Trader Joe's at the World's End

This dirty little town. I’m here but I’m thinking of someplace else.

You laughed when you heard my hoarded tunes, at Mayhem and T-Swift, Morricone and Fairport and Eric B. and Rakim. I never got the joke, though now I have an inkling: you thought I was being showily eclectic and I just thought I was loving music. How right you were when you called me naïve.

I saw the last shadow of you disappear on the blasted concrete of the Bellwether, by the fractal Pleiades diamonds of the glittering bay, a pitiless sun lasering all and everything. You were humming a Kate Bush song, which trailed in your wake like a muted rainbow, and I remembered at that moment how your fingers often fought each other and your voice was always raw until you gargled lukewarm genmaicha and lemon, which first you bought and later you looted from Trader Joe’s. You were gloriously high maintenance before the illusion subsided—a wild, wild rose—and I loved you as much after that. 

Then you were gone, in the wake of some awful reckoning, that joyless penumbra blanketing all of what was and most of what now is. A dimension dissolved, a trance undreamed.

Walmart and Costco are convulsed nuclei clustered within the membranes of their vast deserted lots, cars no longer parked in their hardscrabble orbits, other than the burned-out kind like dead neutrinos.

The last time we saw a train pass through, Galbraith was still young. Galbraith, who tattooed Let It Bleed on the inside of her upper arm like Courtney. Hard to reconcile the chromium crone we see now with the aching maiden so many knew back then.

We all have our talents. Mine is debatable. Scavenging cells to make this ancient iPod work. For some, it seems to count, but whatever... I get that it’s hardly wringing nutrients from topsoil, but you’d think music would matter all the same.

You said, “Don’t tell me the story of your dream. But tell me how it felt.”

“Um. It felt like walking into an aftermath, the battlefield still smoking and reeking of viscera, and finding a kitten, a very pissed off kitten, outraged at all these shenanigans, and also a train moaned far away.”

“Now that’s a dream I wish I had.”

“You could have it. I’ll write it down.”

“Nah, you’re hungry, and I need to find us some food. And you have chores of your own. We can’t take pauses like we once could. But tell me about a song when I come home, yes? Something new and full of things.”

Fuck, we could talk forever. True is true is true. Negotiation and the echoes of the world. Lord, I miss you, girl.

Ink Into Blue

All the warm lights settle into the glow of evening, that umbra of deep blue before it accedes to black. You can still see the ridge with its dark fractal conifers and a deepening gloom beneath, backdropping this pretty town, beyond the amber necklace of I-5 lights. This melancholic summer twilight. All our crew and passengers anticipating night.

"I walked for hours alongside the interstate and no one noticed me. Till I stumbled. Then everyone gathered to watch me stumble again."

"The way of things. Said it before."

"But surely it ain't right. Ain't normal!"

"There is no normal; only what we become accustomed to."

The bay is flat as a hockey rink, barely a ripple on its reflecting expanse. Blue and blue and more blue, deepening to ink, punctuated by the copper and brass of streetlights, passing ships, the breathless tremor of awakening stars.

We are on an ark amid those stars.

You write like HST, like Hitchens: whipsmart and hairshirt honest. You're a heartbreaker the moment a heartbreaker's required. Because the truth barely hides within all the voices. Hurts, though, hurts so good.

It's a dark room, massive as a hangar. I can't even tell what the floor is made from, whether it's natural or even solid. A doorframe filled with light gleams on the other side, far away, and every footstep leads me there yet doesn't. It won't come closer. I walk and walk before the traceless course is set. 

People have been seeing stairs in the deep woods—in the peace and the pure dark of those woods, stairs and no floors, concrete risers absent handrails, going up, descending—and have heard music notes that rise and fall with the wind on still days. Like a sudden mist, a shudder, an air of something terrifying, trees inhaling en masse then holding their breaths.

***

They left me here. To deal with Mother Russia, or one of her misbegotten spawn. Inside this grim building that feels like an institution. Flats, I hear; never apartments. One syllable will suffice. The single pane windows are framed in cold metal once painted a green so pale it's almost grey and is grey where it flakes. I stand at one and hear the spite of the windflung snow like grit on the glass. Did you know glass is a liquid, one very slow tear from an eye that cannot blink? I hear someone moaning, not close. Outside, a narrow road set back beyond an open area that is barely ever grass, even in springtime. Now it is patched with snow and strewn with ugly, unwanted things. Unloved things. A scarred dog the colour of dysentery investigates. The deep fissure between its eyes suggests something treacherous; I see the same in some men. The dog first sniffs then begins to chew on a used condom, and my nausea returns, beached like a gulping fish. There is nothing out there. I am in some blighted quarter of some nexus where all Cold War stereotypes happened upon truth for once. Someone left me here and isn't coming back. Nothing moves on the road and the ghosts of centuries hurl cold grit at the window and I try not to blink.

*** 

The man who speaks to birds divulges troubles. An emphysemic blues harp trailing in sync with the failing blue light. A hierarchy of blue. Near-black to india ink to royal blue to cerulean to shimmering abalone, that inbreath, the vestige of light unreal.

Bird man is on this. Where is the two-step hoot of the cuckoo in the bluebell woods? he asks. Our childhood springs were punctuated by its veiled predation. Its dulcet faux-solace bored into our brains unnoticed. Those auspicious Aprils. That banded marauder. Now silence presides over the wildflower lake that laps against dead bark, its waves curling midbreak and browning. How is it the birds are silent, the odd lone interloper gallant in its solo aria? Did we make of progress a ligature with which to choke the rest?

Bile and drool. Factories, refineries. They all sound like chickens. Astonished and blest.

Great swaths come of age defrauded. Cheated of this: supine in fragrant grasses as the lark spirals skyward buoyed by its own sweet song. Twitter is scant compensation, is weaksauce.

Close those massive doors and stop dreaming. Nostalgia is the devil's favourite trap, your fretful yearning throat in a capo grip, your flustered avian heartbeat faltering. 

Undressed.

Behold the false spring. Here, things live in things that grow on things. Cryptic. Larval. Something lives inside the holes, appallingly aware. You came and lived among us. The earth itself cries torrents.

"I'll never be accustomed to this."

"Shhhh…"

"I'm right, though, ain't I?"

"Hush now."

We are all writers. We lay upon this world black ribbons. We lay upon this world vile detritus. We lay upon this world our open, defective hearts. Sigils and glyphs. We lay upon this world our fathomless regret. 

Boundary Bay

© Monica LunnThey came to our virgin thresholds and asked for our longest songs.

Some grim radar. An impertinent sonar.

Cephalopods.

Those songs we sang for them, relayed them for days, weeks, even months, the dwindling howl of a coda falling silent on upturned cedar. Dank, weary branches like bony old limbs. Notes like heavy snowflakes, the banshee shriek of the wind up in the narrow draw, silencing the very owls to grey.

Agonal gasps. A moist clutch of arms. First we gave them our extravagant minimum.

What were they? Aliens? Well, yes, but that says so very little. With which face should we meet the encroaching distance, which forgotten facet?

Rapid City. Deadwood. Devils Tower. The Black Hills quivering, purple, epochal, sacred with need. Unearthly as plasma spit from a star.

Dream westward. Spearfish. Sheridan. Missoula. Coeur d'Alene. Spokane. Fremont. Deception Pass. Ninety ways to Boundary Bay. 

You came home tonight, via the food bank, buzzed our door and I let you in. A train strums the night air in power chords. A hog revs on State Street like Satan's ruined trachea. The neon signs burn without mercy. You brought Campbell's soup and noodles and mushrooms and celery. Couple fresh spices. From this, we will conjure a feast in defiance, and while one of us plays culinary virtuoso, the other will walk a block to the Grocery Outlet and buy two bottles of wine, a malbec and a syrah, for relative pennies, and we will eat and drink like covetous gods, then turn our salivary hankering to each other's indigent need. Our thirsty skin. 

Okanagan. Plastic corona Penticton forecourt. Intersection highway desert fall fruit stands. Summerland. Peachland. Don't sneer; they're real. Burned on your shifty retinas. Harshness muted by conifers. Heat like a wall when you exit your car. Late-evening thunder in the hills like rumoured war. The shout of stars. The damp smell of dust in the dawn. The utter absence of any breeze. A patch of grass between your motel and the strip of sand by the lake. A toddler playing ball. Your child. You throw him the ball and his arms jut, fingers spread, and he laughs into the sky. You throw her the ball and her arms jut, fingers spread, and she laughs into the sky.

Even the living have ghosts. Sequential traces. Semblances.

Fairhaven. There are ghosts in the rust on the corrugated sidings of what I silently call the cannery, after Steinbeck. Rust-coloured ghosts of dust-covered trails and railroad tracks. Quick, when does the Amtrak come through? Let's watch it from the bridge, see it stir up the afternoon wraiths, send more dust and creosote to coat the dark berries where lovers saunter and graze. Let's take the boardwalk over sculptures and starfish. Swallow blackberries of sorrow over grapes of wrath. Someone draped a shawl over the evening, dimmed the reflected lights, the piers of industry reaching forlorn into the bay. Inviolate night haunted by the blush of its own unlovely face.

You have pledged all your nonsense and I will honour it. Speak to it.

"I was left behind," I begin.

"Yes, indeed. It wasn't anyone's intention, but you were hurt, it's true."

"Not just hurt, but hurt."

"Butthurt. I can't deny it." You smile.

"Funny. When you walked into my store, I thought it was a beginning. You were dressed in muted greens and reds, and they seemed so right."

You look waylaid. Your words are a whisper. "I'm sorry. I never intended anything else."

"Anything else?"

"Anything other than what it was."

"Which is?"

"Now? A pure clusterfuck." You show me your sweating palms, a saint with stigmata.

"What the hell did you want then?"

"All the love. All the good things."

"Did you capture anything at all?"

"Photographs. Hundreds of them."

"Tell me your favourite?"

"The beach ball in the grass with the blurry palm tree background and the heartbroken sky."

"You know about that? I should let you go now."

"Why? What? Seriously?"

"You know. You fucking know."

"…"

A concussion ricochets across the distant ridge, clay pigeons, the shattered rock itself a percussion section. We can make of chaos sheer rhythm if we're so inclined. Strata. Stratum. Sessions. Casual permissions. And you will listen. And dance. Even in a last apocalypse. Even within the fission hiss and searing echo of all our abandoned superannuated missions. Even then.

Eleven Steps

My friend is generous, but like most others I meet he eventually runs outta patience with me.

"Get off of your high horse and deal with things the way they are, goddammit."

"Not on a high horse, I swear. Not even on a horse."

"Then why do you seem so far away?"

"I don't know. Maybe 'cause I won't quit. A horse did gallop out this way, then slowed and left. But honestly, I swear I never rode it."

"Yeah. Okay, brother. Fine. What the fuck are you so afraid of?"

To that I say nothing, make idle patterns of a blemish on the wall. Feeling trapped but knowing I coulda turned it around on him.

But you wanna actually hear what I think? What I'm afraid of? Here's what I think.

The fear is you enter that world of men, of wounded men, of stained men, irredeemable men, and it seems easier to be alone than it would be to risk becoming part of that drab, desaturated procession, in which every gesture is interpreted via a sponsor or judged through some oppressive twelve-step framework, where all we can smell is sharp and carbolic like infrequently laundered institutional clothing, or grim and sebaceous as two-stroke engine oil, rank and barnlike as stale tobacco but never booze, god forbid. Never booze and never excitement. Or grace. Nothing feminine whatsoever. Always something daubed or smeared. Small. Adobe. Shrunken. Stained and shabby. 

Because we deserve this purgatory having reached prematurely for heaven. 

Less the unforgiven than the unforgivable. 

Innocent of what, indeed.

And yet we're blindsided and (it turns out) astonishingly wrong. Turns out these men are kind. Thoughtful. They bother to consider their actions. Figure out how they got here. Take time to make a few things right along the way and where they can. However shambling and uncharming. 

We stumble across far better people here—in the psych wards, in general population in our prisons, in seedy church basements redolent of the last tobacco partaken outside, where clutches of dreary people admit their flaws and are better for it—than we meet in suburban backyards, in the halls of academe, or in cocktail societal gatherings.

Anywhere else, in fact. We try, we rectify.

These are the folks who've looked into a well and never seen the bottom. Have felt the chill crawl of ragged fingertips on their raised skin. Been called out in class to read the paper they lied about writing because they'd been fending off an uncle (or an aunt) all night. They've been that guy or that gal who sits at the diner's or the bar's end, wanting to be left alone to enjoy their breakfast eggs sunny side up, or nurse their splash of bourbon on the rocks, only to flinch at the brittle shadow erecting itself behind them. The Other. The Enemy. The schoolyard Bully, all grown up, feigning strength through an unerring radar for doubt in others. 

***

Maybe something's happening. I put our friendship before my lust. Proud of that. Your light broke down into shimmers. Like our love had always been some dream, some distant piano melody while rain bejeweled and berated our windowpanes, crowding us, tracing facial lines while you haunted a roadside, a gravel shoulder, above a precipitous drop, below a climb toward someplace greener, better. Raindrops tattooing a dusty trail becoming mud. 

Four words I never wanted to hear, in a voice like silk and shrapnel: "A girl was hurt."

Or maybe a boy.

I show up at your place in the dry hills of an evening, arrive to the chorus of pop bottle windchimes, Dr Pepper taking the bass while Coca Cola trills the melody, and I almost gag on the bright banded gradient of night to our west. Gravitational waves. The drawn-out death cry of faraway stars. Sirens. Lineage. Binaries. Gamma rays. 

Ancestry.

You take my bloodline and twist those veins, spill my unworthy blood, mop up my unfit gaze, trash my blood-soaked shirt. You are a cunt, but I'm far worse. Far more hungry (so much hungrier).

Watch the full moon claim its sky. Her sky. It don't matter. You are a black woman confronting a white man; you have to know how badly you will lose. But your pure courage warrants a better ending, doesn't it? 

Are you right now on Robson Street, strolling between the flickering lightsprays limning the trees? Can you follow the trail of scent? Rooftop seafood restaurants. Tsunamis. Luxury ivories tinkling. Sushi. Complexity. Lush. Lush. The store. Enter, smile at the staff, ask if they still pipe that music they played all those years ago. What was it? Vitalic? Electronic. OK Cowboy? Leave. Greenery spilling like falls. Do they know the best, the greatest words? The most evocative? That beechwood also means, in German, Buchenwald? 

Ghost me. Abandon me. Stop pretending I matter. This is no haven, no liberating sanctuary. 

Race cannot be ignored. Gender cannot be ignored. Genocide likewise. You want me, you want to feel me, you want to roll my credentials between your tender fingertips? I once shot something minimal and lovely, oblivious to a camera mast that watched my every move. How can we possibly compete with that?

Grunge city. Dark sister. You needle me.

I'm back with you, a raw white man with a clean black woman, a dry black man with a lean white woman, a trans woman with two lost souls, an atheist with a Jew, a skinhead with a queer, a Muslim with a kafir. We can't shirk this. The sounds of an entire city are like a canopy, a vast speaker quivering open over our heads, heedless of a trembling monolith, of dream saviours, of Cascadia, mostly flinching from the prophesied slip. 

Wanna cross the line? Subject yourself to indignity? To likely shame? Be allowed through at the booth so you can fill up with cheap gasoline, grab a bottle or two of two-buck Chuck, a Trump-hued block of American cheese, keep driving because now that you're here you might as well explore. Through wide expansive rural miles, full ditches, cornfield stubs. Sumas. Linden. Mount Baker to the east or link up with Guide Meridian to Bellingham south. See the school bus, the exact same colour and shape as the school buses you know, the red octagonal stop signs, the signs in general except the speed limits, which first look the same yet on reflection seem so low and weird. Who the fuck goes fifteen, twenty, twenty-five? Wouldn't it be better to walk?

You used to be our friends.

She is waiting for you on a motel forecourt off of a state road, her thighs already splayed above the loose grey gravel. A Thunderbird looming overhead. The sun dropping westward disappointingly fast. Her crotch is damp, but she knows not to reach too far. Knows you're not gonna make it. She returns to her room and fingers the remote, reels in a story 'bout a man who shot a toddler during a road rage incident, cries when a witness tries to make sense of it, yells at the news team who don't seem to have grasped its full import.

Then she succumbs, masturbates, her fingers soon warm and puckered with her own arousal. Celebratory. Her orgasm coinciding with a memory, a rearview glimpse of how she opens up a hole, untwists the leaden links in a chainlink fence as a child, and lets a boy through, from the streets her mother calls the Commonplace. A boy who'll end up paying much too great a price for that.

A boy who in his dreams turns everything to eleven.

And it still comes back to this: we deserve this purgatory having reached so early for heaven.

Storage

It's Friday again, which means one thing: stories. This shortish piece wanted to be longer, so I've extended it here in full. Although it's grounded in a solid place and a real time, I'm not entirely sure what it's about on an emotional level. Possibilities, maybe. The infinity of alternative stories—good, bad, ugly, tragic, comic, lost, found—nestled in any one moment. Oh, and the hauntedness of place, of course, always that. Anyway, enjoy.

___________________________

We walked here.

It was one of those late summer, early fall evenings characterized by a lack of anything at all: flat light, birdless, airless; what scant and spindly greenery could be seen was buried in the dust of a long dry season. Dimensionless.

She fumbled with her keys, looking for the one that fit the padlock on the storage locker. She had a compulsion to juggle her things in the endless shell game of her life then, a thwarted nesting drive. Milk crates that doubled as shelves. Recipes. A plastic hamster cage. Tarot decks. Coffee table sex manuals. Faded things.

The parking lot was mostly deserted, its corners crumbling where smug, ungainly weeds pushed through asphalt with little apparent effort. A line of ants, not quite uniform, made its staccato way amid these uneven thickets, and my mind soared in a dizzying crane shot to I-5 and its lonely north-south freight bounded here so close by these tired stripmalls and young conifered hills.

She was a shortish woman with a woman's figure; lovely in her way. That night she wore faded blue jeans and a tight electric-blue T-shirt that paid homage to her ample breasts. I looked at her ass from behind, semi-lecherously, but my soft jazz heart was syncopated, distracted. My accolades were more cerebral than visceral. 

She found her key, gave me the arched-eyebrow you stay there look, entered the ranks of storage units, with their sharp reek of neglect and even loss, and said something in passing to Carla, the alarmingly stooped attendant who sat reading piss-yellow paperbacks in the side office, an ancient catatonic dog draped across her hot slippered feet. 

Outside, the muted rush of the cars on Samish Way, heading for town or the nearby interstate. 

I knew she would take a while, armed as she was with the knowledge of my impatience at having to wait in any place this fucking sad. Such details stored as arrows in a quiver, for small wounds only. I stood and paced in many places of sorrow waiting for this woman. In some ways I still do.

No real surprise there: wounded was the name of the place we met.

Out of nowhere I had the distinct impression of layers of time, of events unfolding in other, divergent chronologies. In some she was a princess attending ceremonies before millions who adored her. In others we had lived here half a devoted century cocooned by the purest unbreakable love. In one I was not present at all, and while she (her shirt crimson this time, dusted with pre-teen sparkles) groped for the right key, a shadow appeared behind her, a leather-gloved hand stifling her scream as she was dragged into the litter-strewn weeds to be curtly, hideously dismantled.

I shivered. Then felt a new chill behind the dissipating warmth of a nondescript day, the tiny glimmer-hint of autumn's cold blade, and shivered again. A dog began barking ferociously in this land of four-dollar gasoline, fast faux-ethnic food, and cheap, sticky motels. Lights were blinking on in gas islands, motel forecourts. The silent air held a crematory tinge. I don't know why, but I felt like sobbing, outright sobbing. Have we really done this to the world?

She emerged blinking and said something else I didn't catch.

"Let's check out the haunted motel," I said.

She made a face but for once didn't dig in her heels. We crossed the lot and walked the half-block to a motel whose name I've forgotten because perhaps it never had one in the first place. You would walk in the lot at the back, where no cars were parked, as if in some post-apocalyptic movie set, but you'd look up and there on two oddly looming sides were people clustered in threes and fours on the walkways of both levels. And they would stare at you. There was never anyone in the office and the place never seemed to have a vacancy, although the sign was rarely turned on, so how would you know? 

We stole into the parking lot as the light began to drain from the sky and compress the world, and looked up. Here, among inbred faces, there was most definitely a vacancy. A neglect. And a malevolence that felt like obsolete parking lots invaded by alien green spikes, black cakes of tar crumbling, breaking apart, becoming subsumed, unlamented.

She clutched my arm and pulled me out of there and we picked up our pace, laughing quietly, nervously. Thrilled. Dismayed. There was something so wrong with that place we could barely even articulate it, something deep in its foundations and its frame—restless, uneasy—dreaming and skittering between its darkstained walls.

With the growing chill on the still air, she compensated by warming up, and smiled at me, saying, "Let's grab a couple bottles of wine, some Mexican from Diego's, and go back to the room and love each other while we still can."

I smiled back, happy in the conspiratorial moment, mindful of her body's warmth, protective of and avid for her, yet knowing the timelines were about to shift once more, and feeling helplessly sick with the knowledge, the stunned inevitability of it all.