place, so that's the way I went. Three of our group went the same way, two others clambering after Luke. As we made our own slower course, rejoining our party in time, we heard the others excitable in the hushed gloom.

"We found ourselves a cave!"

Was indeed a darker smudge on a short cliff face, reminiscent of a cavemouth. We seen it before we reached it. Then we reached it.

Before, we'd come up through what was once fruitful pasture, irrigated by man in defiance of an arid climate, now returned to truculent desert itself: cacti, sagebrush, greasewood.

Never could we figure out what happened, fully.

Whatever it was had done for the honeybees and for most of the butterflies, whether through the air or by way of the water, some subliminal thing or a hot toxin, a mite before the unspooling of men's minds. Most went utterly mad. Madder even than usual on this misbegotten earth. Could be some had wandered in pointless circles and fell forward, bashing their loved ones with cast iron pots or digging tools, over and over, while those had bashed right on back till all were crimson pulp on the thirsty ground and no one soul now stood anticipatory. Except us few, our own exemption a puzzlement even to us.

"That ain't no cave. It's a long abandoned mine. Silver or nickel I'm surmising." Luke was already peering into its impossible blind depths.

"What if something got here afore us?" Colette was beside him, also squinting.

I looked around the entrance in light that had near emptied from the world and saw no scat or leavings, human or otherwise.

"Think we're good," I said.

I ran my hands over the rock inside the black maw of the mine and felt the striations and boltholes where posts and beams once gave spurious comfort to the subterraneans inside. Made my nerves dance like heat lightning and my mouth parched as the desert we'd done walked, but with crazies down there roaming all ways to hell and back we hadn't been able to light fires too often, and maybe we could have ourselves a pot of coffee a ways inside the tunnel. Searing hot as the days got, nights could freeze your bone marrow; even a small fire might lift our spirits.

We all seemed to reach a similar opinion without needing words, because everyone up and moved as one inside the darkness, and a couple of us still had batteries back then, so our way was preceded by two dim swordplay beams.

Which was how we first discovered the mutants.