Shore

In a growing fog, I traveled 

in a rowboat to an unknown shore. Unsure 

I'd even reach any shore.

When my arms grew weary, I 

lay back and let the boat 

drift, directionless,

a mote on a vast

unblinking cataract.

Sky perhaps a mere

grey shade lighter

than this great water.

At times so enraged I'd row

so hard my heart

felt the bloodlust of a stoat

eating through the hide

of a stricken deer.

At others, only

mourning, only

sorrow.

Land glimpsed through cloud

but fleeting, maddening,

while silence hushed the skies

and night wouldn't fall.

Days of this. Weeks. Birdless

and silent, except for the oar blades

cutting and dripping like

a killer's dark enterprise.

Enticements, dreams of

welcome and a beach

warm under endless blue. 

Imagination a whore.

A disordered mind will trap you

if you yearn for but never reach

a solitary shore.

Unknowable

A brand new poem. For what it's worth.

Unknowable

Here's me with my basalt ruin, my

lost tundra neediness, cast amid

muttered notes fragmenting with love,

urgent with greed, fleeting

with want, curled fetal beneath

one solid theatre tower.

Where are you? Where?

Stopped off at the Sylvia? The Bellwether?

(Ladybugs, ivy, Errol, and heraldry?) 

I went and bought a small guitar,

a tiny Ibanez, 

to shore myself against the

grief tsunamis to come, 

while you, drunk only on the now, 

scoured concupiscent inventories 

for dildos, perfect condiments for soup, 

rodents, antlers, dripping cormorants.

Dark winglike music, malbec, sushi, tarot, love. 

Me prone and spent amid

the prunelike slime 

of sopping leaves pressed like

massed eons of sediment.

Got home, tuned it, strummed a lament,

got the Led out, caterwauled,

hummed an Appalachian dirge, a rant,

a moonshiner sonata and a desert screed,

squalled some secret boy and girl tune,

fireflies, calls, maple leaves, blues, 

ancora qui,

ancora tu.

It's work to watch hands build and furl

then come undone and go unfurl,

while roof hymns spatter bitumen eaves

and Jersey shores recede, zeal stutters, 

and all of it, everything, 

bleeds.

My idling car is northern Canada, 

immune and snowbanked, yearning south.

Get in and twist the dial

so radio broadcasts

hiss awhile, gaping

unbreakable as bridge cable,

conjuring rainforests,

stupefied like forecasts of something

unnamable, lowing scattered as prairie cattle, yet so

utterly, alarmingly unknowable.

***

My Own Private Cannery Row

© Tracy Prescott MacGregor

Rarely do I write poetry. Even more rarely do I allow it exposure. Not entirely sure why. I revere great poetry, but I find it to be a rare species: elusive and golden, hiding in shadows or, occasionally, in plain sight.

So here's a poem, no more fanfare than that.

My Own Private Cannery Row

"Accept loss forever." — Jack Kerouac

Here I endure my own private cannery row.

It crackles and breeds in

the dark parts of

an unruly heart—corrugated sheets layered over 

smoky post-afternoons, 

heavy enough with loss

and the memory of loss

and the fear of its return

and traffic

and iron

dragging gull

flocks in slick patterns against a volcano sun.

Twenty-first century. Under a bridge,

five slow crawdaddies move

in murky shallows 

sluggishly annihilating an 

immense fish head, 

while Steinbeck sleeps

and, worse, will never again wake.

Makeshift guido, cursed on a contrary shore, 

adrift off a refugee coast, face

boasting reflected orange 

yet

this smudged collar's powder-blue and new-sewn

with my fugitive name (upset) in gold below it:

Beloved. 

Strong. 

Among.

The Woods.

Say it. Woods await those

who fear themselves

lost, and lost 

indeed

is my new locale.

I might even call it

sorrowhood.

Plus this:

Names are potent, yet

the cogent grain of twilight welcomes smut,

refracting it for such long

drawn-out breathless

prayer flag horizons.

Music, too.

Blue jazz in a wineglass, Hendrix, bluegrass,

pure smartass, rhythmic

tantric belligerence.

Hopper beckons, eyes downcast. Lonely as hell—

old, weird America, less 

permanent than it believes and now

utterly unnerved.

Primary. Planar. Endless

sunflower acres.

We've come so far.

A thick-framed window, sunlight

ambergold, pouring like

fresh-squeezed motor oil, dripping from a citrus sky, 

easing us toward some

inarticulate lie: Desolation row, go, desperation

ground, loud, discovery known, flown,

deception pass, past, passed

below, ago, just so...

We cutouts tacked as

silhouettes. Transfixed somehow

with the mundane interplay of 

pristine fonts on 

the Grocery Outlet sign, where

we value our view; our warm, fawn 

thriftstore pact.

But come, listen, lookit.

Gather the lambkins, reel in the nets,

trawl the depths and count up the lost, 

bake the bricks, haul away the lumber,

give your day the ending it awaits,

its fitting close. Stumble past those who

would erode you, layer by

sheet, skin by cover, yet

keep on walking,

stumbling aloud, 

humbled,

cowed.

Agog. Gaga.

And keep your finger on

the fuck you trigger.

Especially that. Especially that.

Let the soft burr of a charcoal evening

smear the essence of your face like an artist

learning shading, blurring, obscuring.

Rendering.

Recurring.

Sudden evening quiet. The warm preemptive air. Sacred. 

Birds play then mute and the colours pulse dark, anticipatory,

so loaded, and indeed so

goddamned holy.

Abandoned flea markets,

green shoots and street scene clarity,

murmurs, a caress of freaks,

waterfowl feeding.

Someone in a waterfront townhouse,

on some higher balcony, 

is picking a banjo; pure

vibrations in the wires

aching with backyard echoes, 

the sound a trojan horse for a

renewed assault of grief, 

while your final drama speaks 

of absent fathers, trembling hands, 

half-gleaned urges, mother throes, 

white-hot and contradictory and 

wholly lonely: these

secret 

desert

fires.