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  • Endless Joke
    Endless Joke
    by David Antrobus

    Here's that writers' manual you were reaching and scrambling for. You know the one: filled with juicy writing tidbits and dripping with pop cultural snark and smartassery. Ew. Not an attractive look. But effective. And by the end, you'll either want to kiss me or kill me. With extreme prejudice. Go on. You know you want to.

  • Dissolute Kinship: A 9/11 Road Trip
    Dissolute Kinship: A 9/11 Road Trip
    by David Antrobus

    Please click on the above thumbnail to buy my short, intense nonfiction book featuring 9/11 and trauma. It's less than the price of a cup of coffee... and contains fewer calories. Although, unlike most caffeine boosts, it might make you cry.

  • Music Speaks
    Music Speaks
    by LB Clark

    My story "Solo" appears in this excellent music charity anthology, Music Speaks. It is an odd hybrid of the darkly comic and the eerily apocalyptic... with a musical theme. Aw, rather than me explain it, just read it. Okay, uh, please?

  • First Time Dead 3 (Volume 3)
    First Time Dead 3 (Volume 3)
    by Sybil Wilen, P. J. Ruce, Jeffrey McDonald, John Page, Susan Burdorf, Christina Gavi, David Alexander, Joanna Parypinski, Jack Flynn, Graeme Edwardson, David Antrobus, Jason Bailey, Xavier Axelson

    My story "Unquiet Slumbers" appears in the zombie anthology First Time Dead, Volume 3. It spills blood, gore and genuine tears of sorrow. Anyway, buy this stellar anthology and judge for yourself.

  • Seasons
    Seasons
    by David Antrobus, Edward Lorn, JD Mader, Jo-Anne Teal

    Four stories, four writers, four seasons. Characters broken by life, although not necessarily beaten. Are the seasons reminders of our growth or a glimpse of our slow decay?

  • Indies Unlimited: 2012 Flash Fiction Anthology
    Indies Unlimited: 2012 Flash Fiction Anthology
    Indies Unlimited

    I have two stories in this delightful compendium of every 2012 winner of their Flash Fiction Challenge—one a nasty little horror short, the other an amusing misadventure of Og the caveman, his first appearance.

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Wednesday
Apr032013

Dissolute Kinship Wins Readers' Choice Award

This is really a follow up to the last post. The two-week voting period for Big Al's Books and Pals 2013 Readers' Choice Awards is now over, and Dissolute Kinship: A 9/11 Road Trip was fortunate enough to receive the most votes in the Memoir category, enough to win it, which is a great honour and one for which I am humbly grateful. There? Did that sound like a gracious speech? But seriously, winning this award has been a glimmer of light in a pretty dark few weeks for me personally, so I am very appreciative of everyone who read my book, everyone who voted in the contest, all the other fine and awesome independent authors whose books were nominated and, especially, Big Al Kunz and his team over there. Nice work, everyone.

Wednesday
Mar202013

Dissolute Kinship Nominated For A Readers' Choice Award

So, BigAl's Books and Pals received 1,400 books to review over the twelve months between February 2012 and February 2013. Now, my math is fairly rudimentary but that's over a hundred books a month. Of that number, they selected nearly 300 to review, so about 25 books a month. And of those 300, they have now selected just over 50 for nomination in twelve categories for BigAl's Books and Pals 2012 Readers' Choice Awards.

And my debut, Dissolute Kinship: A 9/11 Road Trip (yes it's on the right sidebar and yes you can buy it from Amazon), was selected along with four others in the Memoir category.

Which makes me happy for one obvious reason—uh, something I wrote got noticed, y'all—but also because Big Al and his crew over there are as honest as the day is lengthwise, with their reputation for not suffering fools very much preceding them.

Anyway, you can go there and vote. It's not altogether straightforward: you must sign in via Facebook or email, they promise not to steal your credit cards or your children, but don't bother trying if you browse the interwebs with Internet Explorer. Use Chrome, Firefox or Safari and you should be good to go. Once you sign in, the categories appear and apparently you can also win stuff, I think (Laurie Boris probably explains this much better here).

Speaking of Laurie, I also want to give a shoutout to a few fellow nominees whose paths I've crossed, including Laurie Boris, Laura Clark, KS "Kat" Brooks, Melinda Clayton, Ed Lorn and Lynn Cantwell—all worthy writers and the type of folks you can safely bring home to meet mother. (There should probably be a "lol" in there, somewhere.)

But I'll end this with a thought: we writers—and boy do those ranks continue to swell—crave recognition and acknowledgement in a crowded marketplace. Some are risking plenty in this pursuit of our need for expression. I see it in my mind's eye as kind of like Covent Garden in London. We're hawking our wares, some of us resorting to extreme measures. Some of us are swallowing live ammunition while answering questions on the likelihood of an asteroid striking a kindhearted three-legged Albanian in a tuxedo, all while juggling smoldering chihuahuas, of course. Well, not many of us are doing that, actually. But it's hard to get the attention of readers, really hard. And of course we love to win things, because winning feels good and people notice our stuff more if it's been approved of by an objective, neutral source, especially one with a reputation as solid as BigAl's. But... and I really mean this. I am reluctant to ask anyone directly to vote for mine, or even to leave it out there as some kind of an assumption. I have no doubt the other books nominated alongside my own have been formed from the precious, living sorrow and joy of existence every bit as intensely and lovingly as my own small offering.

So read as many of these books as you can, and vote for your favourites. That's all. Oh, and you have until Midnight Eastern Time on April 1st.

 

Thursday
Feb282013

Devil's Tower May Have Caused My Lover's Furrowed Brow

It was for you. All of it. Every mile of every road. Every beach combed, whether by boardwalk or by driftwood trails. For you. And it will never truly be enough, each tousled feral cat, each dripping cedar bough, each hardy tadpole in a mountain creek, each fake surfer, each dry phantom tree inundated by wetland, each misspelled signpost, each prairie dog gone tame by tourist handouts, each sidewalk busker, each sheer crag imposing, perched above a plain, a precarious god surveying the gathered armies of a vast but gentle beast.

Sunflower miles and clock-face windfarm dials. John Deere greens gold-misted by evening's haze. The mockery of crows.

Screaming eighteen wheeler mayhem on a submerged interstate, Akron or Toledo-dreams of West Texas or Florida sunbelt vanquished by the hammering of an eternal deluge.

You and I. The dew still glistening as we ride glorious into morning, the freshness of the world threatening a heartbreak toll for its sheer clarity. A purity tax. The world is not going to go away. Only we will go away. One day. But not run away, no. As someone said once, "I won't be no runaway, because I… won't… run," and yes, I can still smell our commingled scent from the night before, as we move forward once again. We will go away as one, joined, in the manner we wished to move in this world. Touching and touched; hard, warm, wet. Animal. Trembling with need.

You become me and I you. We enter a lobby, you talk to a concierge, we smile at the decor, whether through joy or familiarity, alarmed at a rickety elevator, charmed by someone's dog. Hands held on dusty trails, picking berries, chalking our names in yellow on railings. Delight at the very air each other breathes.

And breathe. Take in the possibility we could have it all, do it right, win the prize, earn the reward, achieve the accolades, grab the spoils, hand in hand still and laughing like fugitives high on the very threat of their freedom's fragility.

And yeah: we cross the giant beast of America, marvelling at a sky so large it might belong to another world entire. A sky world with lands of cloud, grey-white accumulations tumbled between expanses of blue, an ocean made of air exhaled by a freedom god. A vision. This world, though, is both tawdry and noble, glowing and tarnished at once. It is our world, the one we were marked to move within together, bonded as two humans could ever be, hungry for more miles, more moments within the finite lifetime of a world as ugly-beautiful as we could hope for, raw with the love and pain of it all.

Unraveled cattle ranch cloth strips, freight cars like beads strung across the world's largest rug, a mildewed rug dotted with apple seeds, black cattle, Canadian trains like prayer flags flapping over a Tibetan meadow, all perspective and reference points gone, the impossible horizon a few feet distant yet a thousand miles away.

My love for you is fierce. My woman.

Fierce and stubborn as the clapboard walls of nondescript motels bracing for the raging gales of prairie winters, unprotected, abandoned. Stubborn as beauty in a world that seeks its own annihilation. Stubborn as life clinging to a tiny rock while nebulae swirl and supernovae detonate in cataclysms of lambent violence.

I had a dream of you, long before you coalesced from the woods and beaches of your own dreams: I was alone in a cabin, fixing kindling for the stove, my fingers numb in January's vice, a body of water rushing away nearby, towering conifers bowing their laden heads in sorrow at the elegiac loss I had just encountered, stricken and arrested in my tracks. And you beckoned, from the future, called me through Dostoevsky fever-shades and Radiohead desolation, Russians and Englishmen, whispered of a time to come, of joy and discovery, of warmth and hope. And my insect mind began to follow the breadcrumb trail you set, one day catching up to the future as my brittle present fell away in chitinous strips like the shedding of a needless carapace.

Seagull sounds. Little wing. Gratitude. A river gorge, its waters the strangest and most exquisite shade I've ever seen, not jade, not turquoise, simply an indescribable blue.

You are my little wing, you help me fly. My pigeon camera, circus mind.

Brick shorelines, purple starfish. Cormorants and detritus. Shallow water crayfish rendering a giant fish head to nothing.

Jazz chords, Coltrane. Irish bars, Guinness. Blood Alley, history.

Spanakopita, souvlaki, classic rock, the world's most endearing waitress. Outside, a sunset, and a grey cat on warm cobblestone, diffident and wary.

I step outside the featureless motel, a bruised and dying sky darkening, air so breathable it almost induces panic. My woman is inside, drinking something sweet and potent, laptop typing, perhaps contemplating the dubious shower. It's as if the landscape is darkening while it quietens down, sound and light linked, the hush itself a dim new world hugging the hunched shoulder of a familiar one. Someone might even be dying out there. A farmhouse tragedy, a grim domestic tableau. Here, I can discern a day shrunk to a dog bark and the subsonic growl of the I-90 night shift. Somewhere a life ends in horror. Elsewhere, one begins. We fret too much.

We will drive and become temporarily lost on grey-mist Wyoming county roads tomorrow, until late afternoon the clouds begin to break and red earth arroyos emerge, all mere precursors as we head into something astonishing: an abrupt wedge of land, vertically striated rock, a truncated peak scored and topped from above, rising above sleepy stands of trees and untroubled fields, a land that has closed its eyes and forgotten its ancient ones though this one still looms. I can't breathe. I'm reliant on the world breathing for me. And my woman breathing for me, but she does that already, has done many times over. And we stand, rapt. This is something worth standing rapt over. Not because of mother ships—or not necessarily—but because we have moved far beyond that in such a short sliver of time, beyond the mashed potato modeling, beyond the earnest search for something that might prove we're not the lonely hearts we always suspected… our new knowledge far deeper and more forlorn.

And we do leave. And the sky rewards us with burnished gold and amassed cloud bunched like the awful fists of heaven, a land so utterly given over to its fantasy of beauty that it actually achieves it. And we drive. Rediscover the interstate. Factory-silhouetted refugees, passing asthmatic through an impassive land. And we keep on driving. And we cry. And laugh. And we love each other yet more, while each mile we consign to an awkward history behind our rubber aluminum revolutions.

But don't forget the boardwalk. We can always go back to the boardwalk. Even if it has to be rebuilt and is not the same boardwalk. No matter. It will always need to be rebuilt. Giant slices of pizza dripping scalding cheese, foamy mugs of amber beer, SALAD, WRAPS, in neon, and Julia from right here on the Jersey Shore with her raw glint of an English future urging us to commit, too. Real as this Elvis-haunted land, this vast and vulgar mystery. The great circle of life is revealed as a night time ferris wheel leaning over the Atlantic, metal on metal squeals, the pause at the apex all the more precious for that.

All I ever wanted, all I ever needed…

Drive till the rain stops, keep driving...

All those songs, drifting over twilit fields, their words torn to orphan strips and rags by the world's indifferent winds and scattered to the lonely horizons.

Death may come, invisible...

Well I'll be damned, here comes your ghost again…

This is now. Do it now, all of it, again, again; before we all become phantoms wandering dusty yellow backroads in search of the appalling beauty we let slip when time was young and hope dared to be born and we recklessly believed that was how it would always be.

This is the place all our hungers will meet, where needs go to be quenched, where we find each other again and stop time in order for it to be forever. Brand it with our need. Here, on some lost highway, in some dim motel room, the grey-blue glow of predawn painting us with spectral planetary light, your finger raised to touch my lips and trace them, like an artist, before another tentative question can emerge, saying shhhhh… shhhhh…

Outside, angled, the car waits quiet beneath a single bare bulb.

Friday
Oct262012

Endless Joke, Infinite Jest, Interminable Gag

Well, this is embarrassing. What on earth happened to all those posts between mid-September and now, you ask? Huh? Oh, that's right, I didn't write them. My excuse? None, really, other than the fact I've been very busy (so, nothing new there) and I went and published another book.

Ah... what's that? Yeah, I said a book. You forgive me? Good. Let's go get muffins. Huh? You hate muffins? Yeah, so do I. Whatevs, we'll improvise.

Back to the book. I was so caught up in the esoteric, arcane world of formatting for epublishing and uploading to scarily-named nuclear meatgrinders that I damn well forgot to mention anything on the blog I set up to showcase such announcements in the first place. Can you spell "imbecile"? Yeah, of course you can, it was a rhetorical question.

A couple of things: the book is called Endless Joke. The more astute of you will notice its visual and titular resemblance to a certain famous tome by David Foster Wallace. And for the less astute, ahem, pay attention to the title of this post. Okay, I'm actually surprised no one has taken me to task on the almost inconceivable hubris it must have taken for me to place my snarky book of essays on a continuum that begins with Shakespeare and includes the complex and challenging Infinite Jest. In my defence, I did it in a spirit of bathos, in an attack of self-deprecation on a par with the scene in Trainspotting where Renton can no longer contain within his carefully constructed walls of denial and insouciance the truth of what it is to be Scottish. So, as everyone in the UK would put it, I'm taking the piss. Out of myself more than anyone, it must be said. Now, don't get me wrong: although I harbour a reluctant appreciation for arrogance, I'm personally not all that predisposed to it. I mean, here's the rub: I'm good but I'm nowhere near that fucking good.

Anyway, it took me four years to read Infinite Jest. Yes, I said "years". Just saying. It's possibly one of the most aptly named books ever written. Not that it isn't brilliant. In some ways, it's too brilliant, leaves everyone in its awkward, golden wake.

Endless Joke, however, is far from endless; in fact, it's quite short. Twenty nine quick chapters dug from the seams of Indies Unlimited and this very blog, a paean to and a diatribe against the current book-industry climate in which random vowels seem to get arbitrarily attached to existing words (when this extends to proper names, do I go with iDavid or eDavid?) and all of us have had to learn not only how to be writers, but how to be publishers, editors, designers, typesetters, formatters, advertisers and publicists. With that in mind, it's a hybrid of writer's manual and (pop) cultural commentary, medium-heavy on the snark but also informative, sweet and gleaming with a lifetime's love of the language.

Okay, I've rambled enough for now. I'll talk some more about it later, maybe. For now, give it a go, see what you think, and please don't hesitate to give me feedback. I love feedback. I crave it. I need it. Like zombies need brains. Like ageing mitochondria need serious protection from marauding free radicals. Huh? Never mind, shut up.

Sunday
Sep162012

Summer Long

Summer decided that summer had gone on far too long.

The kids were back in school, the university halls packed with the heady pheromones of possibility. Labour Day already a waning memory. Yet someone had forgotten to inform the actual seasons. Achingly blue skies still dominated, the city's abandoned splash parks and outdoor pools turquoise daubs of melancholia beneath the bright gold of an endless late summer.

Unlike the season, however, Summer—for her part—did not intend to overstay her welcome. This had been a summer that only reinforced her belief that such a stark world was not, nor ever had been, designed for one so fragile as she. The name bestowed upon her at birth by a sympathetic nurse now doubled as an ironic millstone around her metaphorical throat. A cosmic joke.

As befits someone abandoned as a newborn in an alleyway somewhere between Chinatown and the Downtown Eastside, her story had followed a sadly predictable script. Foster care and group homes. Occasional violations from clammy fingers. Or foreign objects. Alternate schools, petty crime, counseling, addiction, an adolescent eating disorder surprisingly conquered in adulthood, a rare and welcome rainbow in otherwise stormy skies. Summer's twenties were a grey blur between polarities. She was still only twenty-seven, although she felt seventy-two.

Nothing had worked. Friends—all gone, via indifference or betrayal. Boys—pretty much the same script. Losing herself in drugs, booze, loveless sex. Sometimes cleaning up. Transplanting her various addictions onto the narcissistic rows of ellipticals and stationary bicycles, smeared wall-length mirrors as tawdry witnesses. First World problems. Trapping her nonetheless. McJobs, unemployment, McJobs. Leaving any one of these dull shifts, she would walk the evening streets toward her bleak one-bedroom apartment and wonder how many others felt this same emptiness tinged with horror at an approaching future that apparently bore only more heartbreak. How many other heads contained nothing but one vast, endless scream.

Now, she sat on a bench on the waterfront, overlooking the deep blue inlet and the north shore mountains. Sapphire and teal, azure and jade. This wasn't her turf, never would be; this was a pretty land of wealth and poise, of audacious cocktails on sunset balconies, of condos, candelabras and Cadillacs. Wheeling overhead, a gull laughed harshly, as if in agreement. There were days when she didn't see the beauty. Couldn't, even. Or saw it, yet didn't absorb it. She tried now. The dog walkers, the cyclists, the tourists, the floatplanes gunning their takeoff roars, the cruise ships and barges slicing the sparkling waters, the container ships massive and rusted silent in the deeper waters, watching. The slick, wet terrier heads of harbour seals, bobbing like buoys. Surface-skimming cormorants. An SUV behind her, blasting hip-hop beats, or dubstep. Nothing. She felt nothing. Except a trickle of sweat down her side, an ineffable sadness like a lodestone in her heart.

"So unhappy." A voice, approaching her. She started. And saw a man, a plain man with rodent-brown hair, possibly in his mid-30s. Uninvited, he sat beside her.

"I'm fine." She shifted away from him.

"If you are fine, then I too am fine, sister."

To which there was no sensible reply, so she sat Centurion-straight and stared out at the waters, counted sailboat masts in an effort to slow the odd sense of panic fluttering in her chest.

At length, he spoke again, his voice marble cool.

"A beautiful day. This city..." A sigh and a shake of his head, sensed more than seen. She kept her eyes on the inlet. "Later today, I'm going to jump from the bridge to my death."

Automatically, her gaze shifted beyond the dark conifers and gathered bulk of the park to the evergreen suspension bridge that connected the latter's steaming mass to the north shore. She felt her heart draw itself tighter. Then she looked back at him. His pale face was that of a mime, no sign of mischief, mockery, or pain.

"I don't know why you'd say such a thing, but I'm in no mood to hear it. You want me to feel sorry for you, is that it?"

"Not at all. I want you to mark my passing. See me go over the edge. Not in the literal sense, necessarily. But there is no one else, and you look like someone who knows."

"Knows?"

"This feeling. It's both numb and heavy, freezes the love right out of you while weighing your insides down. You know what brings us here. Like lemmings."

"There is no us." Her own face a mask. To hide the jackhammer of her heartbeat. Summer could feel more sweat trickle down her sides, wondered if it showed on the forget-me-not blue of her dress. For a second, she cared about that, didn't want to be seen so pitiably human. Her resolve made of her frame a mannequin; no stranger would rob her of that adopted insouciance, however forced its genesis.

"I disagree."

"Look. I don't know you. I don't care if you agree or disagree. I was sitting here alone and I'd appreciate it if you would leave me that way. We all have our crosses to bear. Mine's heavy enough, I can't carry yours as well…" She bit her tongue. Already she had said more than she'd meant to.

"Ah. I knew it. As I said: so unhappy. Misery has an instinct for its wounded kinfolk."

Instead of eliciting a screaming, as she'd intended to do, something in his words touched her. A certain dark poetry. She felt her obduracy dissolve.

"Why are you jumping?" she asked, quietly.

"I can't answer that, but probably similar reasons to why you also intend to bow out, wouldn't you agree?"

"I don't know." Her head dropped. She felt the acid heat of uncried tears. Heard the distant howling of eternity, as it prepared to rush toward them, heard the world creak on some cosmic fulcrum. Sensed that if she gave in to the deep sob, a vast, trapped bubble yearning for the ocean's surface, she might avoid some fate she'd hitherto seen as fixed, unavoidable. She let them come, the tears, the hiccuping sobs, the deep-sea bubble, a ravaged young woman in a powder blue dress jackknifed by grief on a public bench beside a quiet stranger. She let them pass through her; the images, the sounds, the smells, of betrayal and cruelty. A face misshapen by rage. Calling her a cunt, a thundercunt. Inserting something into her. Hurting. Hot breath stinking of onion, sour mustard and oatmeal stout. Another face, mismatched eyes, laughing cruelly. Indignities. Mockery. More names: savage, bitter, merciless words... Might as well have been aborted, sucked out of her whore mother dripping pink-red ropy gouts in that same rain-drenched alley. Oh, there's more, always more. In a way, she had been aborted. First the rending pain, then the dull, hollow loneliness of it all.

He sat and waited. For the summer squall to abate. Which it did, and almost always does: tempest to gale to breeze to stillness.

"So, how were you going to do it? Fill your pockets with rocks and walk into the water? The Virginia Woolf method?"

"I have no idea who Virginia Woolf is. And no."

He stood, suddenly. As if he were a lockpicker and pins and tumblers had shifted and clicked into place. A look of stubborn surprise spread across his face, and he blinked.

"You know, now feels like a good time. Though I got a bit of a walk ahead of me. Will you walk with me, even for part of it?"

She looked at him. At his eyes. They were eroded to blanks by whatever unasked-for pain had been his burden. But she was no lemming. The camaraderie of annihilation was not for her. She would ache for this nameless man when she heard the news reports of a jumper on the bridge, but she would not throw in her lot with him, hitch her fate to his.

And he saw it. For a second, she saw the blankness in his eyes melted to pure pain, the realisation of his utter aloneness descending once more, as it no doubt had done when he'd made this call in the still, small hours, or whenever that awful moment had arrived in which his tenuous ties with life had finally come undone. He winced, paled further.

And she stepped forward and hugged him. It was all she could do. Held him as he sagged against her. Her route through the tangled undergrowth was not to be his. No two of us are alike, it seems.

When they parted, set out in opposite directions, one toward loud car stereos, dog shit, bar fights, perimenopause, film, sinks full of dishes, sleepless nights, music, abandon, spiritual inquiry, aching tender love, g-spot orgasms and sporadic health concerns—life, in other words—the other toward quiet, irreversible oblivion, something made Summer stop and turn and say:

"Oh, right. Yeah. I was gonna grab a 40-pounder of vodka, go home to a drawerful of Xanax, make a low-class cocktail of sorts and watch the sunset. Worked for Whitney, apparently. Although she was high class, I guess, but still..."

And with that and the most rueful of smiles, she turned and walked away.

Summer had lasted too long. But it was a false thing, really; however cunningly it faked it, there was no hiding the steady, earlier encroachment of darkness each and every day, a slow imperative. Either way, she would set out now into its still-warm, sticky glare and wait to see if fall, in its acceptance of that darkness, would yet prove a more bearable season.

*     *     *     *     *

Ed Lorn has written an excellent response to this piece on his blog, Ruminating On. Anyone wanna tackle winter? ;)

Update, 18 September, 2012: JD Mader stepped up to the plate for the winter segment and the ball is still somewhere in the stratosphere collecting ice. This has turned into a fantastic exercise, a new Four Seasons for the 21st Century. Who needs Vivaldi? Okay, that was stupid. But this is very cool.

Final update: Jo-Anne Teal rounded this whole thing off beautifully. Thanks, all, what a fantastic exercise.