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  • Endless Joke
    Endless Joke
    by David Antrobus

    Here's that writers' manual you were reaching and scrambling for. You know the one: filled with juicy writing tidbits and dripping with pop cultural snark and smartassery. Ew. Not an attractive look. But effective. And by the end, you'll either want to kiss me or kill me. With extreme prejudice. Go on. You know you want to.

  • Dissolute Kinship: A 9/11 Road Trip
    Dissolute Kinship: A 9/11 Road Trip
    by David Antrobus

    Please click on the above thumbnail to buy my short, intense nonfiction book featuring 9/11 and trauma. It's less than the price of a cup of coffee... and contains fewer calories. Although, unlike most caffeine boosts, it might make you cry.

  • Music Speaks
    Music Speaks
    by LB Clark

    My story "Solo" appears in this excellent music charity anthology, Music Speaks. It is an odd hybrid of the darkly comic and the eerily apocalyptic... with a musical theme. Aw, rather than me explain it, just read it. Okay, uh, please?

  • First Time Dead 3 (Volume 3)
    First Time Dead 3 (Volume 3)
    by Sybil Wilen, P. J. Ruce, Jeffrey McDonald, John Page, Susan Burdorf, Christina Gavi, David Alexander, Joanna Parypinski, Jack Flynn, Graeme Edwardson, David Antrobus, Jason Bailey, Xavier Axelson

    My story "Unquiet Slumbers" appears in the zombie anthology First Time Dead, Volume 3. It spills blood, gore and genuine tears of sorrow. Anyway, buy this stellar anthology and judge for yourself.

  • Seasons
    Seasons
    by David Antrobus, Edward Lorn, JD Mader, Jo-Anne Teal

    Four stories, four writers, four seasons. Characters broken by life, although not necessarily beaten. Are the seasons reminders of our growth or a glimpse of our slow decay?

  • Indies Unlimited: 2012 Flash Fiction Anthology
    Indies Unlimited: 2012 Flash Fiction Anthology
    Indies Unlimited

    I have two stories in this delightful compendium of every 2012 winner of their Flash Fiction Challenge—one a nasty little horror short, the other an amusing misadventure of Og the caveman, his first appearance.

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Entries in Okanagan (1)

Friday
Jul072017

Boundary Bay

© Monica LunnThey came to our virgin thresholds and asked for our longest songs.

Some grim radar. An impertinent sonar.

Cephalopods.

Those songs we sang for them, relayed them for days, weeks, even months, the dwindling howl of a coda falling silent on upturned cedar. Dank, weary branches like bony old limbs. Notes like heavy snowflakes, the banshee shriek of the wind up in the narrow draw, silencing the very owls to grey.

Agonal gasps. A moist clutch of arms. First we gave them our extravagant minimum.

What were they? Aliens? Well, yes, but that says so very little. With which face should we meet the encroaching distance, which forgotten facet?

Rapid City. Deadwood. Devils Tower. The Black Hills quivering, purple, epochal, sacred with need. Unearthly as plasma spit from a star.

Dream westward. Spearfish. Sheridan. Missoula. Coeur d'Alene. Spokane. Fremont. Deception Pass. Ninety ways to Boundary Bay. 

You came home tonight, via the food bank, buzzed our door and I let you in. A train strums the night air in power chords. A hog revs on State Street like Satan's ruined trachea. The neon signs burn without mercy. You brought Campbell's soup and noodles and mushrooms and celery. Couple fresh spices. From this, we will conjure a feast in defiance, and while one of us plays culinary virtuoso, the other will walk a block to the Grocery Outlet and buy two bottles of wine, a malbec and a syrah, for relative pennies, and we will eat and drink like covetous gods, then turn our salivary hankering to each other's indigent need. Our thirsty skin. 

Okanagan. Plastic corona Penticton forecourt. Intersection highway desert fall fruit stands. Summerland. Peachland. Don't sneer; they're real. Burned on your shifty retinas. Harshness muted by conifers. Heat like a wall when you exit your car. Late-evening thunder in the hills like rumoured war. The shout of stars. The damp smell of dust in the dawn. The utter absence of any breeze. A patch of grass between your motel and the strip of sand by the lake. A toddler playing ball. Your child. You throw him the ball and his arms jut, fingers spread, and he laughs into the sky. You throw her the ball and her arms jut, fingers spread, and she laughs into the sky.

Even the living have ghosts. Sequential traces. Semblances.

Fairhaven. There are ghosts in the rust on the corrugated sidings of what I silently call the cannery, after Steinbeck. Rust-coloured ghosts of dust-covered trails and railroad tracks. Quick, when does the Amtrak come through? Let's watch it from the bridge, see it stir up the afternoon wraiths, send more dust and creosote to coat the dark berries where lovers saunter and graze. Let's take the boardwalk over sculptures and starfish. Swallow blackberries of sorrow over grapes of wrath. Someone draped a shawl over the evening, dimmed the reflected lights, the piers of industry reaching forlorn into the bay. Inviolate night haunted by the blush of its own unlovely face.

You have pledged all your nonsense and I will honour it. Speak to it.

"I was left behind," I begin.

"Yes, indeed. It wasn't anyone's intention, but you were hurt, it's true."

"Not just hurt, but hurt."

"Butthurt. I can't deny it." You smile.

"Funny. When you walked into my store, I thought it was a beginning. You were dressed in muted greens and reds, and they seemed so right."

You look waylaid. Your words are a whisper. "I'm sorry. I never intended anything else."

"Anything else?"

"Anything other than what it was."

"Which is?"

"Now? A pure clusterfuck." You show me your sweating palms, a saint with stigmata.

"What the hell did you want then?"

"All the love. All the good things."

"Did you capture anything at all?"

"Photographs. Hundreds of them."

"Tell me your favourite?"

"The beach ball in the grass with the blurry palm tree background and the heartbroken sky."

"You know about that? I should let you go now."

"Why? What? Seriously?"

"You know. You fucking know."

"…"

A concussion ricochets across the distant ridge, clay pigeons, the shattered rock itself a percussion section. We can make of chaos sheer rhythm if we're so inclined. Strata. Stratum. Sessions. Casual permissions. And you will listen. And dance. Even in a last apocalypse. Even within the fission hiss and searing echo of all our abandoned superannuated missions. Even then.